JAZZ PROMO SERVICES

JAZZ PROMO SERVICES

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December 14, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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Rising Malian singer and songwriter Fatoumata Diawara has been nominated for two Grammy™ Awards. Her critically acclaimed Fenfo in the Best World Music category and for her collaboration with UK based electronic music duo Disclosure on the song “Ultimatum” in the Best Dance Recordingcategory.

The 61st Annual GRAMMY Awards®. Music’s Biggest Night® returns to Los Angeles’ STAPLES Center on Sunday, Feb. 10, 2019, and will broadcast live on the CBS Television Network at 8 p.m. ET/5 p.m. PT. Nominations for the 61st Annual GRAMMY Awards will be announced in all 84 categories on Wednesday, Dec. 5, 2018, and will honor the best in recordings released between Oct. 1, 2017, and Sept. 30, 2018.

Fatoumata has performed with some of the biggest names in contemporary music, including Bobby Womack, Herbie Hancock, Roberto Fonseca, Amadou & Mariam, Oumou Sangaré, Toumani Diabaté, Flea, David Crosby, Snarky Puppy and many more. From an appearance January 2018 at Carnegie Hall, Rolling Stone noted that “the singer and guitarist, originally from Mali, provided two of the night’s most striking moments. Her ode to the power of women, ‘Mousso,’ sung in her native language, was hypnotic, and her captivating stage spins enhanced her anthemic ‘Unite.’”

Diawara broke out in 2011 with her debut album, Fatou, which featured guest performances from legendary musicians John Paul Jones, Tony Allen and Toumani Diabaté. The record was hailed by Pitchfork as a “beguiling album” that “simply surrounds you with its atmosphere,” while The Guardian praised it as “an enjoyable, impressive set.”

MEDIA PERFORMANCE VIDEOS
SHOWS USA & CANADA

MARCH

20 Kay Meek Centre, Vancouver – CA
21 The Neptune Theatre, Seattle (WA) – USA
22 Star Theater, Portland (OR) – USA
23 The Theatre at Ace Hotel, Los Angeles (CA) – USA
24 Herbst Theatre, San Francisco (CA) – USA
26 Black Atlantic Festival, Durham (NC) – USA
28 Savannah Music Festival, Georgia (GA) – USA
31 Highland Center for the Arts, Greensboro (VT) – USA

APRIL

2 Le National, Montreal – CA
3 Palais Montcalm, Quebec – CA
4 Civic Theatres, Toronto – CA
 City Winery, Boston (MA) – USA
6 Rhythm Foundation, Miami Beach (FL) – USA
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677 / F: 845-986-1699
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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December 14, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


National TV Special:
An American Christmas
Featuring
PJ Rasmussen and the Boardwalk Jazz BandNovember 12th-December 30th

Anchored by WCBS-TV in NYC
On Over 150 stations nationwide.
Check local listings for broadcast times.

SEE A REVIEW COPY OF AN AMERICAN CHRISTMAS

Band Personnel:

Band Leader/Guitar/Vocals: PJ Rasmussen

Conductor: Charlie Dougherty

Vocals: April May Webb, Candice Reyes, Kate Victor

 

Piano: Billy Test

Bass: Daseul Kim

Drums: Joe Spinelli

 

Saxophones:
Eric Neveloff, Mercedes Beckman,
Dave Pollack, Abel Mireles, Andrew Hadro

 

Trombones: James Borowski, Peter Nelson,
Collin Banks, Seth Weaver

 

Trumpets: Benjamin Hankle, Will Caviness,
Paul Tafoya, Richard Polatchek

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An American Christmas: With PJ Rasmussen and the Boardwalk Jazz Band features 21 of New York’s finest young musicians, playing fresh and exciting renditions of America’s most beloved Christmas music along with a new original holiday tune! This year’s show is anchored by WCBS ch. 2 in NYC and will be on approximately 150 stations across the country, reaching nearly half a million viewers. The Boardwalk Jazz Band is New York’s only 21 piece band to feature four separate vocalists. They have headlined two national television specials, An American Christmas and Sounds of Summer, which features entirely original music.

REQUEST INTERVIEW WITH PJ RASMUSSEN

 

www.boardwalkjazz.com

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

 

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December 14, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


“The Brazil Concert”
featuring
Alexandra Jackson & Special Guests:
Duduka da Fonseca, Helio Alves, Sandro Albert, Arthur Maia, Eduardo Lobo and Larry Williams
at The Loft at City Winery on Jan. 7th
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Tickets & Info

www.legacyandalchemy.com
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

 

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December 13, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

THE EBONY HILLBILLIES
Town Hall
Black History Month Educational Series
February 6 & 7, 2019

2 free shows per day @ 10:30am & 12:30pm
and an evening show
plus 2 more special school events TBA

Town Hall
123 West 43rd Street
New York, NY 10036New CD

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THE EBONY HILLBILLIES –
THE PREMIER AFRICAN-AMERICAN STRING BAND IN AMERICA!

From the street corners of Manhattan to the hallowed stages of Carnegie Hall and Lincoln Center to TV appearances on the BBC and ABC’s “Good Morning America,” The Ebony Hillbillies are a true phenomenon, reviving the lost art form and American legacy of string band music for a whole new generation.

Continuing to bring a fresh urgency to the genre for a 21st Century world in need of some deep musical education, the dynamic ensemble – led by Henrique Prince (fiddle, vocals) with Norris Bennett (banjo, mountain dulcimer, guitar, vocals), Gloria Thomas Gassaway (on vocals and bones), acoustic bassist William “Salty Bill” Salter (3x-Grammy winning co-writer of legendary pop hits like “Where is the Love” and “Just The Two of Us”), Allanah Salter (shaker, vocals), Newman Taylor Baker/Ricky « Dirty Red » Gordon (washboard percussion) and A.R. on “cowboy” percussion kit – are releasing their latest full length album, 5 MILES FROM TOWN [EH MUSIC].

Infused with the Hillbillies’ trademark mix of pop, country, bluegrass, folk and jazz, the full length collection reflects a soulful, gritty and alternately funky, romantic and socially conscious place where toes are always tapping, percussion is slapping, fiddles are jamming, front porch chairs are rocking, banjos are plucking and voices are raised in determination and triumph.

Mixing lively instrumentals and vocals over the course of 11 tracks and 3 alternately playful and hard-hitting snippets/skits, the group performs everything from a down home fiddle jam (“Hog”), the gentle romantic cautionary tale « Fork in the Road” and an intimate cover of Bonnie Raitt’s “I Can’t Make You Love Me” to the incisive social commentaries “Another Man Done Gone (Hands Up Don’t Shoot)” (about black men and police shootings) and “I’m on My Way To Brooklyn,” which rolls as a lighthearted NYC inspired spiritual until the end…and three gunshots.

The Ebony Hillbillies started out on the streets of Manhattan, but their vibe and influence has extended over the years to acclaimed live performances at legendary venues like Carnegie Hall and Lincoln Center; appearances on the BBC, Good Morning America, NBC, CBS, etc., international music workshops and festivals, visual artist collaborations at museums (including The Whitney with phenom Kara Walker and The Smithsonian Museum), Guest school programs, Foot stomping and Hand-clapping Dance parties and more. In the digital era, they have sold thousands of hard copies of their four CDs – Sabrina’s Holiday, I Thought You Knew, Barefoot and Flying and 2015’s Slappin’ A Rabbit – Live! – at their shows and via their globally popular website, https://www.theebonyhillbillies.com/home

THE EBONY HILLBILLIES – “5 MILES FROM TOWN”
(EH MUSIC)
Street Date: 01/04/2019

HENRIQUE PRINCE – VIOLIN AND VOCALS, NORRIS WASHINGTON BENNETT – BANJO, MOUNTAIN DULCIMER, GUITAR, AND VOCALS, GLORIA THOMAS GASSAWAY – BONES (PERCUSSION) & VOCALS, WILLIAM (SALTY BILL) SALTER – ACOUSTIC BASS, ALLANAH SALTER – SHAKER (PERCUSSION) & VOCALS, NEWMAN TAYLOR BAKER – WASHBOARD PERCUSSION, A.R. (ALI RAHMAN) – (COWBOY) PERCUSSION
UPC Code: 888295643214

*ALL SONGS BELOW ARE TRADITIONAL/arr. by THE EH EXCEPT WHERE NOTED…
01. HOG EYED MAN 2:36
02. WANG DANG DOODLE [W. DIXON]  3:32
03. DARLING COREY  2:41
04. I CAN’T MAKE YOU LOVE ME [M.REID/A.SHAMBLIN]/ ZYX (HARRY THOMAS’ REVENGE INTERLUDE)  4:41
05. CARROLL COUNTY BLUES  3:38
06. CREAM  [Prince] / I’M ON MY WAY TO BROOKLYN (YES INDEED INTERLUDE)  4:35
07. ANOTHER MAN DONE GONE/HANDS UP DON’T SHOOT  3:36
08. I’D RATHER BE A **** THAN A PO’ WHITE MAN  2:28
09. FORK IN THE ROAD [W. « SMOKEY » ROBINSON]   4:33
10. OH WHAT A TIME  1:21
11. WHERE HE LEADS ME (I WILL FOLLOW) 3:11
12. FIVE MILES FROM TOWN studio version  4:35

 Available From: Amazon-CDBaby-iTunes
https://www.theebonyhillbillies.com/home
Media Contact
Jim Eigo
Jazz Promo Services
272 State Route 94 South #1
Warwick, NY 10990-3363
Ph: 845-986-1677 
E Mail: jim@jazzpromoservices.com
www.jazzpromoservices.com
« Specializing in Media Campaigns for the music community, artists, labels, venues and events.”
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

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December 12, 2017

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Funeral Services for James Jordan

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Funeral services for James Jordan, the retired, former Director of Music Programs for the New York State Council on the Arts, will be held on Tuesday, December 18th at 11 a.m. EST at Benta’s Funeral Home in Harlem. Benta’s is located at 630 St. Nicholas Avenue.  Visitation begins at 10:30 a.m.

Statement from  Denardo Coleman

To all of our friends we are sad to relay the news that Ornette’s cousin and long time manager, James Jordan has passed away at the age of 87.
James and Ornette were inseparable virtually growing up as brothers in Fort Worth Texas. Both played in the Mother AME Church band as well as the IM Terrel high school band. James on tenor sax.
James played professionally in big bands for Big Joe Turner, BB King and others.
James then went on to begin a successful career working as a music educator in Columbus, Texas, and as a member of a popular jazz band in Austin. He later became a community activist in the war on poverty, and served as Executive Director of the Human Opportunities Corporation in Travis County.
In the late 1960s Ornette asked James to join him in New York as his manager. They went on to accomplish many milestones including mounting Ornette’s historic symphonic work Skies of America. The belief and support that Ornette could compose such a work was not there. With that, James managed to secure advances for 2 jazz combo recordings from Columbia Records. Unbeknownst to the company he and Ornette flew off to England where they hired the London Symphony Orchestra. There they recorded what was to be one of Ornette’s seminal albums, Skies of America, James Jordan producer.
Subsequently James Jordan’s unique qualifications came to the attention of the New York State Council on the Arts. James was asked to become the Director of the State Council’s Music Program. He would be with the Council for 29 years, retiring in 2005.
The NYS Council for the Arts serviced all of the state’s arts institutions from the Metropolitan Opera to the AACM NY Concert Series. With James as director countless small creative arts organizations knew they had a champion in the State House. Someone who truly understood how important it was to support the independent artist.
As a leading figure in Jazz related work, James was the founding secretary of the board for the creation of the National Jazz Service Organization.
He also served as Chairperson of the Policy Panel for Jazz as well as for the Grants Panel for the National Endowment for the Arts
After retirement James, rejoined Ornette as his personal manger. They went on to tour the world for the next several years. Including performances of Skies of America in Europe.
James Jordan–another one of Fort Worth’s giants.
(Photo by Enid Farber, James Jordan Accepting Jazz Journalist’s Association 2010 A Team Award)
This E Mail Is Being Sent by:

Jim Eigo Jazz Promo Services T: 845-986-1677 E-Mail: jim@jazzpromoservices.com
http://www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

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December 12, 2017

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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Dear music lover, colleague, friend, and/or family (or all of the above!),

I’m writing to let you know about an Indiegogo campaign that we’ve just launched for a new TV pilot called “Rhythms of Life with Arturo O’Farrill.

Most of the important things in life — culture, family, work, love and politics — are shared through music. It’s the universal language. Arturo uses music as a window into the lives of people around the world.

Arturo is a six-time Grammy Award winner as well as a warm, enthusiastic performer with an abundant mix of curiosity, scholarship, and talent. He has performed all over the globe teaching and learning at every location. Arturo is a natural for TV, and the pilot episode for this program will bring that home.

In divisive times, it is important to focus on what brings us together. Music is a language that emanates from the soul and is expressed through culture. Think along the lines of Anthony Bourdain’s “Parts Unknown,” featuring local musicians in domestic and foreign locations.

Please check it out here, and if you’re interested in helping the project come to life, make a contribution — any amount is welcome, of course — and there are some perks involved, too.

We have a cinematographer and production company in place to shoot this pilot in February of 2019 while Arturo and the Afro Latin Jazz Orchestra will be in residence at NYU Abu Dhabi. The residency will include a mambo concert, master classes, and a final concert featuring several Middle Eastern musicians and ensembles as well as the ALJO Big Band.

Please see our Indiegogo site to get the big picture and help us to create an even bigger picture for TV audiences in the US and around the world.

With thanks and best wishes for a great holiday,

Fred Miller

Check out our Indiegogo fundraising campaign
This E Mail Is Being Sent by:

Jim Eigo Jazz Promo Services T: 845-986-1677 E-Mail: jim@jazzpromoservices.com
http://www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

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December 4, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Jazz Promo Services
2018 Recap + 2019 New Releases

For Promo Service or Digital Download
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 2018 PROJECTS

Noshir Mody

Noshir Mody – “A Burgeoning Consciousness”

(Self Produced)

 

MUSICIANS: Noshir Mody: Guitar, Mike Mullan: Alto/Tenor Saxophone, Benjamin Hankle: Trumpet/Flugelhorn, Campbell Charshee: Piano, John Lenis: Bass, Yutaka Uchida: Drums

→Street Date: 05/11/2018

New Jazz Book: This is Hip The Life of Mark Murphy

New Jazz Book: This Is Hip The Life Of Mark Murphy – “Peter Jones”

(Equinox Publishing)

 

MUSICIANS: Author Peter Jones is a Jazz singer and journalist This Is Hip is more than a biography: it also explores Murphy’s innovative approaches both to singing and to the teaching of singers. Based on numerous interviews with those who knew him best, the book delves into a performing and recording career that spanned 60 years and earned him five Grammy nominations. Available As: ISBN-13 (Hardback) 9781781794739 Price (Hardback) £25.00 / $29.95; ISBN (eBook) 9781781796627 Price (eBook) Individual £25.00 / $29.95; Institutional £25.00 / $29.95

→Street Date: 01/03/2018

Brad Garton & Dave Soldier

Brad Garton & Dave Soldier – “The Brainwave Music Project”

(Mulatta 038)

 

MUSICIANS: musican/neuroscientist (Dave Soldier composer/computer-musician (Brad Garton)  hardanger fiddle (Dan Trueman), the solo flute (Margaret Lancaster), the mandolin (Terry Pender) and the trap drums (William Hooker)  http://davesoldier.com , http://mulatta.orghttp://sites.music.columbia.edu/brad/

→Street Date: 01/05/2018

Corina Bartra

Corina Bartra – “Takunde”

(Blue Spiral Records CD 13)

 

MUSICIANS: Corina Bartra-vocals, Steve Sandberg-piano; Victor Murillo-bass; Jay Rodriguez-sax; Seth Johnson-guitar; Vince Cherico-drums; Perico Diaz-cajon

→Street Date: 01/05/2018

Gregory Lewis & Marc Ribot

Gregory Lewis & Marc Ribot – “Organ Monk Blue”

(Self Produced)

 

MUSICIANS: Gregory Lewis-Hammond B3 Organ, Marc Ribot-guitar, Jeremy Bean Clemons-Drum

→Street Date: 01/05/2018

Hart, Scone & Albin

Hart, Scone & Albin – “Leading The British Invasion”

(Zoho Roots ZM201801)

 

MUSICIANS: JOHN HART-Guitar, ADAM SCONE-Hammond Organ, RUDY ALBIN PETSCHAUE-Drums

→Street Date: 01/05/2018

Steve Hobbs

Steve Hobbs – “Tribute To Bobby”

(Challenge CR73433)

 

MUSICIANS: Steve Hobbs-Marimba, vibes,   Adam Kolker-soprano and tenor saxes,  Bill O’Connell-piano, Peter Washington-bass, John Riley-drums, Carol Ingbretsen, Maurice Myers and Marvin Thorne-vocals

→Street Date: 01/05/2018

Steve Slagle

Steve Slagle – “Dedication”

(Panorama Records 007)

 

MUSICIANS: Steve Slagle-alto & soprano sax, Lawrence Fields-piano, Scott Colley-bass, Roman Diaz-percussion, Bill Stewart-drums, Special Guest Dave Stryker-guitar

→Street Date: 01/05/2018

Jungsu Choi TINY ORKESTER

Jungsu Choi TINY ORKESTER – “Tschuss Jazz Era”

(Challenge Records CR 73451)

 

MUSICIANS: Jungsu Choi has put together a great contemporary jazz ensemble with Korea’s best jazz musicians – of the best of the jazz players in Korea, Jinho Pyo (Male Voice), Eunmi Kim (Flute), Yusun Nam (Alto sax), Hachul Song (Tenor sax), Yejung Kim (Trumpet), Junyeon Lee (Trombone), Jungyun Ahn (Cello), Sungyun Hong (Guitar), Jungmin Lee (Piano), Inseob Song (Bass), Hyunsu Lee (Drums).

→Street Date: 01/12/2018

MADELEINE & SALOMON

MADELEINE & SALOMON – “A WOMAN’S JOURNEY”

(Tzigart/Promiseland PL0012)

 

MUSICIANS: Clotilde : vocals, flute, Alexandre Saada : Piano, Rhodes, Clavinette, back vocals All arrangements by : Madeleine & Salomon

→Street Date: 01/12/2018

Andrew Neu

Andrew Neu – “The Big Band Side Of Andrew Neu Catwalk”

(CGN Records 82601-2)

 

MUSICIANS: featuring Randy Brecker, Bob Mintzer, Wayne Bergeron, Eric Marienthal, Gordon Goodwin and Rick Braun

→Street Date: 01/16/2018

Ira B. Liss Big Band Jazz Machine

Ira B. Liss Big Band Jazz Machine – “Tasty Tunes”

(Tall Man Productions 005)

 

MUSICIANS: Featuring: Bob Mintzer, Eric Marienthal, Holly Hoffman & Dean Brown

→Street Date: 01/23/2018

Fred Farell

Fred Farell – “Distant Song Fred Farell Sings The Music Of Dave Liebman And Richie Beirach”

(Whaling City Sound WCS 103)

 

MUSICIANS: Fred Farell Voice, Dave Liebman Soprano & Tenor Saxophones, Wooden Recorder, Richie Beirach-Acoustic Piano

→Street Date: 01/26/2018

Other Animal

Other Animal – “Other Animal”

(Traumton Records 4661)

 

MUSICIANS: Peter Meyer – Guitar, Electronics, Wanja Slavin – Alto Saxophone, Synth + Flutes Track 1, Clarinet Track 5, Bernhard Meyer – Bass, Jim Black – Drums

→Street Date: 02/02/2018

Roch Lockyer

Roch Lockyer – “When Frank Met Django”

(rochlockmusic)

 

MUSICIANS: Roch Lockyer –Guitar & Vocals, Ben Powell-Violin & Rob Hardt-Clarinet

→Street Date: 02/14/2018

Diane Moser

Diane Moser – “Birdsongs”

(Planet Arts 30174)

 

MUSICIANS: Diane Moser-piano, Anton Denner-flute & piccolo, Ken Filiano-bass

→Street Date: 03/01/2018

Fernando Garcia

Fernando Garcia – “Guasabara Puerto Rico”

(Zoho ZM201802)

 

MUSICIANS: FERNANDO GARCÍA drums, vocals (6), DAN MARTÍNEZ upright bass, electric bass (8), GABRIEL CHAKARJI piano, GABRIEL VICÉNS guitar, JAN KUS tenor sax, VICTOR PABLO barril, congas, Special guest: MIGUEL ZENÓN Alto Sax (3)

→Street Date: 03/09/2018

DIANE MARINO

DIANE MARINO – “SOUL SERENADE-The Gloria Lynne Project”

(M&M Records MCD 6923)

 

MUSICIANS: Diane Marino: vocals, Brad Cole: piano/keyboards/B-3 organ Arrangements / Orchestrations, Chris Brown: drums, Frank Marino: bass, Mark Christian: guitar-tracks except tracks 2.4, Doug Munro: guitar-tracks 2.4, Dann Sherrill: percussion, Don Aliquo: alto, tenor, baritone & soprano saxophones, Scott Ducaj: trumpet-tracks 3.7.11, Harry Kim: trumpet-track 4, Roy Agee: trombone, David Davidson: violin, David Angell: violin, Monisa Angell: viola, Carole Rabinowitz: cello, Tom Moore: bassoon- track 9, Deanna Loveland: harp track 12

→Street Date: 03/19/2018

Michael Moss the Accidental Orchestra
December 3, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

 

 

Piedmont Piano Company Presents

DENNY ZEITLIN
Solo Jazz Piano

 

EXPLORING GEORGE GERSHWIN

« By any measure, Zeitlin’s output over the past 50 years
places him at jazz’s creative zenith. »

   Andrew Gilbert, JazzTimes

An evening re-imagining unique compositions by
George Gershwin that have become standards in the American Song Book

TWO SHOWS:
Friday, December 7th
8:00 and 10:00 pm

Piedmont Piano Company
1728 San Pablo Avenue
(at 18th Street)
Oakland, CA 94617
Admission $25
Tickets: Available at Door,
Reservations Recommended
Click HERE to purchase tickets ONLINE

(510) 547 8188
www.piedmontpiano.com

A FEW REVIEWS OF DENNY ZEITLIN’S SOLO PIANO PERFORMANCES « …he is an improvisational artist whose skills are so expansive that he can integrate everything he hears into the fabric of his soloing. In the best sense, in the manner that has always been true of jazz’s finest improvisers, Zeitlin constantly stretches the creative envelope, measuring himself only against the infinite demands of his music. »
Don Heckman, Los Angeles Times
« …Zeitlin delivered a riveting solo performance. »
George Goodman, New York Times
« In supreme command of the keyboard…he employs striking dissonances, he constructs extraordinary edifices of harmonics, he can be marvelously pianistic, with a velvet subtlety of touch. He is an original…Denny Zeitlin stretches jazz piano beyond any hitherto defined limits. »
Don Freeman, San Diego Union
« …He didn’t show his brilliance through his technique (which he has), but through subtle improvisation, advanced and finely-tuned harmonic development, and a stupendous internal sense of meter…Denny Zeitlin’s solo piano was the unpretentious highpoint of the festival. »
Munchner Merkur (Munich)


www.dennyzeitlin.com

Media Contact
Jim Eigo Jazz Promo Services
Ph: 845-986-1677 / jim@jazzpromoservices.com
www.jazzpromoservices.com
« Specializing in Media Campaigns for the music community, artists, labels, venues and events.”
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November 7, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


GRAMMY Nomination for
Best Latin Jazz AlbumBobby Sanabria Multiverse Big Band
West Side Story Reimagined
Listen On Spotify

Full samples also on YouTube
shem.gif

Growing up as a Nuyorican kid in the Bronx, Bobby Sanabria first watched « West Side Story » in the movie theaters, on the 10th anniversary of the film’s release. « I was mesmerized, » said the Latin Jazz drummer and composer. Last year, « West Side Story » celebrated its 60th anniversary and to honor this milestone, Sanabria re-envisioned what Latino New York City actually sounds like. The result was his album, « West Side Story Reimagined. » Maria Hinojosa talks to the drummer and composer about what the iconic musical means to him and how he paid tribute to its legacy.

Bobby Sanabria Multiverse Big Band“West Side Story Reimagined”
(Jazzheads JH1231)
www.jazzheads.com

Multiverse Big Band TRUMPETS Kevin Bryan – lead Shareef Clayton Max Darché Andrew Neesley SAXOPHONES David Dejesus- lead alto, soprano, flute Andrew Gould – alto, flute Peter Brainin- tenor, flute Yaacov Mayman – tenor, flute, clarinet Danny Rivera – baritone TROMBONES David Miller – lead Tim Sessions Armando Vergara Chris Washburne- bass FLUTE, PICCOLO Gabrielle Garo ELECTRIC VIOLIN Ben Sutin RHYTHM Bobby Sanabria – musical director, drums, whistle, lead vocals, coro Darwin Noguera – piano Leo Taversa – electric bass Oreste Abrantes – congas, itotele batá drum, coro Matthew Gonzalez – bongo/cencerro, primo bomba drum, Iyá bata, requinto pandereta, ganza, coro Takao Heisho – Cuban guiro macho, Dominican guira, Puerto Rican guicharro clave, okonkolo batá drum, maracas (Cuban and Venezuelan), shekere, tambourine, cuica, pandeiro, triangle, gongThere’s every reason to hope that Steven Spielberg’s remake of “West Side Story” will improve upon the 1961 film, but I doubt if we’ll ever hear a more thrilling interpretation of that immortal score  than that of the Bobby Sanabria Multiverse Big Band.Will Friedwald-Wall Street Journal Congrats on the album of the year!
Marc Myers Jazz Wax
Read Marc’s review
 HEREWest Side Story Reimagined is available from:

AMAZON
ITUNES

Jazzheads is distributed by

Media Contact:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

Radio Contact
Mike Carlson
MC Promotion 

1-360-477-4994
mcpro@earthlink.net

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

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December 7, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Celebrate The Musical Legacy Of
Jazz Giant Gil Evans
At Multiple December Events
Discover the enduring influence of renowned NEA Jazz Master and multiple Grammy winner
Gil Evans at Dec. 15 NYPL panel discussion, and more 

shem.gif

You might say December is unofficially Gil Evans month in the Big Apple, as three exciting events turn the spotlight on this legendary jazz composer, arranger, pianist, and long-time Miles Davis collaborator. On the schedule this month are a lively symposium, the release of the first studio album by the Gil Evans Orchestra in more than four decades, and an all-star CD release gig that’s sure to attract a who’s who of the New York music scene.

Gil Evans made a lasting mark on numerous areas of jazz. He led swing dance bands, pioneered the cool school of jazz, and did landmark work with jazz icon Miles Davis, which can be heard on enduringly acclaimed albums such as Sketches of SpainPorgy and BessBirth of the Cool,and others. Evans also delved into electronic music and jazz-rock fusion, drawing new listeners with his arrangements of Jimi Hendrix songs for large brass- and synth-heavy ensembles.

“Gil was a great innovator,” says his son Miles Evans. “He had the next great sound as an orchestrator and arranger, after Duke Ellington.” Gil Evans also had a knack for attracting the cream of the musical crop. In addition to mentoring and collaborating with the greatest jazz musicians across a half century, he formed strong ties and recorded with pop icons like Sting and Paul Schaffer. In recognition of his work, Evans garnered three Grammys and 13 nominations, received one of the first Guggenheim Fellowships ever awarded to a jazz musician, and was named a Jazz Master by the National Endowment for the Arts in 1985, among other honors.

On Dec. 15, at 11 a.m., MOMENT NYC and the NYPL are hosting a symposium on the jazz genius at NYPL for the Performing Arts in the Astor Gallery at 40 Lincoln Center Plaza. Expect to gain insights into Gil Evans’ art and more through presentations by his biographer, Stephanie Stein Crease, the author of “Gil Evans: Out of the Cool: His Life and Music”; Miles Evans, and NYPL’s David McMullin, who will present highlights from the library’s Gil Evans archive. And as with any Gil Evans event, there’s always the chance there will be surprise special guests on hand.

The NYPL for the Performing Arts setting is a good fit for the event, Miles Evans says. “At NYPL, they’re very knowledgeable about Gil’s music. They’re aware that you can hear the Ravel chords in his music, you can hear Debussy; and the people at NYPL know Gil went to the library to listen and study up.”

The event also will include a display of photos, sketches and audio samples from the Evans family’s collection, a Q&A session, and samples of music from a new recording from the Gil Evans Orchestra, “Hidden Treasures Monday Nights, Volume One” (Bopper Spock Suns Music).

The brand-new album, set for Dec. 7 release, is the first studio recording by the Gil Evans Orchestra in more than 40 years. It features several mainstays of the band that held court every Monday for more than a decade at the fabled Greenwich Village club Sweet Basil. Instead of going the “greatest hits” route, “Hidden Treasures” features seldom-heard tunes from the extensive Gil Evans repertoire, many of them written by long-time band stalwarts. “We wanted to showcase the fantastic cast that played with the band,” Noah Evans says. “We wanted to bring back memories of all those great Mondays at Sweet Basil, and bring Gil back to people’s awareness.”

More than a dozen Monday Night Band alumni and several special guests will be on hand Dec. 22 to celebrate the release of “Hidden Treasures Monday Nights, Volume One” at the Cutting Room (44 E. 32ndSt., NY; tickets and info: https://tickets.thecuttingroomnyc.com/event/1796799).

MOMENT NYC’s mission is to preserve New York’s history of diverse music communities past, present, and future (www.momentnyc.org).

MOMENT NYC and the NYPL
Present A
Gil Evans Symposium
Saturday, December 15, 11AM to 1PM
NYPL for the Performing Arts in the Astor Gallery 
40 Lincoln Center Plaza (65th St and Columbus Ave)
New York, NY, 10023
(917) 275-6975
https://www.nypl.org/locations/lpaStephanie Crease (Gil’s Biographer) and David McMullin (NYPL)

•    11:00-11:10 Entrance audio
– Introductions and acknowledgements (David McMullin)
•    11:10-11:20 The Individualism of Gil Evans (Stephanie Crease – images)
•    11:20-11:25 Growing up with Gil
(Miles Evans & Stephanie Crease – images)
•    11:25-11:30 Gil’s Life & NYC Stories (whole panel – audio/images)
•    11:30-12:00 Selections from the NYPL collections and discussion (audio/images – David McMullin)
•    12:00-12:10 The legacy of the Gil Evans Monday Night Orchestra
(audio from new album/video –  Miles Evans)
•    12:10-12:20 Open forum for comments and questions (panel)
•    12:20-12:30 Closing
Gil Evans Orchestra
CD Release Show
HIDDEN TREASURES MONDAY NIGHTS
VOLUME ONE
Saturday, December 22nd  9:30pm

The Cutting Room

44 E32nd St.

Between Park and Madison
New York, NY 10016

(212) 691-1900
Tickets & Info


Photo Credit: Carol Friedman

Featuring

Kenwood Dennard: Drums

Mino Cinelu: Percussion

Mark Egan: Bass

Pete Levin: Keyboards

Miles Evans: Trumpet

Shunzo Ohno: Trumpet

Mike Mossman: Trumpet

Conrad Herwig: Trombone

David Taylor: Bass Trombone

John Clark: French Horn

Rob Scheps: Alto Sax & Flute

Alex Foster: Tenor & Soprano Sax

Alden Banta: Baritone Sax

And surprise Special Guests!

 

Music Charges + Any Minimums: $20

Purchase Ticket Direct Link

GIL Evans Orchestra « Hidden Treasures » (Miles Evans Promo)

Band Website: http://www.gilevans.com/

Venue Website: http://thecuttingroomnyc.com/

Pledge Music

Musical sparks fly from this group of New York’s finest musicians with a varied program of compositions that recall Gil Evans’ infamous Monday night sessions at the Greenwich Village club, Sweet Basil.

THE GIL EVANS ORCHESTRA
“HIDDEN TREASURES MONDAY NIGHTS, VOLUME ONE ”

Artist: THE GIL EVANS ORCHESTRA
Title: HIDDEN TREASURES MONDAY NIGHTS VOLUME ONE
Label: BOPPER SPOCK SUNS MUSIC GEO-34752
Release Date: DECEMBER 07, 2018
UPC Code: 860000347525Track listing and Running Time 
1. SUBWAY Pete Levin 10:56
2. LL FUNK Miles Evans 5:29
3. I SURRENDER Delmar Brown/Alex Foster 7:17
4. GROOVE FROM THE LOUVRE John Clark 9:50
5. LUNAR ECLIPSE Masabumi Kikuchi 6:28
6. MOONSTRUCK Gil Evans 1:49
7. ELEVEN Gil Evans 5:24Kenwood Dennard – Drums, Mino Cinelu – Percussion Mark Egan – bass Pete Levin– keyboards, Miles Evans – trumpet Shunzo Ohno – trumpet David Taylor – Bass Trombone, John Clark – French Horn, Chris Hunter – Alto Sax, Flute, Alex Foster – Tenor Sax, Soprano Sax Darryl Jones – Bass (Tune 2), Matthew Garrison – Bass & Bass Solo (Tune 2), Vernon Reid – Guitar (Tune 2), Paul Shaffer – Fender Rhodes (Tune 2),David Mann – Alto Sax (Tune 2), Gil Goldstein – Piano (Tunes 1, 2, 5, 6), Delmar Brown– Synthesizer (Tunes 1, 2, 5), Charles Blenzig – Synthesizer (Tunes 2, 3, 4, 7), Gabby Abularach – Guitars (Tune 1, 4, 5), Jon Faddis – Trumpet (Tunes 1, 5, 6), Dave Bargeron -Trombone (Tunes 1, 5, 6), Gary Smulyan – Baritone Sax (Tunes 1, 5, 6), Birch Johnson – Trombone (Tunes 3, 4, 7,) Alex Sipiagin – Trumpet (Tunes 3, 4, 7), Alden Banta – Baritone Sax (Tunes 3, 4, 7).Monday Nights” is not only the first studio recording of the Gil Evans Orchestra in over forty years, it’s also offers some of the most audacious and electrifying music of the new millennium. The late Gil Evans was one of the most respected orchestrators in jazz history and his fabled collaborations with Miles Davis, including “Birth of the Cool,” “Sketches of Spain” and “Porgy and Bess,” set the gold standard for modern jazz arranging. Accordingly, Evans played a key role in the development of cool jazz, modal jazz, free jazz and jazz fusion. All of these influences are strikingly present on “Monday Nights,” a particularly contemporary incarnation of Evans’ music. After a string of gigs that started in the late 70s, the Gil Evans Orchestra began a run of Monday night engagements in 1983 at the Greenwich Village club, Sweet Basil, which resulted in a number of successful live recordings by Gil Evans and the Monday Night Orchestra. The gig continued sporadically until 1994. Mr. Evans had a knack for bringing out the best in his groups comprised of first-call New York players including David Sanborn, Alan Rubin and Tom “Bones Malone,” and such musicians as George Adams, Hannibal Marvin Peterson and Howard Johnson. Gil’s sons, trumpeter Miles Evans and his brother Noah are keeping the flame alive with “Hidden Treasures,” a trilogy of recordings of which “Monday Nights” is the first. The concept here, is to feature compositions that the Orchestra played live in the late 70s and early 80s. Forthcoming are “The Classics,” featuring modern renderings of Evans’ original arrangements, including “My Ship,” and “The Meaning of the Blues,” and, the final release in the series, “Gil & Anita,” named for the late jazz icon and his wife. “Subway,” written and arranged by keyboardist Pete Levin opens the album and introduces the imperial command of the ensemble, anchored by drummer Kenwood Dennard. With dynamic twists and turns, and subtle musical shadings, this is one hell of a subway ride. Commanding solos by trombonist Dave Bargeron and tenor saxist Alex Foster, offering some respect for Wayne Shorter, add to the excitement. Trumpeter Miles Evans wrote and arranged “LL Funk” and once again Kenwood Dennard drives the music with a powerful funk beat good for both listening and dancing. With Darryl Jones on bass, special guests’ solos abound: keyboardist Paul Shaffer, even more laid back than usual; the criminally underrated Matthew Garrison and his highly original bass: and Vernon Reid bringing a thick almost heavy metal guitar tip to the track. The icing on the cake is David Mann, who weaves his bluesy, potent alto sax throughout the track. “I Surrender,” written by Delmar Brown and Alex Foster, and arranged by Alex and Charles Blenzig is a musical requiem for a heavyweight. Mr. Brown, a superb keyboardist who played with the Gil Evans Orchestra as well as Pat Martino, passed away in 2017 and “I Surrender” is his tribute. He is also present on several tracks recorded before his passing. A true musical heavyweight, Alex Foster offers another side of his soulful, highly expressive tenor. A very popular composition from the Sweet Basil days, “Groove from the Louvre,” written and arranged by John Clark, features the composer on french horn, trumpeters Shunzo Ohno and then Alex Sipiagin, percussionist Mino Cinelu, who came to prominence with Miles Davis and Weather Report, bass trombonist Dave Taylor. Deft and determined, drummer Dennard anchors the band through the gentle opening, and then the hard edged groove that follows. There’s a regal, totally swinging feel to the track, with superb ensemble work that shows this is more than just a group of soloists, but a real orchestra. “Lunar Eclipse” written by Masabumi Kiuchi and arranged by the master himself, Gil Evans, is evocative and cinematic. An Evans protégé, Gil Goldstein solos here, memorably, amidst a dreamy synthesizer background which follows him through his two solos on the track, the first of which gives away to Mino Cinelu on bongos and then drummer Dennard, raising the musical stakes once again. It’s a heady musical mixture. More of the master on “Moonstruck,” which is short, whimsical and very tasty. Tracking at 1:49, it’s an ensemble feature that’s both intriguing and attention grabbing. The recording closes with “Eleven,” also straight from the source, a Gil Evans composition and arrangement, which originally appeared as “Petits Machins (Little Stuff)on the 1968 Miles Davis recording, Filles de Kilimanjaro. The set closer is a bristling swinger, a fitting capper to this powerful set of absolutely stunning music. The groove is infectious, a potent platform for solos by alto saxophonist Chris Hunter, Charles Blenzig on electric piano and Alex Foster, who returns on tenor and continues to amaze. Gil Evans Lives!Monday Nights is available for purchase on Pledge Music. http://goo.gl/4rs6kG
NATIONAL PRESS CAMPAIGN: 
JIM EIGO, JAZZ PROMO SERVICES,
272 State Route 94 South #1, Warwick, NY 10990-3363
Ph: 845-986-1677 jim@jazzpromoservices.com • www.jazzpromoservices.com
“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677 / F: 845-986-1699
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

jazzLogo.jpg
December 7, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


GRAMMY Nomination for:
Best Large Jazz Ensemble
Jim McNeely and the Frankfurt Radio Big Band Barefoot Dances and Other Visions
shem.gif
Jim McNeely and the Frankfurt Radio Big Band
Barefoot Dances and Other Visions
(Plan
et Arts 301721

FRANKFURT RADIO BIG BAND (HR-BIGBAND) JIM McNEELY conductor, HEINZ-DIETER SAUERBORN soprano and alto saxophones,  flute, alto and bass  flutes, clarinet, OLIVER LEICHT soprano and alto saxophones,  flute, alto  flute, B  flat and alto clarinets, TONY LAKATOS tenor saxophone,  flute, alto  flute, STEFFEN WEBER tenor saxophone, flute, bass  flute, clarinet, RAINER HEUTE baritone saxophone, bass clarinet, alto  flute, FRANK WELLERT trumpet,  flügelhorn THOMAS VOGEL trumpet,  flügelhorn, MARTIN AUER trumpet,  flügelhorn, AXEL SCHLOSSER trumpet,  flügelhorn, GÜNTER BOLLMANN trombone, PETER FEIL trombone, CHRISTIAN JAKSØ trombone, euphonium, valve trombone, MANFRED HONETSCHLÄGER bass trombone, PETER REITER piano, MARTIN SCALES guitar, THOMAS HEIDEPRIEM bass, JEAN PAUL HÖCHSTÄDTER drums

Olaf Stötzler, Orchestra Manager/Producer
Axel Gutzler: Recording/Editing/Mixing/Mastering
Michael Wayszak: Recording Engineer:

Barefoot Dances and Other Visions is a seven-part suite composed in 2014 for the Frankfurt Radio Big Band. Each piece expresses a different kind of fantasy. We performed it live in two concerts in Frankfurt February ’14, then recorded it in the studio in September of that year.

When I wrote this music I had been working with the Frankfurt Radio Big Band for about six years, so I knew the players quite well. The suite was written so that every one of the band’s soloists is placed in a framework that would be both familiar and challenging. Each piece features a pair of soloists, playing individually, sometimes together. Several of the pieces begin with a chamber-sized group, “in front of the curtain”. Then the curtain rises to reveal the whole band, having assumed yet another formation.

Bob’s Here imagines the return of composer/trombonist Bob Brookmeyer, who died in 2011. Black Snow conjures up the vision of a normally tranquil scene, still tranquil but rendered improbably dark. Barefoot Dances are just that, something I’ve never actually done in my life. A Glimmer of Hope tries its best to be optimistic, a difficult task these days. Redman Rides Again imagines the return of the arranger/reedman Don Redman. Among other things he was known for writing fantastic clarinet trios. This piece features a real clarinet trio, and a second “trio” formed by Oliver Leicht and his harmonized clarinet. Falling Upwards: try as I may, I still find it impossible. The Cosmic Hodge-Podge offers a vision of the cosmos where galaxies are replaced by blocks of sound; super novas become solo explosions; and a single black hole emerges at the end, emitting just a smidgen of light.     Jim McNeely

Media Contact
Jim Eigo
Jazz Promo Services
272 State Route 94 South #1
Warwick, NY 10990-3363
Ph: 845-986-1677
Cell / text: 917-755-8960
Skype: jazzpromo
jim@jazzpromoservices.com
www.jazzpromoservices.com
« Specializing in Media Campaigns for the music community, artists, labels, venues and events.”
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

Jazz Promo Services via mailchimpapp.net 

ven. 7 déc. 18:00 (Il y a 21 heures)

À moi

 

 

jazzLogo.jpg
November 7, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


GRAMMY Nomination for
Best Latin Jazz AlbumBobby Sanabria Multiverse Big Band
West Side Story Reimagined
Listen On Spotify

Full samples also on YouTube
shem.gif

Growing up as a Nuyorican kid in the Bronx, Bobby Sanabria first watched « West Side Story » in the movie theaters, on the 10th anniversary of the film’s release. « I was mesmerized, » said the Latin Jazz drummer and composer. Last year, « West Side Story » celebrated its 60th anniversary and to honor this milestone, Sanabria re-envisioned what Latino New York City actually sounds like. The result was his album, « West Side Story Reimagined. » Maria Hinojosa talks to the drummer and composer about what the iconic musical means to him and how he paid tribute to its legacy.

Bobby Sanabria Multiverse Big Band“West Side Story Reimagined”
(Jazzheads JH1231)
www.jazzheads.com

Multiverse Big Band TRUMPETS Kevin Bryan – lead Shareef Clayton Max Darché Andrew Neesley SAXOPHONES David Dejesus- lead alto, soprano, flute Andrew Gould – alto, flute Peter Brainin- tenor, flute Yaacov Mayman – tenor, flute, clarinet Danny Rivera – baritone TROMBONES David Miller – lead Tim Sessions Armando Vergara Chris Washburne- bass FLUTE, PICCOLO Gabrielle Garo ELECTRIC VIOLIN Ben Sutin RHYTHM Bobby Sanabria – musical director, drums, whistle, lead vocals, coro Darwin Noguera – piano Leo Taversa – electric bass Oreste Abrantes – congas, itotele batá drum, coro Matthew Gonzalez – bongo/cencerro, primo bomba drum, Iyá bata, requinto pandereta, ganza, coro Takao Heisho – Cuban guiro macho, Dominican guira, Puerto Rican guicharro clave, okonkolo batá drum, maracas (Cuban and Venezuelan), shekere, tambourine, cuica, pandeiro, triangle, gongThere’s every reason to hope that Steven Spielberg’s remake of “West Side Story” will improve upon the 1961 film, but I doubt if we’ll ever hear a more thrilling interpretation of that immortal score  than that of the Bobby Sanabria Multiverse Big Band.Will Friedwald-Wall Street Journal Congrats on the album of the year!
Marc Myers Jazz Wax
Read Marc’s review
 HEREWest Side Story Reimagined is available from:AMAZON
ITUNESJazzheads is distributed by

Media Contact:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

Radio Contact
Mike Carlson
MC Promotion 

1-360-477-4994
mcpro@earthlink.net

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

 

jazzLogo.jpg
December 7, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Celebrate The Musical Legacy Of
Jazz Giant Gil Evans
At Multiple December Events
Discover the enduring influence of renowned NEA Jazz Master and multiple Grammy winner
Gil Evans at Dec. 15 NYPL panel discussion, and more 

shem.gif

You might say December is unofficially Gil Evans month in the Big Apple, as three exciting events turn the spotlight on this legendary jazz composer, arranger, pianist, and long-time Miles Davis collaborator. On the schedule this month are a lively symposium, the release of the first studio album by the Gil Evans Orchestra in more than four decades, and an all-star CD release gig that’s sure to attract a who’s who of the New York music scene.

Gil Evans made a lasting mark on numerous areas of jazz. He led swing dance bands, pioneered the cool school of jazz, and did landmark work with jazz icon Miles Davis, which can be heard on enduringly acclaimed albums such as Sketches of SpainPorgy and BessBirth of the Cool,and others. Evans also delved into electronic music and jazz-rock fusion, drawing new listeners with his arrangements of Jimi Hendrix songs for large brass- and synth-heavy ensembles.

“Gil was a great innovator,” says his son Miles Evans. “He had the next great sound as an orchestrator and arranger, after Duke Ellington.” Gil Evans also had a knack for attracting the cream of the musical crop. In addition to mentoring and collaborating with the greatest jazz musicians across a half century, he formed strong ties and recorded with pop icons like Sting and Paul Schaffer. In recognition of his work, Evans garnered three Grammys and 13 nominations, received one of the first Guggenheim Fellowships ever awarded to a jazz musician, and was named a Jazz Master by the National Endowment for the Arts in 1985, among other honors.

On Dec. 15, at 11 a.m., MOMENT NYC and the NYPL are hosting a symposium on the jazz genius at NYPL for the Performing Arts in the Astor Gallery at 40 Lincoln Center Plaza. Expect to gain insights into Gil Evans’ art and more through presentations by his biographer, Stephanie Stein Crease, the author of “Gil Evans: Out of the Cool: His Life and Music”; Miles Evans, and NYPL’s David McMullin, who will present highlights from the library’s Gil Evans archive. And as with any Gil Evans event, there’s always the chance there will be surprise special guests on hand.

The NYPL for the Performing Arts setting is a good fit for the event, Miles Evans says. “At NYPL, they’re very knowledgeable about Gil’s music. They’re aware that you can hear the Ravel chords in his music, you can hear Debussy; and the people at NYPL know Gil went to the library to listen and study up.”

The event also will include a display of photos, sketches and audio samples from the Evans family’s collection, a Q&A session, and samples of music from a new recording from the Gil Evans Orchestra, “Hidden Treasures Monday Nights, Volume One” (Bopper Spock Suns Music).

The brand-new album, set for Dec. 7 release, is the first studio recording by the Gil Evans Orchestra in more than 40 years. It features several mainstays of the band that held court every Monday for more than a decade at the fabled Greenwich Village club Sweet Basil. Instead of going the “greatest hits” route, “Hidden Treasures” features seldom-heard tunes from the extensive Gil Evans repertoire, many of them written by long-time band stalwarts. “We wanted to showcase the fantastic cast that played with the band,” Noah Evans says. “We wanted to bring back memories of all those great Mondays at Sweet Basil, and bring Gil back to people’s awareness.”

More than a dozen Monday Night Band alumni and several special guests will be on hand Dec. 22 to celebrate the release of “Hidden Treasures Monday Nights, Volume One” at the Cutting Room (44 E. 32ndSt., NY; tickets and info: https://tickets.thecuttingroomnyc.com/event/1796799).

MOMENT NYC’s mission is to preserve New York’s history of diverse music communities past, present, and future (www.momentnyc.org).

MOMENT NYC and the NYPL
Present A
Gil Evans Symposium
Saturday, December 15, 11AM to 1PM
NYPL for the Performing Arts in the Astor Gallery 
40 Lincoln Center Plaza (65th St and Columbus Ave)
New York, NY, 10023
(917) 275-6975
https://www.nypl.org/locations/lpaStephanie Crease (Gil’s Biographer) and David McMullin (NYPL)

•    11:00-11:10 Entrance audio
– Introductions and acknowledgements (David McMullin)
•    11:10-11:20 The Individualism of Gil Evans (Stephanie Crease – images)
•    11:20-11:25 Growing up with Gil
(Miles Evans & Stephanie Crease – images)
•    11:25-11:30 Gil’s Life & NYC Stories (whole panel – audio/images)
•    11:30-12:00 Selections from the NYPL collections and discussion (audio/images – David McMullin)
•    12:00-12:10 The legacy of the Gil Evans Monday Night Orchestra
(audio from new album/video –  Miles Evans)
•    12:10-12:20 Open forum for comments and questions (panel)
•    12:20-12:30 Closing
Gil Evans Orchestra
CD Release Show
HIDDEN TREASURES MONDAY NIGHTS
VOLUME ONE
Saturday, December 22nd  9:30pm

The Cutting Room

44 E32nd St.

Between Park and Madison
New York, NY 10016

(212) 691-1900
Tickets & Info


Photo Credit: Carol Friedman

Featuring

Kenwood Dennard: Drums

Mino Cinelu: Percussion

Mark Egan: Bass

Pete Levin: Keyboards

Miles Evans: Trumpet

Shunzo Ohno: Trumpet

Mike Mossman: Trumpet

Conrad Herwig: Trombone

David Taylor: Bass Trombone

John Clark: French Horn

Rob Scheps: Alto Sax & Flute

Alex Foster: Tenor & Soprano Sax

Alden Banta: Baritone Sax

And surprise Special Guests!

 

Music Charges + Any Minimums: $20

Purchase Ticket Direct Link

GIL Evans Orchestra « Hidden Treasures » (Miles Evans Promo)

Band Website: http://www.gilevans.com/

Venue Website: http://thecuttingroomnyc.com/

Pledge Music

Musical sparks fly from this group of New York’s finest musicians with a varied program of compositions that recall Gil Evans’ infamous Monday night sessions at the Greenwich Village club, Sweet Basil.

THE GIL EVANS ORCHESTRA
“HIDDEN TREASURES MONDAY NIGHTS, VOLUME ONE ”

Artist: THE GIL EVANS ORCHESTRA
Title: HIDDEN TREASURES MONDAY NIGHTS VOLUME ONE
Label: BOPPER SPOCK SUNS MUSIC GEO-34752
Release Date: DECEMBER 07, 2018
UPC Code: 860000347525Track listing and Running Time 
1. SUBWAY Pete Levin 10:56
2. LL FUNK Miles Evans 5:29
3. I SURRENDER Delmar Brown/Alex Foster 7:17
4. GROOVE FROM THE LOUVRE John Clark 9:50
5. LUNAR ECLIPSE Masabumi Kikuchi 6:28
6. MOONSTRUCK Gil Evans 1:49
7. ELEVEN Gil Evans 5:24Kenwood Dennard – Drums, Mino Cinelu – Percussion Mark Egan – bass Pete Levin– keyboards, Miles Evans – trumpet Shunzo Ohno – trumpet David Taylor – Bass Trombone, John Clark – French Horn, Chris Hunter – Alto Sax, Flute, Alex Foster – Tenor Sax, Soprano Sax Darryl Jones – Bass (Tune 2), Matthew Garrison – Bass & Bass Solo (Tune 2), Vernon Reid – Guitar (Tune 2), Paul Shaffer – Fender Rhodes (Tune 2),David Mann – Alto Sax (Tune 2), Gil Goldstein – Piano (Tunes 1, 2, 5, 6), Delmar Brown– Synthesizer (Tunes 1, 2, 5), Charles Blenzig – Synthesizer (Tunes 2, 3, 4, 7), Gabby Abularach – Guitars (Tune 1, 4, 5), Jon Faddis – Trumpet (Tunes 1, 5, 6), Dave Bargeron -Trombone (Tunes 1, 5, 6), Gary Smulyan – Baritone Sax (Tunes 1, 5, 6), Birch Johnson – Trombone (Tunes 3, 4, 7,) Alex Sipiagin – Trumpet (Tunes 3, 4, 7), Alden Banta – Baritone Sax (Tunes 3, 4, 7).Monday Nights” is not only the first studio recording of the Gil Evans Orchestra in over forty years, it’s also offers some of the most audacious and electrifying music of the new millennium. The late Gil Evans was one of the most respected orchestrators in jazz history and his fabled collaborations with Miles Davis, including “Birth of the Cool,” “Sketches of Spain” and “Porgy and Bess,” set the gold standard for modern jazz arranging. Accordingly, Evans played a key role in the development of cool jazz, modal jazz, free jazz and jazz fusion. All of these influences are strikingly present on “Monday Nights,” a particularly contemporary incarnation of Evans’ music. After a string of gigs that started in the late 70s, the Gil Evans Orchestra began a run of Monday night engagements in 1983 at the Greenwich Village club, Sweet Basil, which resulted in a number of successful live recordings by Gil Evans and the Monday Night Orchestra. The gig continued sporadically until 1994. Mr. Evans had a knack for bringing out the best in his groups comprised of first-call New York players including David Sanborn, Alan Rubin and Tom “Bones Malone,” and such musicians as George Adams, Hannibal Marvin Peterson and Howard Johnson. Gil’s sons, trumpeter Miles Evans and his brother Noah are keeping the flame alive with “Hidden Treasures,” a trilogy of recordings of which “Monday Nights” is the first. The concept here, is to feature compositions that the Orchestra played live in the late 70s and early 80s. Forthcoming are “The Classics,” featuring modern renderings of Evans’ original arrangements, including “My Ship,” and “The Meaning of the Blues,” and, the final release in the series, “Gil & Anita,” named for the late jazz icon and his wife. “Subway,” written and arranged by keyboardist Pete Levin opens the album and introduces the imperial command of the ensemble, anchored by drummer Kenwood Dennard. With dynamic twists and turns, and subtle musical shadings, this is one hell of a subway ride. Commanding solos by trombonist Dave Bargeron and tenor saxist Alex Foster, offering some respect for Wayne Shorter, add to the excitement. Trumpeter Miles Evans wrote and arranged “LL Funk” and once again Kenwood Dennard drives the music with a powerful funk beat good for both listening and dancing. With Darryl Jones on bass, special guests’ solos abound: keyboardist Paul Shaffer, even more laid back than usual; the criminally underrated Matthew Garrison and his highly original bass: and Vernon Reid bringing a thick almost heavy metal guitar tip to the track. The icing on the cake is David Mann, who weaves his bluesy, potent alto sax throughout the track. “I Surrender,” written by Delmar Brown and Alex Foster, and arranged by Alex and Charles Blenzig is a musical requiem for a heavyweight. Mr. Brown, a superb keyboardist who played with the Gil Evans Orchestra as well as Pat Martino, passed away in 2017 and “I Surrender” is his tribute. He is also present on several tracks recorded before his passing. A true musical heavyweight, Alex Foster offers another side of his soulful, highly expressive tenor. A very popular composition from the Sweet Basil days, “Groove from the Louvre,” written and arranged by John Clark, features the composer on french horn, trumpeters Shunzo Ohno and then Alex Sipiagin, percussionist Mino Cinelu, who came to prominence with Miles Davis and Weather Report, bass trombonist Dave Taylor. Deft and determined, drummer Dennard anchors the band through the gentle opening, and then the hard edged groove that follows. There’s a regal, totally swinging feel to the track, with superb ensemble work that shows this is more than just a group of soloists, but a real orchestra. “Lunar Eclipse” written by Masabumi Kiuchi and arranged by the master himself, Gil Evans, is evocative and cinematic. An Evans protégé, Gil Goldstein solos here, memorably, amidst a dreamy synthesizer background which follows him through his two solos on the track, the first of which gives away to Mino Cinelu on bongos and then drummer Dennard, raising the musical stakes once again. It’s a heady musical mixture. More of the master on “Moonstruck,” which is short, whimsical and very tasty. Tracking at 1:49, it’s an ensemble feature that’s both intriguing and attention grabbing. The recording closes with “Eleven,” also straight from the source, a Gil Evans composition and arrangement, which originally appeared as “Petits Machins (Little Stuff)on the 1968 Miles Davis recording, Filles de Kilimanjaro. The set closer is a bristling swinger, a fitting capper to this powerful set of absolutely stunning music. The groove is infectious, a potent platform for solos by alto saxophonist Chris Hunter, Charles Blenzig on electric piano and Alex Foster, who returns on tenor and continues to amaze. Gil Evans Lives!Monday Nights is available for purchase on Pledge Music. http://goo.gl/4rs6kG
NATIONAL PRESS CAMPAIGN: 
JIM EIGO, JAZZ PROMO SERVICES,
272 State Route 94 South #1, Warwick, NY 10990-3363
Ph: 845-986-1677 jim@jazzpromoservices.com • www.jazzpromoservices.com
“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677 / F: 845-986-1699
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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ESCAPE . EXPERIENCE . INVIGORATE .

Join Us this Winter in Warm, Beautiful Barbados!
Jazz Fete Barbados – March 4 -11, 2019
If you’ve never been to Barbados now is the time!Jazz Fete Week Features:

– MasterClass with Master Jazz Drummer Carl Allen –

– Lunch with The Art of Elvin Band –

– Exclusive Jazz Concert on the Beach –

– Grand Banquet Dinner Dancing Under the Stars –

– Discounts on Premier Barbados Attractions –

Learn More
Barbados Hilton Resort
Learn More

Bellenesia.com
Learn. Laugh. Connect. Relax…
Always in an Exotic Destination!

Jazz Fête Barbados is just the beginning!

Visit our website to check out our other destination experiences…
• Yoga & Spice Grenada
• Pink Sands & Golf Bermuda

Discover More!
Copyright © 2018 Jazz Promo Services, All rights reserved.
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Kristin Korb
That Time Of Year

Known for her exuberant spirit and contagious optimism, it is only fitting that bassist and vocalist Kristin Korb has recorded a Christmas project to celebrate her 10th CD and first with Storyville Records.

“I wanted to assemble a program that creates a feeling of “hygge” and joy without being overly sweet or boring. I carefully selected songs from my childhood, songs reflecting long-standing friendships, and songs that are just fun and wintery. This is a soundtrack for tree trimming, lighting candles, and hanging out with those you love.”

On board for this project are Korb’s long-standing trio mates Magnus Hjorth, piano, and Snorre Kirk, drums. As a holiday bonus, the trio is joined by Mathias Heise on harmonica. The sound of Heise’s harmonica fits the voice beautifully and adds and extra sparkle to the entire project.
In contrast to Korb’s recent projects, she has included two instrumentals to feature Mathias on the harmonica and the band as a whole. On “We Three Kings”, the bass, harmonica, and piano all take turns at the melody on the journey. “Angels We Have Heard on High” gets a Brazilian makeover, full of festive energy.

Korb captures that feeling of “hygge” with enough playful twists to freshen up last year’s playlist. That Time of Year will be a welcome addition to your treasured holiday collection.

Stream the album here
Buy the album here via Arkivjazz.com
Buy the album here via Storyville-records.com
Copyright © 2018 Jazz Promo Services, All rights reserved.
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November 29, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


Jackie McLean’s Artists Collective
Needs Your Financial Support
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The Artists Collective founded in 1970 by the late world renowned alto  saxophonist, composer, educator and community activist Jackie McLean as an interdisciplinary arts and cultural institution serving the Greater Hartford area is in danger of closing its doors.
It is the only multi-arts and cultural organization of its kind in Connecticut emphasizing the cultural and artistic contributions of the African Diaspora with emphasis on music and jazz education.
Jackie McLean’s initial intent was to give youth an alternative to street activity, and especially the horrors of drug addiction.
Dwindling corporate and private donations have forced the nearly 50 year old,storied institution to appeal to the public for financial support for the first time since its founding.
The Artists Collective has touched the lives of thousands of Greater Hartford/Connecticut youth and their families by exposing students and the community at large to the great and too often overlooked artists of the past and present, with professional concerts that have featured the great innovators such as: Dizzy Gillespie, Art Blakey and many others. Many of today’s emerging jazz musicians had their first exposure, and earliest training through the Artists Collective, most notably Cindy Blackman and Jimmy Greene to name a few.
The Collective continues to offer the highest quality training in the performing arts-dance, theatre, music and visual arts.
Unfortunately, the challenges facing youth today are even greater now than they were in 1970  when the Collective was founded.
Please consider supporting the Artists Collective today.
Or mail your donation to:
Artists Collective, Inc.
1200 Albany Ave.
Hartford, CT 06112
Thank you in advance for your support.
Dollie McLean
Founding Executive Director
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Jim Eigo Jazz Promo Services
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HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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November 24, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Susie Blue and the Lonesome Fellas Release
New Christmas Song
“Santa Bring My Baby Back to Me”

Listen On
Bandcamp
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Susie Blue and the Lonesome Fellas release their rollicking new Xmas song “Santa Bring My Baby Back to Me” this week.

“It’s a genre-busting crowd pleaser, sure to please fans of  Americana,  Roots, Blues, Rock, Western Swing and Jazz.  The tune was first performed by Elvis Presley, but the Lonesome Fellas rearm the standard with their unique Chicago sound so it’s a great holiday brew of fun.”  JM Reid, Chicago Music Guide

« Susie Blue and the Lonesome Fellows keep up their habit of genre hopping good times with this fantastically fun take on « Santa Bring My Baby Back to Me » that recalls the Jump Blues sounds of the 40s so effortlessly that it sounds timeless.   It is a perfect addition to any holiday playlist!”  Paul Abella – Music Director WDCB Radio Chicago

« Such fun!  Rockabilly spiced with some funky Blues licks and a hint of Country.   It should keep everyone toasty on a frosty night. » – Rob Hoff, WQLN Jazz Flight

« THIS is the song for Christmas 2018! It’s got Blues, Western Swing, and Jazz.  I like it, very much so! »  – Brian Clardy WKMS Radio
« The new Xmas track from Susie Blue and the Lonesome Fellas is destined to be a seasonal Classic. Paying tribute to all the original forms of American Music – Rockabilly, Western Swing, and pure American Blues, « Santa Bring My Baby Back to Me » is my pick for 2018’s seasonal hit of the year! » – Rockin’ Ritchie Ritch – Rollin’ Rhythm Roundup

“Solitaire Miles, better known as Susie Blue and the Lonesome Fellas skillfully blends Rockabilly, Country and Swing with her new Christmas song « Santa Bring My Baby Back To Me », transcending all genres. The song appeals to all ages with its toe tapping infectious beat, and a flare of nostalgia for those that remember the times when Big Bands performed at dance halls across the nation. This is Americana at its musical best!”  – Scott Wikle, My Kind of Country

« Jump Blues with a 50s County flavour » – Fred Smith CHRW Western Radio

« People ask what kind of music do I like to play on my show?  I usually tell them GOOD.  Susie Blue and the Lonesome Fellas plays Swing, Blues, Country, etc. –  it’s just another reason why I like the band so much. » – Keith Parnell, Americana 441

Check out the fun animated video for the tune here –
https://www.youtube.com/watch?v=epXJR4bCGR4&feature=youtu.be

Visit their website here –  www.susiebluelonesomefellas.com

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677 / F: 845-986-1699
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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November 23, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

 Christmas Jazz CD
From Chris Pasin and Friends
« Baby It’s Cold Outside »

Featuring
Chris Pasin – trumpet
Patricia Dalton Fennell – vocals
Armen Donelian – piano
Peter Einhorn – guitar
Ira Coleman – bass
Jeff Siegel – drums


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« This is what a jazz Christmas should be. »
Mark Gilbert, Jazz Journal

« From subtle to sexy to swinging, Chris Pasin and friends shine a brilliant light on the best yuletide favorites. »
Jazz Global Beat

« The trumpeter and several collaborators, including pianist Armen Donelian, toggle between calm introspection and swinging heat as required for their treatments of the usual carols and secular songs. »

Frank John Hadley, Downbeat 
« Baby It’s Cold Outside… is a shiny silver Christmas ornament, and a fine jazz album too. Dalton and Pasin make the title track into a dialogue rather than a song, like a snowbound Nichols and May. »

Michael Eck, Chronogram 

« It’s been a while since I gave trumpeter/flugelhorn player Chris my “PICK” in issue # 158, and now he’s put together a seasonal album that stands out nicely as one of the most cheerful I’ve heard in many years (for those who have been reading us for a while, you’ll know already that I seldom review holiday albums). …. the title track, “Baby, It’s Cold Outside“,…that’s more than enough to let you know how HIP this coming holiday season is going to be… some great dialogue between Chris and vocalist Patricia Dalton Fennell that will put you in the mood for the festivities! »

Rotcod Zzaj 

« Here’s a holiday outing that should satisfy traditionalists and adventurous spirits alike, a true rarity… the scintillating Baby It’s Cold Outside. »
David McGee, Deep Roots

« Baby It’s Cold Outside (Planet Arts – 301714) is a delightful Christmas album from trumpeter CHRIS PASIN. Pasin has enlisted a terrific group of musicians including pianist Armen Donelian, bassist Ira Coleman, drummer Jeff Siegel, bassist Rich Syracuse, guitarist Peter Einhorn and vocalist / producer Patricia Dalton Fennell, mixed them into a variety of combinations, and they have produced an eclectic 11-song program that holds your interest no matter the combination of players. »

Joe Lang, Jersey Jazz

« The highlight for me is the title cut, which has been turned into a two-way conversation between Patricia and Chris — I have heard many different versions of this song over the years, but this has to be the only one that oozes sex. Patricia often proves her vocal skills on other numbers, but here her spoken voice is like warm velvet and combined with the muted trumpet in the background and the laid-back feel of the arrangement makes this something quite extraordinary. Overall this is a beautifully conceived and performed album that is easy to listen to and totally enjoyable from start to end. »
Gonzo Weekly

« Nothing gets music lovers in a celebrating mood like listening to their favorite carols, and this CD, Baby, It’s Cold Outside, delivers a whopping dose of holiday cheer. On 11 of the most-beloved sounds of the season, trumpeter Chris Pasin and friends show they have a real gift for making such familiar material their own, while maintaining the spirit and warmth that’s such a major part of the yuletide celebrations. »

Republic of Jazz

« Perhaps the most notable is the title track, a vocal duet between Pasin and Fennell where the traditional roles are reversed. They turn the lyrics into an overlapping conversation, and Fennell plays the seductress with elan. »
Thomas Cunniffe, JazzHistoryOnline

Available From: Amazon • iTunes • CDBaby

www.chrispasin.com 

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November 24, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Diane Moser’s Birdsong Trio

Featuring:
Diane Moser-piano
Anton Denner-flute/piccolo

Ken Filiano-bass



More Info About « Birdsongs » HERE

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What the press is saying about Diane Moser’s Birdsongs »

Troy Dostert All About Jazz (USA)
“…..a superlative, brilliantly- conceived recording.”

Brian Zimmerman featured “Song of the Day” JAZZIZ Magazine
The album…creates lush landscapes through delicate brushstrokes and subtle lines, providing ample space for these artists — and the listener — to reflect on the present moment. You’ll feel as though you’ve been transported to your favorite outdoor spot.”

Kev Rowland Gonzo Weekly
“ Inspiring and inspired, this is a wonderful album for all jazz lovers, as well as those who want to hear music which is both beautiful and transcendent.”

Jerome Wilson All About Jazz (UK)
“This CD shows how the sounds of nature can inspire improvisation and be shaped into music of remarkable beauty. It is highly recommended.”

Marc Phillips The Vinyl Anachronist
“The more you listen to Birdsongs, the more exotic and original it becomes, which is why it’s such a special album.”

Kira Gruenberg Downbeat
“Intertwining musical structures with nature’s capricious beauty, Birdsongs provides a vivid oasis for those willing to let imagination lead.”

Fernando Bonete Vizcaino El Debate de Hoy
“A brilliant work, endowed with a superb inventiveness and imagination.”

Dick Metcalf Contemporary Fusion Reviews
“This is some of the most beautiful jazz you’ll ever hear…”

Vittorio Music Zoom
“A chamber jazz album that deserves a repeated listening.”

Leonid Auskern, Jazz Quad,
« Diane and her colleagues play chamber music, very refined, beautiful and inspired by the breath of wildlife. This, of course, is jazz, and high-end jazz.

Lynn René Bayley The Art Music Lounge
“This music is as great as anything I’ve heard accomplished by modern classical composers, and in those moments when Moser’s playing becomes more forward and more rhythmic, it simply acts as another variant in the ongoing musical discourse.”

Robert Bush New York City Jazz Record
“Each musician employs extended techniques on “Dancing With the Sparrows” to evoke the sound of its namesake and when Moser’s magisterial theme emerges, one can almost feel like a member of the conversation.”

Fiona Mactaggart for doobeedoobeedoo
“Birds have inspired many and disparate composers from Messiaen to Hidden Orchestra, and Moser’s Birdsong is a worthwhile addition to the list.This is thoughtfully curated, beautiful music.”

Dee Dee McNeil Musicalmemoirs
“This is a stunningly original package of music that celebrates birds in a very jazzy way.
This is a very beautiful production of original music by Diane Moser, capably interpreted by her stellar piano skills and the two talented musicians who accompany her on bass, flute and piccolo.”

Bruce Gallanter Downtown Music Gallery
“I felt as if I had been walking in the woods and communicating with the birds. Bravo to the immense amount of work that went into this monumental effort.”

Award-winning jazz pianist and composer Diane Moser releases her 7 th CD, Birdsongs, inspired by nature’s most lyrical master improvisers—songbirds. Birdsongs combines virtuoso playing, heartfelt originality, and a unique and personal vibe, resulting in music that is exotic yet accessible, like the aural creations of Moser’s fine feathered friends. This new album is likely to vault the multi-talented pianist from her longtime local-favorite status into the top tier of national voices to be reckoned with in jazz. On Birdsongs , Anton Denner on flute and piccolo, and Ken Filiano on bass join the pianist in a trio setting to present nine songbird-inspired tunes, including seven originals. Over the past decade, Moser has performed Birdsongs at venues across the country with different instrumentation from solo piano to big band, acoustic to electronic, and everything in between. “The reason I decided on this group with Anton and Ken, to record all of my birdsongs, was to give the music a little more space and lightness,” Moser explains. “I also knew that both Anton and Ken would play sonically in those in-between places that is so much like the songs and calls that birds make, not always an exact pitch, but somewhere in between.

 

Available at CD Baby, Amazon, iTunes and Downtown Music Gallery

 

 

Diane Moser « Birdsongs »  (Planet Arts 30174) Street Date: March 1, 2018
Diane Moser-piano, Anton Denner-flute & piccolo, Ken Filiano-bass
http://dianemosermusic.comMedia Contact
Jim Eigo
Jazz Promo Services
272 State Route 94 South #1
Warwick, NY 10990-3363
Ph: 845-986-1677
Cell / text: 917-755-8960
Skype: jazzpromo
jim@jazzpromoservices.com
http://www.jazzpromoservices.com
« Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
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E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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WarwickNy 10990

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November 20, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

 

 

Piedmont Piano Company Presents

DENNY ZEITLIN
Solo Jazz Piano

 

EXPLORING GEORGE GERSHWIN

« By any measure, Zeitlin’s output over the past 50 years
places him at jazz’s creative zenith. »

   Andrew Gilbert, JazzTimes

An evening re-imagining unique compositions by
George Gershwin that have become standards in the American Song Book

TWO SHOWS:
Friday, December 7th
8:00 and 10:00 pm

Piedmont Piano Company
1728 San Pablo Avenue
(at 18th Street)
Oakland, CA 94617
Admission $25
Tickets: Available at Door,
Reservations Recommended
Click HERE to purchase tickets ONLINE

(510) 547 8188
www.piedmontpiano.com

A FEW REVIEWS OF DENNY ZEITLIN’S SOLO PIANO PERFORMANCES « …he is an improvisational artist whose skills are so expansive that he can integrate everything he hears into the fabric of his soloing. In the best sense, in the manner that has always been true of jazz’s finest improvisers, Zeitlin constantly stretches the creative envelope, measuring himself only against the infinite demands of his music. »
Don Heckman, Los Angeles Times
« …Zeitlin delivered a riveting solo performance. »
George Goodman, New York Times
« In supreme command of the keyboard…he employs striking dissonances, he constructs extraordinary edifices of harmonics, he can be marvelously pianistic, with a velvet subtlety of touch. He is an original…Denny Zeitlin stretches jazz piano beyond any hitherto defined limits. »
Don Freeman, San Diego Union
« …He didn’t show his brilliance through his technique (which he has), but through subtle improvisation, advanced and finely-tuned harmonic development, and a stupendous internal sense of meter…Denny Zeitlin’s solo piano was the unpretentious highpoint of the festival. »
Munchner Merkur (Munich)


www.dennyzeitlin.com

Media Contact
Jim Eigo Jazz Promo Services
Ph: 845-986-1677 / jim@jazzpromoservices.com
www.jazzpromoservices.com
« Specializing in Media Campaigns for the music community, artists, labels, venues and events.”
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November 16, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

ETERNAL VOYAGE LIVENEW CD BY MARKUS STOCKHAUSEN


– East and West meeting in music –

 

Eternal Voyage
Markus Stockhausen – flugelhorn
Rabih Lahoud – vocals
Tara Bouman – clarinet, bass clarinet
Alireza Mortazavi – Santur
Hindol Deb – Sitar
Jarry Singla – keyboards, piano
Bodek Janke – percussion, tabla

Tracks:
1 SEPTEMBER SONG 12:29
2 MORNING BREEZE 9:32
3 UNDERCOVER 4:16
4 AVANTI 9:17
5 LÖSUNG 11:53
6 ALIREZA 12:20
7 ALAMEYN 11:54

Published 2018, Sony Music / OKeh records.

Available on

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In September 2017 the State Music Council of North Rhine-Westphalia awarded its SilverTuning Fork to MARKUS STOCKHAUSEN (its golden counterpart went to a completely different genre). The award provided an occasion for a concert with Stockhausen’s reconstituted band ETERNAL VOYAGE, which was kindly recorded by West German Radio 3 Jazzredaktion in Düsseldorf.

Though MARKUS STOCKHAUSEN has been known as a crossover artist for years, this band reaches an entirely new level of ensemble playing, a musical amalgam that packs a punch. Besides Stockhausen himself, the septet’s sound is essentially defined by the Persian musician ALIREZA MORTAZAVI, who plays a zither-like instrument known as a santur, and the Indian sitar virtuoso HINDOL DEB. But no less important are the contributions from Stockhausen’s wife, the Dutch clarinettist TARA BOUMAN, and the Lebanese singer RABIH LAHOUD, his longstanding confrère, who sings with sometimes spontaneously invented words in Arabic. Like Hindol Deb, two new musicians are working with Stockhausen for the first time: the German-Indian keyboard player JARRY SINGLA and the German-Polish percussionist BODEK JANKE, a virtuoso on the tabla. What we hear is, to a large extent, improvisations, with melodic themes from Stockhausen’s own pen. One example is the first piece, SEPTEMBER SONG, an elegiac essay that never once courts longueurs despite its 12 minutes’ duration. The other numbers likewise radiate a meditative serenity that is invariably tightly focused and inviting rather than soporific.

In AVANTI Stockhausen, Deb, Bouman and Lahoud bring off impressive unisono passages; ALAMEYN has almost hymnic qualities; and ALIREZA is, as might be expected, a showcase for Mortazavi. The entire concert abounds in riveting beauty and rare urgency. ETERNAL VOYAGE originated some ten years ago as a sextet and released its exciting first album in 2010. Of its original members, only Stockhausen, Bouman and Lahoud remain. But the band not only bears witness to the long-term planning that Stockhausen devotes to his various projects, it also serves as proof of the special affinity with which this flugelhorn player chooses musicians who fit himself and his band while having something of their own to say. Janke plays savagely and expressively, but also very precisely, and santur and sitar form an exquisite combination with their oriental flair. Singla is responsible for the harmonious cohesion of ETERNAL VOYAGE, functioning somewhat as the band’s rock-solid foundation. Lahoud and Bouman add special touches, spreading their wings and taking their listeners to unimagined heights. Enough ink has already been spilt on the unique tone and moving solos of bandleader Stockhausen. Suffice it to say that he never feels the need to place himself in the foreground; instead, he exudes a natural and warm-hearted authority – one quality among many that turns the album ETERNAL VOYAGE / L IVE into a genuine listening experience.
Rolf Thomas · Translation: J. Bradford Robinson

Previous Release
Markus Stockhausen
Far into the Stars
Far into the Stars
winner of the german Echo Jazz prize 2018Musicians:
Markus Stockhausen, tp,flh
Jörg Brinkmann, cello
Angelo Comisso, piano
Christian Thomé, drums

Info and contact:

www.markusstockhausen.com

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HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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269 State Route 94 South

WarwickNy 10990

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November 16, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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www.legacyandalchemy.com
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
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Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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269 State Route 94 South

WarwickNy 10990

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November 16, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


19th Annual Latin GRAMMY Awards
WINNER
Best Tango Album:
Pedro Giraudo “Vigor Tanguero”

Photo Credit: Iris Becker
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Pedro Giraudo Vigor Tanguero
(Zoho ZM201803)
Street Date: April 6, 2018

Pedro Giraudo-bass, Nick Danielson-violin,
Rodolfo Zanetti-bandoneón, Emilio Teubal-piano 

http://www.zohomusic.com/cds/giraudo_vigortanguero.html
ZOHO ® is distributed by  
Music Video Distributors
203 Windsor Road
Pottstown, PA 19464
www.mvdentertainment.com

Zoho Music Media Contact

Jim Eigo
Jazz Promo Services
272 State Route 94 South #1
Warwick, NY 10990-3363
Ph: 845-986-1677 
E Mail: jim@jazzpromoservices.com
www.jazzpromoservices.com
« Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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269 State Route 94 South

WarwickNy 10990

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November 11, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


Tickets & Info
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This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

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269 State Route 94 South

WarwickNy 10990

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November 9, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


NEW RELEASE FROMThe Jack Mouse Group »Intimate Adversary »FeaturingJack Mouse drums
Scott Robinson tenor saxophone
Art Davis trumpet & flugelhorn
John McLean guitar
Bob Bowman bass
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The Jack Mouse Group
« Intimate Adversary »
(Tall Grass TG 8284)
Street Date: November 2, 2018
For the extraordinary drummer/composer Jack Mouse’s latest album Intimate Adversary, he departs from his two previous collaborative and more freely improvised Tall Grass releases – Snakeheads & Ladybugs and Three-Story Sandbox – to focus on his outstanding compositional talents and mastery of classic jazz leadership. Accompanied by his brilliant longtime cohorts – tenor saxophonist Scott Robinson, Art Davis on trumpet and flugelhorn, guitarist John McLean and Bob Bowman on bass – his quintet takes on nine pieces that display their command of all forms of post bop era jazz, along with a delightful taste of 50s-style swing and a compelling gospel blues.

The musicianship is exceptional, not only in terms of the consummate artistry, but also in that most precious element of jazz expressiveness that can only exist in the essence of musicians who know, respect and love each other’s creativity, producing that perfect synergy of unified intent.  Even a seemingly simple blues is transformed into a multi-faceted gem. Further unifying the ensemble is Jack’s marvelous drumming – always viscerally creative, stimulating the soloists and providing the bonding substance that fortifies the structure. Mouse also composed eight of the nine pieces, the ninth co-copmposed with Robinson and Bowman – a work that embraces the more collective style of Jack’s other recent albums…. and provides tangible evidence that “free” jazz is of the identical substance in rich musicality  to the more traditionally recognized forms.

The title cut is part of a 2-part suite and is named for the legendary Pablo Casals’ description of his cello as his “most Intimate Adversary” and is firmly rooted in the Spanish flamenco ballad style and Spanish Gypsy fusion music. Launched with rubato arco bass morphing into a deliciously relaxed ostinato, the sinuous theme ushers in a most enjoyable expedition that evokes Grant Green’s wonderful Idle Moments in its sensuous exposition of great musicians playing in late night mode purely for their own joy…. and that of anyone else who may be fortunate to be in the room with them. The tail end of the suite is a gently up-tempo romp titled Adamant Inversary, an ideally confluent piece, and about which Jack aptly says “I know there is no such word as Inversary … but there ought to be.”

An infectiously atmospheric mood is also prominent on two other items. Inspired by Roy Hawkins’ The Thrill is Gone (immortalized by B.B. King), Twas Never Thus is a beautiful and appropriately blue-tinged ballad expressed in consecutive sections by tenor, trumpet and guitar, eliciting deeply emotive solos by each. Rooted in Jack’s boyhood experience of sitting outside the African American churches of his hometown and listening to choir practice Old, New and Used Testaments is a down home Gospel blues that features deeply soulful solos by McLean and Davis, buoyed by Jack’s ingenious punctuation, far more than the customary shuffle that is so often utilized in this style of music.

Jack looks back on his past as well with Nineteen Sixty-Five (“the year I wrote this, my first tune”). Inspired by his listening to the West Coast/cool school recordings of artists like Gerry Mulligan/Art Farmer, Chet Baker and Shorty Rogers, it testifies to the joyous simplicity of straightforward swing and its timeless appeal and essence without even a hint of parody or the excuse of tribute. But a touch of another kind of tribute is found inBarney’s Fife, a whimsical play on the popular Don Knotts TV character (“Yep, I’m a huge fan of the Andy Griffith Show.”). With a playfully jaunty theme in call-and-response between horns and drums, the excellent horn solos fluctuate between duet with drums and cadenza and are further stoked by Mouse’s highly melodic drumming. One more personal note is Jacomo (“an old high-school nickname bestowed on me by my old high school band director, the great Ormond Parker). At nearly nine minutes, both horns are given plenty of time to stretch, and they do quite vividly on this Hank Mobley-ish blues that concludes with a spirited trading of eights and twelves between drums and bass.

Three Heads Are Better than One is a highly textured driver shifting between straight and implied time, calling to mind some of the experimental explorations of adventurers like Jimmy Giuffre and Bob Brookmeyer in the early days of post-bop free jazz. “The title is really a description of a compositional technique with which I’ve been experimenting.  The players were given a written rhythmic line and asked to find notes on their own to fit over the harmonic changes of a 12 bar blues form. Essentially, each player is coming up with his own head, so every time we play it is completely different.”
Concluding this terrific album with the aforementioned “co-composition” – more precisely, a collective trio improvisation by Mouse, Bowman and Robinson – Three Free is also a powerful lesson.  Structured upon the freedom of improvisation and abstract expressionism that has been a part of the profound jazz legacy since its inception, and then brought into a new incarnation by the masters of the second half of the 20th century, this stunning piece is fully confluent with all of the music that precedes it in its sheer musicality, radiant swing and utterly compelling creativity.

Intimate Adversary is a wonderful excursion into jazz expression at the crossroads of tradition, adventure, virtuosity and joyful exuberance.

For more information, visit www.jackmouse.com

AVAILABLE FROM:
CDBaby, Amazon, iTunes, Spotify, YouTube Music, Aquarian Marketplace
NATIONAL PRESS CAMPAIGN:
JIM EIGO, JAZZ PROMO SERVICES
272 State Route 94 South #1, Warwick, NY 10990-3363
Ph: 845-986-1677
jim@jazzpromoservices.com • www.jazzpromoservices.com

“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”NATIONAL RADIO CAMPAIGN:
KATE SMITH PRODUCTIONS
www.katesmithpromotions.com
katesmithpromotions.kate@gmail.com
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

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269 State Route 94 South

WarwickNy 10990

Add us to your address book

 

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November 4, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

New Book Out Now:
Warren Benbow’s “A Drummers Story”!
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Jazz is one of the major forms of musical expression. In the 1970s, jazz was moving away from strict acoustic instruments and was adding electric instruments— turning its style toward rock music. Warren Benbow, who has been playing drums since he was young, details the changes jazz music underwent in his artistic memoir, « A Drummers Story » @ https://store.bookbaby.com/book/A-Drummers-Story1
After attending the High School of Performing Arts in New York City, Warren Benbow started exploring the world of jazz. In his book, he looks back on the influences that emerged since the ’70s. He also recalls his performances and encounters with noteworthy musicians like Whitney Houston, Nina Simone, Betty Carter, Miles Davis, Stevie Wonder, Ornette Coleman, and James “Blood” Ulmer. Aside from music, his memoir also mentions the shifts in racial integration and political dynamics in 1960s and 1970s America.

I’ve been fortunate to have performed or recorded with artists such as Whitney Houston, Nina Simone, LL Cool J, Betty Carter, Michael Urbaniak with Ursula Dudziak, Nancy Wilson, Mavis Staples, Teruo Nakamura and Super Friends, Mary J. Blige, Brian McKnight, James “Blood” Ulmer’s Odyssey Band and many others.

 

I went to the High School of Performing Arts (FAME) and the Mannes College of Music here in NYC. At the same time I also attended the Jazzmobile, here in NY as well, where many of the music instructors were members of Dizzy Gillespie’s big band. Meeting these people is how I began to get jazz gigs and work in New York.

While in high school I had a band with my classmates and we were playing the music of the Rascals and Vanilla Fudge. We were loud. At the same time I was playing jazz with singer Betty Carter that was much softer music, with light sticks and brushes. At first it was not easy to make the transition between playing loud with my band or soft with the jazz vocalist, but eventually I found a way.
I started out as a kid drummer, and although I’m not that kid drummer anymore, every time I get behind the kit I still feel like I am. I enjoy performing and I plan to keep on performing. Once a drummer, always a drummer!
I work in recording studios here in town, but I enjoy performing live around the world even more, though at times it can be quite hectic. In fact, I just got back from doing a couple of club dates in Europe with James “Blood” Ulmer. One show was in Vienna, and one in Munich. I flew to Vienna, arrived at the hotel in the morning, had an evening sound check and performance, and then did the same deal the day after in Munich. Performances were great, but not much time to sleep. The life of a musician…Ha!

I recently wrote a book about my drumming life in the
changing music scene in the ’70s and ’80s. It’s called, »A Drummers Story ».
For more info on « A Drummer’s Story, and the best place to order the paperback or Ebook please visit:
https://store.bookbaby.com/book/A-Drummers-Story1

You can watch and hear a short video/interview of me here:

And my drum solo in Warsaw, Poland at the Jazz Jamboree: 

Book Endorsements:
Rob Wallis-
Hudson Music – Pres.
Drum Guru App – Founder 

“A Drummer’s Story is a walk through Bed Stuy., and Brooklyn in the 60’s and 70’s, and on to the High School of Performing Arts in NYC. Through his gigs with Whitney HoustonNina Simone, Betty Carter, James ‘Blood’ Ulmer and many more, Warren covers the NYC music scene from The Apollo, The Fillmore East and Hendrix’s Electric Ladyland Studios with Stevie Wonderand everything in between.

Warren has touched on a huge variety of the music from the 70’s, 80’s and 90’s – from the civil rights movement, the assassinations of JFK, Robert Kennedy and Martin Luther King into John Lennon, the summer of love and Jimi Hendrixplaying the Star Spangled banner at Woodstock. A lover of music from James Brownand Aretha to Sly Stoneand Miles DavisThe Beatlesand Ringo to drummers Tony Williams and John Bonham. Warren covers his life thru the streets and thru the music….”

Lenny White
An American jazz fusion drummer icon, best known for being the drummer of Chick Corea and Return Forever. ‪ White has been described as « one of the founding fathers of jazz fusion »…

 » Warren Benbow’s words give you a literary landscape of the most influential musical periods of the style of Jazz in the last century. He’s lived in it and continues to live an eventful life ».

Warren Smith-
Jazz, and classical percussionist, and educator.
“I was privileged to read Warren Benbow’s book. I have known Warren, it seems, for most of his professional career. His narrative is quite interesting, especially to another musician, as well as a fellow percussionist. Seeing similar or shared experiences thru the eyes of another musician is always an interesting adventure. Warren’s story is reminiscent of my own early years in New York City.

This book chronicles the constant evolution of the music world thru the last few decades. Warren tells of the influence of technology upon the music, as well as the ever-changing styles and developments of the innovators, musicians and composers who most influenced the direction of African-American Music during the 20th and early 21st centuries. His breadth of experiences, and the way he uses them to navigate a successful career, is a must read for young musicians.

I am sure that anyone who starts this book will find it hard to put down, from cover to cover. Great job Warren. We need more active musicians to tell this story from the inside…”

You can also check out Warren Benbow’s music CD’s at:
https://warrenbenbow.bandcamp.com/album/warren-benbows-harmolodic-adventure-2 and:
https://www.reverbnation.com/warrenbenbowtimecodeproject.
For inquiries and booking, send an email to wlbenbow@gmail.com.

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Looking for MACJO All Stars!

The Mid-Atlantic Collegiate Jazz Orchestra is the Premier Collegiate All Star Big Band Experience in the Mid-Atlantic Region.  The purpose of the group is to provide aspiring collegiate musicians the opportunity to perform and network as a member of a premier collegiate jazz orchestra while contributing to the development of jazz audiences in the DC Metropolitan area and throughout the Mid-Atlantic Region.

Nomination Form for Teachers

Band Directors may nominate a student by completing the Nomination Form. A Student Application link will be sent to the nominee’s email address indicated on the Nomination Form.

Self-Nomination Student Application

Students who complete the online self-nomination application must provide up to (3) online soundcloud and/or YouTube samples and include their band director’s contact information.

ONLINE LINK
www.MidAtlanticJazzFestival.org
Questions? Email MAJF

Looking for MACJO All Stars!

The Mid-Atlantic Collegiate Jazz Orchestra is the Premier Collegiate All Star Big Band Experience in the Mid-Atlantic Region.  The purpose of the group is to provide aspiring collegiate musicians the opportunity to perform and network as a member of a premier collegiate jazz orchestra while contributing to the development of jazz audiences in the DC Metropolitan area and throughout the Mid-Atlantic Region.

Nomination Form for Teachers

Band Directors may nominate a student by completing the Nomination Form. A Student Application link will be sent to the nominee’s email address indicated on the Nomination Form.

Self-Nomination Student Application

Students who complete the online self-nomination application must provide up to (3) online soundcloud and/or YouTube samples and include their band director’s contact information.

ONLINE LINK
www.MidAtlanticJazzFestival.org
Questions? Email MAJF
Copyright © 2018 Jazz Promo Services, All rights reserved.
PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!Our mailing address is:

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WarwickNy 10990

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Copyright © 2018 Jazz Promo Services, All rights reserved.
PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!Our mailing address is:

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

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November 9, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Grammy Award Winning

Pablo Ziegler Jazz Tango Trio

Last performances of 2018

« The music… is arresting. It is ferociously beautiful and centered around the mathematical precision of the tango… Horizons blur in mighty syncopations and juicy jazz sojourns and a new hybrid drenched in the blues and jazz emerges. » 
Hot House Jazz Magazine

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« astringent to sultry, gruff to tender, agitated to buoyant… balancing suave melodies with tense undercurrents »

The New York Times

 

« sophistication and refinement probably undreamed of by Piazzolla »

The Chicago Tribune

November 15 
Lawrence Family JCC (San Diego, CA)
https://www.lfjcc.org/about/upcoming_events.aspx

November 16
The Jazz Bakery at Moss Theatre (Los Angeles, CA)
https://jazzbakery.org/events/pianist-pablo-zieglers-jazz-tango-trio
Pablo Ziegler’s playing style is often compared with Vladimir Horowitz and Bill Evans. Tango maestro Pablo Ziegler — the world­ renowned pianist and composer who helped shape the modern tango — will bring his Grammy­ winning-trio to California! Jazz Tango delivers stripped­down, jazz­tinged arrangements of Ziegler’s essential repertoire, offering a raw, elemental concert program.

From fiery, improvised solos to delicately woven ensemble playing, the trio (Ziegler on piano, Hector Del Curto on bandoneon, and Claudio Ragazzi on guitar) delivers unmatched readings of beloved works by Ziegler, as well as modern classics by his late, longtime collaborator Astor Piazzolla. As one the most important living interpreters of nuevo tango, a concert by Pablo Ziegler offers a chance to witness part the living history of this vital musical tradition with his futuristic vision that keeps pushing the boundaries of the genre.

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Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
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Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

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November 1, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


National TV Special:
An American Christmas
Featuring
PJ Rasmussen and the Boardwalk Jazz BandNovember 12th-December 30thAnchored by WCBS-TV in NYC
On Over 150 stations nationwide.
Check local listings for broadcast times.SEE A REVIEW COPY OF AN AMERICAN CHRISTMASBand Personnel:Band Leader/Guitar/Vocals: PJ RasmussenConductor: Charlie DoughertyVocals: April May Webb, Candice Reyes, Kate VictorPiano: Billy TestBass: Daseul KimDrums: Joe SpinelliSaxophones:
Eric Neveloff, Mercedes Beckman,
Dave Pollack, Abel Mireles, Andrew HadroTrombones: James Borowski, Peter Nelson,
Collin Banks, Seth Weaver

 

Trumpets: Benjamin Hankle, Will Caviness,
Paul Tafoya, Richard Polatchek

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An American Christmas: With PJ Rasmussen and the Boardwalk Jazz Band features 21 of New York’s finest young musicians, playing fresh and exciting renditions of America’s most beloved Christmas music along with a new original holiday tune! This year’s show is anchored by WCBS ch. 2 in NYC and will be on approximately 150 stations across the country, reaching nearly half a million viewers. The Boardwalk Jazz Band is New York’s only 21 piece band to feature four separate vocalists. They have headlined two national television specials, An American Christmas and Sounds of Summer, which features entirely original music.

REQUEST INTERVIEW WITH PJ RASMUSSEN

 

www.boardwalkjazz.com

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

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October 31, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


More Jazz Congress
Speakers and Panels Announced
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REGISTER BEFORE RATES INCREASE NOVEMBER 1ST

TERRI LYNE CARRINGTON | VIJAY IYER | JENNIFER LEITHAM | RENÉ MARIE | MYRA MELFORD | TED NASH | ARTURO O’FARRILL | NICHOLAS PAYTON | KENNY RAMPTON | RODNEY WHITAKER

Camille Bertault | Bryan Carter | Riley Mulherkar | Chloe Rowland
| Nate Smith | Alexa Tarantino
Larry Blumenfeld | Gene Dobbs Bradford | Darlene Chan | Ken Druker | Andre Guess | Tim Jackson | Georgina Javor | Willard Jenkins | Matt Jurasek | Karen Kennedy | Cookie Marenco | Amy Niles | Jason Olaine | Terri Pontremoli | Wulf Muller | Lilly Schwartz | Meghan Stabile | Denny Stilwell | Robin Tomchin | Todd Whitelock

Joining those already announced:

GEORGE WEIN | TOSHIKO AKIYOSHI | SHERRIE MARICLE | WYNTON MARSALIS | CHRISTIAN MCBRIDE | MARIA SCHNEIDER

Session highlights

  • Jazz, Swing, Race and Culture
  • Making Space in Jazz for Transgender Voices
  • Celebrating Randy Weston
  • Case Studies: Entrepreneurship in Jazz
  • Creating Safe(r) Spaces in the Performing Arts: A We Have Voice Collective Roundtable Discussion
  • The $1,000 Marketing Plan Challenge
  • Will This Press Kit Get Me Booked?
  • Case Studies: Record Marketing
  • Institutions in Transition: Newport Jazz Festival
  • Strategic Partnership in Practice: Jazz Night in America
  • Women Big Band Leaders Roundtable: Presented by The National Endowment for the Arts
  • Jazz in Troubled Times
  • Copyright and Licensing: Rules of the Road

Register Now!


Additional Panels Include:

  • Jazz Between the Coasts
  • What’s that Sound? An Audio Recording Masterclass
  • Making Engaging Videos
  • Your Five Digital Priorities: A Marketing Masterclass
  • The Importance of Artist Credits in the Digital Age
  • Boricua Jazz: Lost in Translation
  • Jazz Down Under: Spotlight on Australia
  • Ask the Experts
  • Presenting Jazz on the West Coast
  • Growing Your Fanbase Through Social
  • JukeBox Jury Presented by JazzWeek
  • Louis Armstrong: A Music and Civil Rights Pioneer
  • Jazz Education Online
  • Jazz Industry 101
  • Musical Inspiration is Everywhere

Visit JazzCongress.org for more details.

REGISTRATION RATES INCREASE THIS THURSDAY, NOVEMBER 1ST!

Learn More
Single day registrations and student discounts available.
Don’t miss out on the jazz gathering of the year.
Co-presented by JazzTimes and Jazz at Lincoln Center, Jazz Congress is the gathering for the jazz community and industry.


The Details

The second annual Jazz Congress will take place on January 7 & 8, 2019 at Frederick P. Rose Hall, home of Jazz at Lincoln Center, located at Broadway at 60th Street, New York, New York. Want to let others know you’re coming? RSVP to our Facebook event and like our Facebook page to stay up-to-date as we announce special guests and panels!

Registration Rates and Dates:

Priority Registration:
September 21 – October 31, 2018
Two Day Pass: $175
Single Day Pass: $125

Regular Registration:
November 1 – December 31, 2018
Two Day Pass: $200
Single Day Pass: $150

Week-of Registration:
January 1 – 8, 2019Two Day Pass: $250
Single Day Pass: $200

Student Tickets:
Students receive a 50% discount on registration. Email us with a copy of your valid student IDand provide your expected graduation date to receive access to this discount.

Partner Discounts
A full list of partners is available on our website. Partners offer their constituents a 15% off discount code.

Hotel Info:

Special accommodation rates for 2019 Jazz Congress attendees, starting at $100, are available at the Hudson Hotel New York, located a two-minute walk from the conference venue, at 358 W. 58th Street, between 8th and 9th Avenues. The special rates are applicable for January 3 – 10, 2019 and must be booked by December 15, 2018.
Reservations can be made by calling (702) 577-2830 or toll-free (800) 606-6090. Attendees should request Hudson Hotel New York reservations for the group name “Jazz Congress.” The group code is JA0319. Click here to make a reservation online.

About Jazz Congress:
Jazz Congress brings together members of the global jazz community to network, as well as grow the audience for the music. The annual gathering also seeks to nurture businesses and organizations that promote, produce, present, market, and support jazz.
The inaugural Jazz Congress, co-produced by Jazz at Lincoln Center and JazzTimes, was held in 2018 and drew more than 800 attendees from around the world. More than 150 performers, panelists, and speakers participated in performances, workshops, and 30 panel discussions on topics including Jazz and Race, Gender and Jazz, Learning from Large Jazz Organizations, Why Performance Matters: Stagecraft Masterclass, Jazz in Film and TV Soundtracks, and more. The 2018 keynote address was delivered by NBA All-Star Kareem Abdul-Jabbar, and The Bruce Lundvall Award was presented to Terri Lyne Carrington.

Jazz Congress Advisory Board: 
Gene Dobbs Bradford, Jazz St. Louis
Terri Lyne Carrington, musician, educator, and 2018 Lundvall Award Winner
Tim Jackson, Monterey Jazz Festival
Karen Kennedy, 24 Seven Artist Development
Don Lucoff, DL Media
Katie Simon, Jazz Night in America/WBGO
Denny Stilwell, Mack Avenue Records
Rodney Whitaker, musician & educator
Jazz Congress is sponsored by Adam R. Rose.
/

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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October 31, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Last Voting Day FYC: Best Latin Jazz Album
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Olá!

This is Flavio Lira, Brazilian artist based out of New York City, and I invite you to dive into the world of COFFEE GOLD SUGAR CANE, a rhythmic fusion of samba, baião, regional folklore, tumbao, clave, partido alto, jazz and baroque fugue. 38 artists from 15 countries together in a remarkable love letter to all of Latin America!

BEST LATIN JAZZ ALBUM | For Your Consideration in the
61st GRAMMY Awards

Interested?

Click to listen and find out more about CGSC:


THANK YOU for your time and consideration! Muito obrigado!

Flavio

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

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October 28, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Marco Pignataro’s “Almas Antiguas” 
on the Grammy Ballot for
Best Instrumental Jazz Album
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International saxophonist Marco Pignataro’s new cd “Almas Antiguas” (Zoho Music) is on the 61th Grammy Ballot for Best Instrumental Jazz Album. The cd features Eddie Gomez, Alan Pasqua, Adam Cruz and George Garzone and has received enthusiastic praises, reviews and attention, including from Jazz@Lincoln Center, CNN en Español and Downbeat Magazine.

For the consideration of the voting members, the cd can be enjoyed on:

And on all the major online music platforms.

« On his ZOHO debut “Almas Antiguas” (“Old Souls”), Boston based saxophonist Marco Pignataro presents his all-star quintet. Six original compositions and five arrangements tell a “story of love”, signifying on elements of his Italian and Puerto Rican bloodlines. The music is evocative and powerful, blending modern jazz with shades of Mediterranean, folk & Latin influences. A remarkably cohesive, artistic recital, devoted to vivid melodies and lyrical beauty, in which all members illuminate the roiling emotions and romantic sensibility that underpin the songs. »
– Ted Panken

« The songs that Pignataro presents on “Almas Antiguas” are full of emotion and art. It is one of the most interesting albums of fall 2018. » « Dodie Miller-Gould” (LemonWire)

  « Bologna born, Boston based saxophonist Marco Pignataro’s ZOHO debut Almas Antiguas (“Old Souls”) is more than simply an wide ranging, eclectic stroll through a multitude of exotic, percussive global landscapes with greats Alan Pasqua (piano), Adam Cruz (drums) and Eddie Gomez (bass). It’s a heartfelt, alternately reflective and exuberant, multi-generational celebration of the love that flows through his culturally rich Italian and Puerto Rican bloodlines.” Jonathan Widran » (the JW Wibe)
 “Mr. Pignataro is one of the most dedicated, passionate and well respected  internationally known saxophonist, composer and educator today”  – Joe Lovano

Marco Pignataro « Almas Antiguas »
(Zoho ZM-201807) Street Date »
September 7, 2018

Marco Pignataro-tenor & soprano saxophone, Adam Cruz-drums,
Alan Pasqua-piano, Eddie Gomez-bass, 

George Garzone-tenor sax 1, 2, 9
www.zohomusic.com
www.marcopignataro.net
jazzLogo.jpg
October 30, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Grammy Consideration
INNERrOUTe

Rick Savage – Trumpet/Flugelhorn
Joe Vincent Tranchina – Keyboard
 Bill McCrossen – Acoustic /Electric Bass
 Michael D’Agostino – Drums/Percussion

Best Jazz Instrumental Album
Best Instrumental Composition: “Sans Net”
Best Engineered Album, Non-classical: Michael D’Agostino – engineer

INNERrOUTe “Wing Factory”
(Rainchant Eclectic Records RER 1002)
Street Date: March 1, 2018 

INNERrOUTe.net
Listen Here

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“Tasty stuff dedicated to pushing the boundaries of where certain forms of jazz lie, this crew gives you an unvarnished and uncommercial look behind the curtain where the muse is what it’s all about.”

—Chris Spector (midwest record.com)

“…for those who embrace the never-to-be-repeated avenues of exploration, and are inclined toward in-the-moment inspiration, then INNERrOUTe is a band to find and appreciate.”
–Doug Simpson/Audiophile Audition (audaud.com)

“21st-century jazz that not only sounds new and fresh but also touches one deeply.”-Willard Maus (lively-arts.com)

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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October 30, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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The extraordinary vocal/guitar duo of Benji Kaplan and Rita Figueiredo
are making their debut European tour in he Fall of 2018.

Partners in life and in music, they are also partners in songwriting, with Benji’s outstanding compositions blending perfectly with Rita’s compelling and visually expressive lyrics. Likewise, Benji’s virtuosic guitar fuses seamlessly with Rita’s lovely and beguiling voice with an intimacy and unity of essence that is simply mesmerizing.

This tour follows upon the release of their first album together, Benji & Rita on the U.S. label Big Apple Batucada – a stunning achievement with Benji’s sumptuous chamber ensemble-supported arrangements of ten of his and Rita’s songs, plus three more in the stripped-down emotionally charged duo setting that will be the style of their upcoming tour.
While the duo format is far less complex than the righly textured dynamics of the album, the core elements of both of these exceptional artists are fully in play in this intimate, highly personal structure.

Benji’s unique compositions – fully-informed by jazz, chamber, Brazilian and Middle Eastern sonorities and rhythms – are met at a cinematic crossroads by Rita’s visual narratives that deeply reflect her artistry as a filmmaker. Bringing all of these elements together into a context of superb artfulness, the duo performance of Benji and Rita is an alluring and deeply rewarding experience for audiences of all ages and tastes.
The tour is scheduled to begin in November and will bring them to Portugal, Spain, England and Germany. The tour has been partially arranged by top Brazilian agent Renata Franchini, and also represented by Canadian agent Jean-Pierre Leduc’s Lunched Management.
For more information, contact info, etc. Please visit:

Benji and Rita’s websitewww.benjiandrita.com

Youtube channel link:  www.youtube.com/channel/

UC0HVd7vmyBWNpnYPGMy9t9w

facebook page: www.facebook.com/benjiandrita

Instagram link: www.instagram.com/benjiandrita

Benji Kaplan’s website: www.benjikaplan.com

Rita Figueiredo’s website: www.ritafigueiredo.com

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

 

 

jazzLogo.jpg
October 29, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

MARIA MULDAUR’S

“DON’T YOU FEEL MY LEG:
THE NAUGHTY BAWDY BLUES OF BLUE LU BARKER” ON THE GRAMMY BALLOT FOR BEST TRADITIONAL BLUES ALBUM

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Don’t You Feel My Leg: The Naughty Bawdy Blues of  Blue Lu Barker is on the 61st Grammy Ballot for Best Traditional Blues Album, Best American Roots Performance (Don’t You Feel My Leg), and Best Engineered Album – Non-Classical. The album is a tribute to popular vocalist and songwriter Blue Lu Barker, who made her mark in the late 30s and early 40s, and whom Billie Holiday once cited as her biggest influence. Featuring a stellar band of NOLA musicians including New Orleans A-listers David Torkanowsky on piano (Neville Brothers, Irma Thomas, Solomon Burke), Roland Guerin on bass (Allen Toussaint, Steve Earle, Chris Thomas King), and Herlin Riley on drums (Dr. John, Wynton Marsalis, Cassandra Wilson), among others.

 

 

“…Here she lightens her timbre in tribute to her friend Lu on top of a hyperactive New Orleans band, and she’s never sounded sexier or more committed….
Grade: A
” ~ Robert Christgau

 

Don’t You Feel My Leg: The Naughty Bawdy Blues of Blue Lu Barker pays tribute to a great New Orleans blues singer and testifies to the vitality and mastery of Maria Muldaur as she continues to mine rich veins of American Roots music.
Robert H. Cataliotti, Living Blues Magazine

“…Muldaur has done it again.” ~ Richard Ludmerer, MakingAScene.org

“[Muldaur] shares an intrinsic understanding of the music with the band members, so that their collective efforts revive these classics in all of their bawdy glory while adding exciting musical statements firmly rooted in the traditions.
Mark Thompson, Blues Blast Magazine

For the consideration of the voting members, the cd can be enjoyed on:

 

 SOUNDCLOUD

SPOTIFY

 

And on all the major online music platforms.

WATCH “DON’T YOU FEEL MY LEG” – Best American Roots Performance

 

WATCH: “THE MAKING OF DON’T YOU FEEL MY LEG” ~ Best Engineered Album, Non-Classical

 

 

MARIA MULDAUR –
DON’T YOU FEEL MY LEG: THE NAUGHTY BAWDY BLUES OF BLUE LU BARKER
Street Date: September 28, 2018

www.mariamuldaur.com


Maria Muldaur – DON’T YOU FEEL MY LEG – OUT 9/28 – The …
www.mariamuldaur.com

 

www.lastmusic.co.uk

 

 

 

jazzLogo.jpg
October 29, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

MARIA MULDAUR’S

“DON’T YOU FEEL MY LEG:
THE NAUGHTY BAWDY BLUES OF BLUE LU BARKER” ON THE GRAMMY BALLOT FOR BEST TRADITIONAL BLUES ALBUM

shem.gif
Don’t You Feel My Leg: The Naughty Bawdy Blues of  Blue Lu Barker is on the 61st Grammy Ballot for Best Traditional Blues Album, Best American Roots Performance (Don’t You Feel My Leg), and Best Engineered Album – Non-Classical. The album is a tribute to popular vocalist and songwriter Blue Lu Barker, who made her mark in the late 30s and early 40s, and whom Billie Holiday once cited as her biggest influence. Featuring a stellar band of NOLA musicians including New Orleans A-listers David Torkanowsky on piano (Neville Brothers, Irma Thomas, Solomon Burke), Roland Guerin on bass (Allen Toussaint, Steve Earle, Chris Thomas King), and Herlin Riley on drums (Dr. John, Wynton Marsalis, Cassandra Wilson), among others.

 

 

“…Here she lightens her timbre in tribute to her friend Lu on top of a hyperactive New Orleans band, and she’s never sounded sexier or more committed….
Grade: A
” ~ Robert Christgau

 

Don’t You Feel My Leg: The Naughty Bawdy Blues of Blue Lu Barker pays tribute to a great New Orleans blues singer and testifies to the vitality and mastery of Maria Muldaur as she continues to mine rich veins of American Roots music.
Robert H. Cataliotti, Living Blues Magazine

“…Muldaur has done it again.” ~ Richard Ludmerer, MakingAScene.org

“[Muldaur] shares an intrinsic understanding of the music with the band members, so that their collective efforts revive these classics in all of their bawdy glory while adding exciting musical statements firmly rooted in the traditions.
Mark Thompson, Blues Blast Magazine

For the consideration of the voting members, the cd can be enjoyed on:

 

 SOUNDCLOUD

SPOTIFY

 

And on all the major online music platforms.

WATCH “DON’T YOU FEEL MY LEG” – Best American Roots Performance

 

WATCH: “THE MAKING OF DON’T YOU FEEL MY LEG” ~ Best Engineered Album, Non-Classical

 

 

MARIA MULDAUR –
DON’T YOU FEEL MY LEG: THE NAUGHTY BAWDY BLUES OF BLUE LU BARKER
Street Date: September 28, 2018

www.mariamuldaur.com


Maria Muldaur – DON’T YOU FEEL MY LEG – OUT 9/28 – The …
www.mariamuldaur.com

 

www.lastmusic.co.uk

 

jazzLogo.jpg
October 29, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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Zoho Music

F O R   Y O U R   C O N S I D E R A T I O N

Puerto de Buenos Aires 1933

EL ECO with Guillermo Nojechowicz
Featuring Helio Alves, Fernando Huergo, Kim Nazarian,
Marco Pignataro Brian Lynch

Puerto de Buenos Aires 1933 was inspired by a remnant of Guillermo Nojechowicz’s family history, the passport that his grandmother carried when she fled Warsaw for Argentina in 1933 along with Nojechowicz’s father, who was then a small boy. Crossing Europe by train, they left behind everything familiar to face the unknown in Buenos Aires – a trip that spared them from the Holocaust, where so many others in their community later perished. The Latin Jazz Suite that chronicles their long, uncertain journey is the centerpiece of
EL ECO‘s new recording: Puerto de Buenos Aires 1933.

B E S T   L A T I N   J A Z Z   A L B U M
This is a beautiful and important record. 
— Brazilian Jazz Vocalist Luciana Souza
One of the year’s most spellbinding releases.    
— Mark Holston, JAZZIZ

« Album of the Year » for the annual critics’ choices, to be published in the Winter 2019 issue of JAZZIZWith plenty of full-throated jazz soloing, the album has one foot in the southern hemisphere and one in the north, and the personnel also straddles the equator: Guillermo Nojechowicz’s sextet El Eco is rounded out by American trumpet ace Brian Lynch, Argentinian bassist Fernando Huergo, Brazilian pianist Helio Alves, and Italian saxophonist Marco Pignataro, with a string quartet added for additional grandeur. Conceived in solemnity and impressively executed with passion and precision, it succeeds entirely.
— Neil Tesser, JAZZIZ
 Listen on SoundCloud – 
©2018 Guillermo Nojechowicz
elecomusic.com

 

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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October 28, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


WATCH LATEST VIDEO – LA VIE EN ROSE
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This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

61stgrammyheadingPLEASE CONSIDER THESE ARTISTS IF AND WHEN YOU VOTE.

Dave Zinnowhaling city sound listenDAVE ZINNO
River of January

  • Improvised Jazz Solo
  • Instrumental Composition

Buy Gift


whaling city sound listenERIC WYATT
Look to the Sky

  • Improvised Jazz Solo
  • Jazz Instrumental Album
  • Arrangement, Instruments and Vocals
  • Instrumental Composition

Buy Gift


whaling city sound listenDORI RUBBICCO, JOHN HARRISON QUINTET
Stage Door Live!

  • Jazz Vocal Album

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whaling city sound listenBENITO GONZALEZ, GERRY GIBBS, ESSIET OKON ESSET
Passion Reverence Transcendence

  • Improvised Jazz Solo
  • Jazz Instrumental Album

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whaling city sound listenJAY RODRIGUEZ
Your Sound

  • Instrumental Composition

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whaling city sound listenDINO GOVONI
The Circle Game

  • Improvised Jazz Solo

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whaling city sound listenFRED FARELL, DAVE LIEBMAN, RICHIE BEIRACH
Distant Song

  • Jazz Vocal Album

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whaling city sound listenMONIKA HERZID
SHEROES

  • Arrangement, Instrumental or A Cappella
  • Jazz Instrumental Album
  • Instrumental Composition
  • Improvised Jazz Solo

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whaling city sound listenDANNY BACHER
Still Happy

  • Jazz Vocal Album

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October 25, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


For Your Consideration:Best Instrumental Jazz Album
Listen On Spotify
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SOLO
PABLO ZIEGLERPablo Ziegler releases an album of brand new arrangements of his nuevo tango pieces, as well as some new compositions and works by Astor Piazzolla, Alejandro Dolina, and Juan Carlos CobiánFRESH OFF 2018 GRAMMY WIN, PABLO ZIEGLER RELEASES HIS FIRST SOLO PIANO ALBUM FOR STEINWAY & SONS“He is cool, understated and makes everything look easy and natural…Just as a really suave tango dancer seems not to move with feet but on wheels, Ziegler skates the keyboard.”
 The Los Angeles Times“A stellar, sitting down piano recital in which he recrafts a bunch of his own classics, and of course Piazzolla’s, this is as good as it gets and should be heard by all no matter how they feel about tango, instrumental and other musical types that might not be on their normal radar.”
MidWest RecordPablo Ziegler, 2018 Grammy Award winner for Best Latin Jazz Album, writes music imbued with Buenos Aires soul. Following up on 2016’s Tango Nuevo with Christopher O’Riley, Pablo Ziegler Solo presents the composer and pianist on his own terms with new arrangements of his nuevo tango works, along with pieces by Juan Carlos Cobián, Alejandro Dolina, and Ziegler’s mentor, Astor Piazzolla.While Ziegler is accustomed to playing his music with orchestra or small ensemble, this new solo program is a natural extension of his love and affinity for his instrument. He remarks, “The piano is a way to have a conversation for me; I express my feelings through piano rather than words. I always hear music in my mind, and the piano has been always accompanied my journey.” Compositions recorded for the first time on Pablo Ziegler Solo include “Alguien sin Nombre,” a dream of an encounter with an unknown true love; and “Nana para un Niño Dormido,” inspired by Georg Büchner’s play Woyzeck.In choosing works by other composers for the project, Ziegler hoped to emphasize the varying sides of his identity, from classical to jazz to nuevo tango. Two works by Piazzolla – “Oblivion” and “Milonga del Ángel” – represent the time in Ziegler’s life when he and Piazzolla were performing together. Ziegler met Alejandro Dolina in the 1980s, and arranged and re-harmonized his piece “El Vals del Duende,” the album’s penultimate track. Juan Carlos Cobián graduated from the same conservatory as Ziegler and is considered the Chopin of Tango music; his “Nostalgias” closes the album.“Releasing this solo piano album is a new chapter of my life as a musician,” says Ziegler. “There is always a first time for everything. This album happened to be one of them.”VIDEO
https://youtu.be/a-mrO4I2eJgABOUT THE ARTISTFor decades, Buenos Aires-born, Grammy-winning pianist, composer and arranger Pablo Ziegler has been one of the most important figures in Argentine New Tango, the vibrant musical hybrid of classic tango, American jazz, and European art music. After performing in tango grand-maestro Astor Piazzolla’s legendary quintet for over a decade, and appearing on iconic Piazzolla recordings including Tango: Zero Hour, La Camorra and Central Park Concert, Ziegler has led his own groups for over 20 years, refining and reimagining the bounds of the modern tango tradition.Ziegler has performed at major venues and festivals including Carnegie Hall, Lincoln Center Out of Doors, Muziekgebouw, Verbier Festival, Ravinia Festival, SFJAZZ, Montreal Jazz Festival, the Ottawa International Jazz Fest, Tokyo Jazz Festival, Birdland, Blue Note and many others.
In 2016, for the Steinway & Sons label, Ziegler teamed up with pianist Christopher O’Riley for Tango Nuevo, a love letter to the traditions and culture of Argentina, particularly to the city of Buenos Aires.ABOUT THE LABELhttps://www.steinway.com/music-and-artists/label/solo-pablo-ziegler

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October 24, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


For Your Consideration:Mike Freeman ZonaVibe
Venetian BlindsBest Latinjazz AlbumBest Jazz Solo
“Clutch The Hutch”Featuring
Mike Freeman – Vibraphone
Guido Gonzalez – Trumpet
Ian Stewart – Bass
Roberto Quintero – Congas
Joel Mateo – Drums
Listen On Soundcloud
« frost-fresh…with off-beat rhythms driven hard »
Latinjazznet Sept. 27, 2018 –Raul da Gama« MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.98” Contemporary Fusion Reviews August 10, 2018
Dick Metcalf
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Mike Freeman ZonaVibe
“Venetian Blinds”
(VOF 2018-7)
Street Date: August 4, 2018
Mike Freeman – Vibraphone, Coro Guido Gonzalez – Trumpet, Coro Ian Stewart – Bass Roberto Quintero – Congas, Guiro, Shakere Joel Mateo – Drums, Campana
UPC Code: 726538201879
Mike Freeman has been hailed as “masterful,”a “superb” vibes player, and “wildly talented.” Following Blue Tjade, his tribute to Cal Tjader, Venetian Blinds is a tip of the hat to Tito Puente and Bobby Hutcherson.When Tito Puente rolled in his vibes during the early days of the Palladium, people would say, “Here comes Tito with those venetian blinds!”— referring to the strung-together bars of the instrument. Four of the tracks on this recording were written for Tito Puente: “Those Venetian Blinds,” “Mambo Kings,” “Night Crawlers,” and “Qué Tal Tío” (What’s Up Uncle). Another three go out to the late vibraphonist and Jazz Master Bobby Hutcherson: “Clutch the Hutch,” “Bobby Land,” and “House of Vibes.”Mike Freeman ZonaVibe brings together a mix of original Latinjazz characterized by spirited soulful swing. Venetian Blinds is the latest in a line of clave-infused recordings Mike has produced over the past 18 years.The all-new lineup for this outing features stalwarts of the New York Latin music scene: trumpeter Guido Gonzalez and conga master Roberto Quintero, along with up-and-coming players Ian Stewart on bass and Joel Mateo on drums.
Mike Freeman’s recordings have appeared on numerous radio charts (jazz, contemporary, World) and syndicated radio programs (WOR radio network, Jazz After Hours, David Sanborn, Music Choice, United Airlines), with international airplay throughout Canada, Europe, the Caribbean, South America, and Australia. His recordings have been both Grammy and Latin Grammy entries and have received outstanding reviews. Mike is also known by fans and audiences for his work and recordings with several acclaimed Latin groups including Ray Mantilla; Lucho Cueto’s all-star salsa group Black Sugar; and Son Boricua with Jose Mangual Jr. and the late Jimmy Sabater (one of the architects of Boogaloo).

High-talent masterful vibraphone jazz Mike Freeman ZonaVibe – Venetian Blinds

Dick Metcalf, editor, Contemporary Fusion Reviews August 10, 2018

High-talent masterful vibraphone jazz Mike Freeman ZonaVibe – VENETIAN BLINDS:  “Old soul” Latin jazz fans (like me) can’t help but remember the hip sounds of players like Tito Puente and Bobby Hutcherson… this is vibraphonist Mike’s high-talent tribute to those stalwarts… as you listen to them on his August, 2018 release, you’ll realize why I found his playing so attractive… the 4:47 “Bobby Land” has a lilting groove that will transport any “true” jazz lover straight to Nirvana… just LOVE Mike’s vibe on this tune.

Mike’s work is highly complimented by trumpeter Guido Gonzalez; conga master Roberto Quintero, along with up-and-coming players Ian Stewart on bass and Joel Mateo on drums… all you need to do is scope out the 5:15 opener, “House Of Vibes“, to become a dedicated fan of this great group of players… one thing you’ll notice right away is how “together” they are… no players “stepping” on each other & every note is full of the kind of jazz energy most groups can only aspire towards; this is one of my favorite vibe-based tunes (yet) in 2018!

If you’re looking for music you can dance to, you’re gonna’ fall in love with “Fancy Free” right away… this song definitely has the soul you’ve been seeking… it gets a slot on my iPhone player, too… perfect cruising music… Ian’s bass solo lines on this one are just stellar!

It is the longest cut on the album that won my vote for personal favorite… “What’s Up With This Moon” clocks in at 6:11, and has some wonderful trumpet from Guido, along with all the other jazz masters.

I give Mike and his fellow players a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.98 for this mighty mellow jazz excursion.

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October 26, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Grammy Voting Consideration

THE DJANGO FESTIVAL ALL STARS
ATTITUDE MANOUCHE

« BEST WORLD MUSIC CD »

« BEST JAZZ SOLO –
Samson Schmitt on  » Tsigane Fantasy »

Many thanks, PAT Philips, Producer


Attitude Manouche Teaser
Listen Here

Samson Schmitt Guitar Solo
Listen Here

 » HARDEST SWINGING BAND AT THE NEWPORT JAZZ FESTIVAL. »

                      …. Allen Morrison, DOWNBEAT MAGAZINE

« The highpoint of the entire PLAYBOY FESTIVAL was provided by THE DJANGO FESTIVAL ALLSTARS. »

                      …. Scott Yanow, LA Jazz Scene

   (on Resilience Music Alliance)

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October 26, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Consideration: 
Jimmy Sturr and his Orchestra
« Gonna Be Good Times » 
Best Americana AlbumWith Special guests, Chris Caffery-Trans Siberian Orchestras,
Irish American Singing Sensation “Andy Cooney”
Listen On Soundcloud
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www.jimmysturr.com
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Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 26, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

FOR YOUR GRAMMY VOTING CONSIDERATION

Randy Brecker & Mats Holmquist with UMO Jazz Orchestra
« Together »

Improvised Jazz Solo
Randy Brecker – All My Things (T) From: Together
Large Jazz Ensemble Album
Instrumental Composition
One Million Circumstances
Instrumental Composition
All My Things
Arrangement, Instrumental or A Cappella
Never Let Me Go
Arrangement, Instrumental or A Cappella
Windows

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“I think you’ll really enjoy this CD there are absolutely no dull moments, you are going to be taken on the ride of a lifetime, so enjoy it and let me know when you come back to Earth!”
 – Randy Brecker“…Brecker, who seemingly hasn’t lost a step…plays sharp and agile…Holmquist…makes sure the music is rich and challenging, starting with the strong and picturesque “One Million Circumstances” and continuing through the seductive closing anthem, “Always Young.” Whatever the mood or tempo, Holmquist always has something suitable and interesting to impart…Together is the sort of inclusive musical caucus that happens all too seldom—which is all the more reason to endorse and salute its refreshing outcome… »
http://AllAboutJazz.comhttp://umo.fi/en/
https://www.matsholmquist.com
http://randybrecker.com
http://www.summitrecords.com/genre/mama-records-2/

 

NATIONAL PRESS CAMPAIGN: 
JIM EIGO, JAZZ PROMO SERVICES, 272 State Route 94 South #1, Warwick, NY 10990-3363

Ph: 845-986-1677

jim@jazzpromoservices.com • www.jazzpromoservices.com

“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

NATIONAL RADIO CAMPAIGN: 
DR. JAZZ OPERATIONS

24270 Eastwood Penthouse Suite Oak Park, MI 48237 (248) 542-7888 http://www.drjazz.com

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272 Ste Route 94 S #1  Warwick, NY 10990
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Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 25, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Updated Listening Link For

Reverso’s « Suite Ravel » on
61st Grammy Awards Ballot!

Best Jazz Album Reverso “Suite Ravel”
Best Jazz Improvisation Ryan Keberle “Clair Obscur”
Best Jazz Improvisation Frank Woeste “Ostinato”
Best Composition Ryan Keberle “All Ears”
Best Composition Frank Woeste “Ostinato”


Click Here To Listen on Soundcloud

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“that Ravelian line between jazz and classical has never been more symbiotic” – Downbeat

“pulsating motifs. long painterly lines, open fields and pointillist statements into a fascinating whole… captivating chamber quartet.” – Jazz Times

“a decidedly contemporary take on Maurice Ravel’s musical ideas… launching from Ravel but reaching its own heights.”
– Rochester City Newspaper

Reverso is a new trans-oceanic chamber jazz project co-led by Downbeat’s Rising Star trombonist, Ryan Keberle, and Frank Woeste, the acclaimed Paris-based pianist and music director for Ibrahim Maalouf. Reverso’s “Suite Ravel” features drummer extraordinaire, Jeff Ballard, and ECM recording artist, Vincent Courtois, on cello performing music inspired by Maurice Ravel’s “Le Tombeau de Couperin”.
Suite Ravel, the debut record from Reverso, a new chamber jazz ensemble, is now available! Featuring Ryan Keberle, Frank Woeste, Vincent Courtois and Jeff Ballard.
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Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 25, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


For Your Consideration:Marty Elkins « Fat Daddy »Best Jazz Vocal
Listen Here
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« Marty Elkins is the most effective purveyor of 1920s and ’30s swing vocals recording today.” C. Michael Bailey, All About Jazz, July 9th, 2018

MARTY ELKINS  FAT DADDY was selected TOP TEN CDs of 2018 inCadence Magazine

« While her previous CDs are excellent, Fat Daddy is Marty Elkins’ definitive recording so far and is highly recommended to fans of first-class swing singers.”
Scott Yanow, The Syncopated Times – August 1, 2018

« Surely the acid test for any record is whether you play it just once, just twice, or have to hear it again and again: it’s in your head always. Fat Daddy is an always record, and Marty Elkins is an always singer….Her lush voice caresses the lyrics of this imaginative and compelling collection of standards and discoveries…. Elkins can do anything.”

David Evanier, author of “All The Things You Are: The Life of Tony Bennett,
« Roman Candle: The Life of Bobby Darin », and “Making the Wiseguys Weep: The Life of Jimmy Roselli”
excerpt from liner notes by David Evanier

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HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 25, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

THE DJANGO FESTIVAL ALL STARS
ATTITUDE MANOUCHE« BEST WORLD MUSIC CD »« BEST JAZZ SOLO –
Samson Schmitt on  » Tsigane Fantasy »
Many thanks, PAT Philips, Producer
Attitude Manouche Teaser
Listen HereSamson Schmitt Guitar Solo
Listen Here » HARDEST SWINGING BAND AT THE NEWPORT JAZZ FESTIVAL. »                      …. Allen Morrison, DOWNBEAT MAGAZINE« The highpoint of the entire PLAYBOY FESTIVAL was provided by THE DJANGO FESTIVAL ALLSTARS. »                      …. Scott Yanow, LA Jazz Scene   (on Resilience Music Alliance)
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HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 25, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Consideration
Jazz Vocal Album
Soul Serenade – The Gloria Lynne Project

DIANE MARINO

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Jazz vocalist Diane Marino « Soul Serenade – The Gloria Lynne Project » 
invites you to enjoy this album and please keep it in mind FYC… (Jazz Vocal Album)
LISTEN HERE
« Soul Serenade- The Gloria Lynne Project » is the title of my newest CD project. Although not exactly a « tribute » album, it is more of a celebration of the music made popular by the great vocalist, Gloria Lynne. As it turns out, I have been singing some of the material

she has been known for ever since I first began to sing professionally- so many years ago! « I Wish You Love » is one of the first ballads I ever sang on a gig. « I’m Glad There Is You » is a track I recorded for my CD « On The Street Where You Live ».
While performing on a recent gig with drummer Vince Ector, I sang « I’m Glad There Is You », and he reminded me it was one of Gloria’s signature songs.
So, I began to research more of Gloria’s work and was instantly mesmerized by her voice, style and emotion. Additionally, her choice of material was instantly appealing to me. I tendto look for songs that are « beyond the norm » of the Great American Songbook repertoire. The songs Gloria Lynne recorded during her career stand alone in their originality and uniqueness. Her performances of these particular tunes move me every time I hear them.
I wanted to step away from the piano for this project in order to collaborate with someone else’s ideas that could influence the way I might want to sing a particular song. I feel that when you accompany yourself on piano the two elements are inseparable and it was time to do a project in a different way.I asked my dear friend Brad Cole (Music Director for Phil Collins, etc.) to take my concepts and write the arrangements and orchestrations as well as to play piano/keyboards on this project. He seemed to know exactly what I wanted to do with each of these songs. I think we’ve come up with a fresh approach to this material that Gloria Lynne’s recordings influenced me to explore and ultimately record!
Diane Marino – « Soul Serenade-The Gloria Lynne Project »
Reviews
« Marino is sassy, upbeat on « Nothing Ever Changes My Love For You » and is soulful as she bops along Chris Brown’s brushes on « For You. » Stately and uptown. »
– jazzweekly.com – George Harris   » A jazzy vocal album that works throughout, Marino is fully ready to take flight on her own, especially if she plans on keeping it classy. Well done. »
-Midwest Record – Chris Spector »Diane Marino brings the vocal magic on ballads like « Blue Gardenia » and « Out of This World. » « The Jazz in You » is produced as a sultry blues number and Marino steps up to the plate and hits a home run with this tune. »
-Musical Memoirs.com  – Dee Dee McNeil/Jazz Journalist « A thoroughly enjoyable contemporary pop/jazz album from vocalist Diane Marino from « Soul Serenade: The Gloria Lynne Project » w/ some fine orchestrations and arrangements by Brad Cole. »
– notesonjazz.blogspot.com – Ralph A. Miriello« A striking vocalist, Diane Marino chose songs that brought out the emotional depth of her register. Her inflections make lyrics stand out in the listener’s mind. She expresses human emotion through the range of her timbres and the elasticity in her vocal nuances. Revisiting songs from Gloria Lynne’s recordings prove to be a fine fit for Diane Marino. »
– Susan Franceson – Blog Critics: Marino emblazons each track with her personal touch ***** 5 Stars« Marino wisely retains her own identity whilst conveying the feel of a Gloria Lynne performance. Which, in many ways, is the best of two worlds. Sultry, with just an edge of soul and blues and a lot of jazz. A great album that’s made me aware of TWO great jazz vocalists. »
– Bebop Spoken Here – Lance Liddle« Reverie and remembrance for the art of Gloria Lynne sing through this collection – due to the inordinately beautiful performances by Diane Marino and ensemble.  »
– 5 out of 5 stars A celebration of the spirit of Gloria Lynne – Grady Harp (Amazon)   
OFFICIAL WEBSITE

Thank you for listening !

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October 25, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Consideration:

Judi Silvano “Lessons Learned”

Best Jazz Vocal Album


Listen On Amazon

First Round Voting Closes October 31, 2018

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Judi’s compositions are like her paintings… Magical!
Sheila Jordan, 2012 NEA Jazz MasterThe album “Lessons Learned”, recently released on Unit Records, consists entirely of Silvano’s compositions, some of them sharp and spiky (“Dark Things”) and others full of wonder (“Round and Round”). One subtle high point is a ballad titled “Hand and Heart.”

Nate Chinen, WBGO.org/post

Once again, the jazz vocalist finds that sweet spot between art chic and hard core pro as she delivers a real personal album.  Lyrically loaded with lessons all of us should really be thinking about, this is a Zen jazz set that’s sure to resonate.

Chris Spector, MidWest Record Review

Judi Silvano’s “Lessons Learned” has moved my thoughts and memories in countless directions, her words awakening so much of a life lived.  After careful listening to her thought-provoking lyrics, all I can say is the album has now become a permanent fixture on my iPhone playlist.
Eric Alan, alljazzradio/co.za/blogs-and-reviews, So.Africa

There comes a point in anyone’s life that is a place of reflection; a review of a lifetime’s worth of choices and decisions. At that point, songs emerge, and Judi Silvano’s “Lessons Learned” (Unit Records UTR4868) is a mature musical compilation of personal observations on life and love.

“Lessons Learned” was produced by Grammy winning saxophonist and composer Joe Lovano, who says “This is one of the most inspired and fun recording sessions I’ve ever been a part of; it’s full of beautiful, joyous music!”  His feelings are well reflected in his adventurous arrangements of these songs, from tender and spiritual to raucous and whimsical. That gamut is also a function of Judi’s songwriting. She’s not afraid to bare her heart and sing of intimacy, and she tackles the realities of aging with hilarious candor.

The musicians on the recording are members of Silvano’s Zephyr Band, an ensemble with an unusual lineup for a jazz singer: two electric guitars.  These are wielded by Kenny Wessel and Bruce Arnold, providing orchestral settings for the songs. The band is rounded out with Ratzo B. Harris on bass, Adam Kolker on bass clarinet, soprano and tenor sax, Bob Meyer on drums and Todd Isler on percussion. Joe Lovano lends his signature sound on tenor sax to two tracks.

They continue to find new directions for Silvano’s compositions and stories.

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HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 25, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Reverso’s « Suite Ravel » on
61st Grammy Awards Ballot!Best Jazz Album Reverso “Suite Ravel”
Best Jazz Improvisation Ryan Keberle “Clair Obscur”
Best Jazz Improvisation Frank Woeste “Ostinato”
Best Composition Ryan Keberle “All Ears”
Best Composition Frank Woeste “Ostinato”
Listen on Soundcloud
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“that Ravelian line between jazz and classical has never been more symbiotic” – Downbeat

“pulsating motifs. long painterly lines, open fields and pointillist statements into a fascinating whole… captivating chamber quartet.” – Jazz Times

“a decidedly contemporary take on Maurice Ravel’s musical ideas… launching from Ravel but reaching its own heights.”
– Rochester City Newspaper

Reverso is a new trans-oceanic chamber jazz project co-led by Downbeat’s Rising Star trombonist, Ryan Keberle, and Frank Woeste, the acclaimed Paris-based pianist and music director for Ibrahim Maalouf. Reverso’s “Suite Ravel” features drummer extraordinaire, Jeff Ballard, and ECM recording artist, Vincent Courtois, on cello performing music inspired by Maurice Ravel’s “Le Tombeau de Couperin”.
Suite Ravel, the debut record from Reverso, a new chamber jazz ensemble, is now available! Featuring Ryan Keberle, Frank Woeste, Vincent Courtois and Jeff Ballard.
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Jim Eigo Jazz Promo Services
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E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

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For Your Consideration:Mike Freeman ZonaVibe
Venetian BlindsBest Latinjazz AlbumBest Jazz Solo
“Clutch The Hutch”Featuring
Mike Freeman – Vibraphone
Guido Gonzalez – Trumpet
Ian Stewart – Bass
Roberto Quintero – Congas
Joel Mateo – Drums
Listen On Soundcloud
« frost-fresh…with off-beat rhythms driven hard »
Latinjazznet Sept. 27, 2018 –Raul da Gama« MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.98” Contemporary Fusion Reviews August 10, 2018
Dick Metcalf
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Mike Freeman ZonaVibe
“Venetian Blinds”
(VOF 2018-7)
Street Date: August 4, 2018
Mike Freeman – Vibraphone, Coro Guido Gonzalez – Trumpet, Coro Ian Stewart – Bass Roberto Quintero – Congas, Guiro, Shakere Joel Mateo – Drums, Campana
UPC Code: 726538201879
Mike Freeman has been hailed as “masterful,”a “superb” vibes player, and “wildly talented.” Following Blue Tjade, his tribute to Cal Tjader, Venetian Blinds is a tip of the hat to Tito Puente and Bobby Hutcherson.When Tito Puente rolled in his vibes during the early days of the Palladium, people would say, “Here comes Tito with those venetian blinds!”— referring to the strung-together bars of the instrument. Four of the tracks on this recording were written for Tito Puente: “Those Venetian Blinds,” “Mambo Kings,” “Night Crawlers,” and “Qué Tal Tío” (What’s Up Uncle). Another three go out to the late vibraphonist and Jazz Master Bobby Hutcherson: “Clutch the Hutch,” “Bobby Land,” and “House of Vibes.”Mike Freeman ZonaVibe brings together a mix of original Latinjazz characterized by spirited soulful swing. Venetian Blinds is the latest in a line of clave-infused recordings Mike has produced over the past 18 years.The all-new lineup for this outing features stalwarts of the New York Latin music scene: trumpeter Guido Gonzalez and conga master Roberto Quintero, along with up-and-coming players Ian Stewart on bass and Joel Mateo on drums.
Mike Freeman’s recordings have appeared on numerous radio charts (jazz, contemporary, World) and syndicated radio programs (WOR radio network, Jazz After Hours, David Sanborn, Music Choice, United Airlines), with international airplay throughout Canada, Europe, the Caribbean, South America, and Australia. His recordings have been both Grammy and Latin Grammy entries and have received outstanding reviews. Mike is also known by fans and audiences for his work and recordings with several acclaimed Latin groups including Ray Mantilla; Lucho Cueto’s all-star salsa group Black Sugar; and Son Boricua with Jose Mangual Jr. and the late Jimmy Sabater (one of the architects of Boogaloo).

High-talent masterful vibraphone jazz Mike Freeman ZonaVibe – Venetian Blinds

Dick Metcalf, editor, Contemporary Fusion Reviews August 10, 2018

High-talent masterful vibraphone jazz Mike Freeman ZonaVibe – VENETIAN BLINDS:  “Old soul” Latin jazz fans (like me) can’t help but remember the hip sounds of players like Tito Puente and Bobby Hutcherson… this is vibraphonist Mike’s high-talent tribute to those stalwarts… as you listen to them on his August, 2018 release, you’ll realize why I found his playing so attractive… the 4:47 “Bobby Land” has a lilting groove that will transport any “true” jazz lover straight to Nirvana… just LOVE Mike’s vibe on this tune.

Mike’s work is highly complimented by trumpeter Guido Gonzalez; conga master Roberto Quintero, along with up-and-coming players Ian Stewart on bass and Joel Mateo on drums… all you need to do is scope out the 5:15 opener, “House Of Vibes“, to become a dedicated fan of this great group of players… one thing you’ll notice right away is how “together” they are… no players “stepping” on each other & every note is full of the kind of jazz energy most groups can only aspire towards; this is one of my favorite vibe-based tunes (yet) in 2018!

If you’re looking for music you can dance to, you’re gonna’ fall in love with “Fancy Free” right away… this song definitely has the soul you’ve been seeking… it gets a slot on my iPhone player, too… perfect cruising music… Ian’s bass solo lines on this one are just stellar!

It is the longest cut on the album that won my vote for personal favorite… “What’s Up With This Moon” clocks in at 6:11, and has some wonderful trumpet from Guido, along with all the other jazz masters.

I give Mike and his fellow players a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.98 for this mighty mellow jazz excursion.

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October 24, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

FOR YOUR CONSIDERATION
ANTONIO ADOLFO
« Encontros – Orquestra Atlantica »Best Latin Jazz Album
Best Instrumental Composition: Delicada Jazz Waltz
Best Instrumental Composition: Pentatonica
Best Arrangement, Instrumental or A Cappella: Milestones (Marcelo Martins & Jesse Sadoc
Best Arrangement, Instrumental or A Cappella:
Africa Bahia Brasil (Jesse Sadoc)
Best Improvised Jazz Solo: Danilo Sinna (Africa Bahia Brasil)
Best Engineered Album, Non-Classical: Roger Freret, Marcelo Saboia, Ron McMaster
Featuring
Antonio Adolfo – piano, Nelson Faria and Claudio Jorge – acoustic guitars, Leo Amuedo – electric guitar, Jorge Helder – bass, Rafael Barata – drums, Dada Costa – percussion, Jesse Sadoc – trumpet & flugelhorn, Gesiel Nascimento – trumpet, Danilo Sinna – alto sax & flute, Marcelo Martins – tenor sax & flute, Levi Chaves – baritone sax, Aldivas Ayres – trombone, Wanderson Cunha – trombone, Marcos Nimrichter – accordion, Ze Renato – vocal.

Listen On Spotify

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 Review by Raul da Gama

At last the renowned Brasilian musician Antonio Adolfo, pianist and pedagogue has followed esteemed fellow-Brasilians Moacir Santos, Antonio Carlos Jobim, Hermeto Pascoal and Mario Adnet in creating music for a larger ensemble. While retaining all the foaming warmth and shuffling rhythms of (Carioca) Brasil Mr Adolfo’s music – much more fulsome with brass, winds and guitars here – cuts through the air with wonderfully sharp and silvery harmonics that weave sinuously through these ten melodies. Always, of course the music is guided onward by Mr Adolfo’s sometimes gliding, and often percussive, pianism and supported by the steady in-the-pocket drumming and percussion of Rafael Barata and Dadá Costa. And all of this is shaped by the sensuous bass lines of Jorge Helder who, together with Jessé Sadoc, a musician who Mr Adolfo has often called upon to anchor his groups – small and large.
Mr Adolfo’s music has always worked on two distinct planes. One has been the narrative – one on which he has built often fascinating stories and adventures. The other is the visual one and here Mr Adolfo has tinted the black dots with colours from a very large palette. The scope of these has been generously enlarged on Encontros. As a result this music now has the effect of a kind of epic depiction of Mr Adolfo’s beloved Brasilian landscape and taken together this music acts as a kind of soundtrack to a breathtaking adventure. And it is enormously beckoning from the agitated, jazzy shuffle of “Partido Samba-Funk” to another rippling jazzy rendition of Miles Davis’ “Milestones” where the musicians of Orquestra Atlântica mark a dramatic dynamic contrast between the spiky legato arpeggio accompaniment and the characteristically laconic melodic top line.

Mr Adolfo returns to the heart of Brasil with a deep-dive into the traditional “Capoeira Yá” and a dark, rumbling “Africa Bahia Brasil” which conjures the spirit not only of Moacir Santos, but also the great Dorival Caymmi. All the while Mr Adolfo employs tones and colours of the largest palette than one has ever been accustomed to hearing his music played. This also gives the arrangers the scope to introduce soloists who have been accorded time to improvise on themes and melodies. Each solo is a masterful essay and is played with intensity and a winning sweetness of tone and manner. The result is a programme that works exceedingly well for Mr Adolfo. Special mention need be mentioned of the arrangements and orchestrations by Marcelo Martins and Jessé Sadoc for without their extraordinary work this might have been a wholly different album of songs. As it is with this and the other musicians who play Mr Adolfo’s wonderful music this will be an album to remember for a long time to come.

For more information about this album and its artists, visit www.antonioadolfomusic.com and www.aammusic.com.
Antonio Adolfo
“Encontros – Orquestra Atlantica”
(AAM0712)National Publicity Campaign
Jim Eigo Jazz Promo Services
Ph: 845-986-1677 / Cell/text: 917-755-8960
jim@jazzpromoservices.com
www.jazzpromoservices.com« Specializing in Media Campaigns for the music community, artists, labels, venues and events.”
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Web Site: www.jazzpromoservices.com/

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October 24, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


Listen Here
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McClenty Hunter “ The Groove Hunter”
(Strikezone Records 8816) 

McClenty Hunter Jr. – drums, Eddie Henderson – trumpet (2), Donald Harrison – alto sax (2,8), Stacy Dillard – tenor sax (2,3,5,9), Eric Reed – piano (1,2,3,5,8,9), Christian Sands – piano, fender rhodes (4,6,7), Dave Stryker – guitar (4,6), Corcoran Holt – bass (1,2,3,5,8,9), Eric Wheeler -bass (4,6,7)
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 24, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Grammy Voting Consideration:

Rebecca Angel « What We Had »

Best Vocal Jazz Album and Best New Artist

Listen On Spotify

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“Rebecca Angel’s lyrical rearrangement of Brazilian Marcos Valle’s instrumental hit of 2005 is a wonderfully sensual interpretation. Sophisticated and charming in equal measure, Angel’s vocal and her band’s combined musicality masters the jazz, samba and pop fusions perfectly.” –Jason Balzarano 4-star review (Jazz Journal UK)
“Rebecca Angel’s voice makes the difference. With her refined charm, she gives the songs on What We Had the overwhelming splendor.” –Hans-Bernd Hulsmann
“WHAT WE HAD is a real treat, and Rebecca Angel’s voice and writing are superb evidence of an artist with a very bright future.”
Chris Gibson (Broadway World)
“Her voice often has a light, airy quality, which works to raise our spirits and make the world seems a bit better than it is.” –Michael Doherty
“Angel has a breathy, sweet voice that might be just as comfortable singing pop hits, but she’s able to bypass that observation through great taste in her material such as Hoagy Carmichael’s « Winter Moon » and a gorgeous and unique cover of « Stand By Me »… She’s done such a good job here, from the singing to the arranging to the composing and the choice of material. » –Marc Phillips (The Vinyl Anachronist)
“If you’re a true fan of youngbloods doing jazz vocal work, you’ll be just as excited as I am about Rebecca’s fresh and captivating new EP. […]Rebecca is definitely a star you’ll be hearing much more from over the coming months and years! […] The soulful performance Rebecca offers up on the classic “ Stand By Me” is (unquestionably) one of the most exciting covers of the tune I’ve ever heard.”
Dick Metcalf (Contemporary Fusion Reviews)Rebecca Angel « What we had »
(TIMELESS GROOVES RECORDS RA143) Street Date: August 3, 2018

Jason Miles keyboards, Fender Rhodes, Moog bass, pads, and percussion, Dennis Angel flugelhorn, Gottfried Stoger flute, Hailey Niswanger soprano saxophone, Sebastian Stoger cello, Jonah Miles Prendergast guitar, Christian Ver Halen guitar, Ricardo Silveira acoustic rhythm guitar, James Genus acoustic bass, Reggie Washington bass, Adam Dorn bass, Mino Cinelu percussion, Cyro Baptista percussion, Brian Dunne drumshttp://rebeccaangel.net
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 24, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your GRAMMY® Consideration:

Valerie Ghent – « Feelin’ Alright »

Best American Roots Performance
Best Arrangement, Instruments and Vocals

« Power-packed vocals » – Soul Tracks
« Stunningly powerful performance » – Jazz Radio France


Listen On Spotify
or stream/download HERE

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Powerhouse NYC recording artist Valerie Ghent salutes Dave Mason with the release of her new single, Feelin Alright – fifty years after the song’s initial release by English rock band, Traffic.

An electrifying remake of the soul-blues classic written by Dave Mason and made famous by Joe Cocker, Valerie delivers a strikingly powerful performance, heralding a band of world-class musicians recorded in New York City and France. In her full, live production complete with rock solid rhythm section, sizzling horns, a blazing piano solo and gospel-soul backing vocals, Ghent brings her multi-faceted talents (vocals, piano, organ, production, engineering & arranging) shaped by 20+ years working with music luminaries Ashford & Simpson, Nina Simone, Maya Angelou, Debbie Harry & Billy Preston to the forefront.

Feelin’ Alright features a new arrangement in the verses, plus stellar performances from Valerie on piano and vocals, and top musicians you have heard on countless R+B hits including Luther Vandross/Ashford & Simpson bassist Tinkr Barfield, Average White Band drummer Rocky Bryant, Blues Hall of Fame pianist Dave Keyes, world-renowned percussionist Bashiri Johnson, Roberta Flack backing vocalists Dennis Collins, Keith Fluitt and Toto’s John James. Add to the mix a blazing horn section from Paris featuring Nicolas Baudino and Marc Borlet-Hôte, Blues’Up organist Pierre Sibille, renowned French guitarist Jérôme Buigues, and Feelin’ Alright is ready to light up the world again in 2018!

“We’re thrilled to release our version of Feelin’ Alright in 2018,” Valerie says, “Feelin’ Alright is a timeless song, with a universal feeling everyone can relate to. Even though it was first released fifty years ago, to me the lyrics take on even more relevance today. Plus it’s such a fun song to play live! We had a blast putting our own NYC spin on it, while honoring the power of Joe Cocker’s version. We’ve been closing every show with Feelin’ Alright and audiences on both sides of the Atlantic love it. We salute you Dave Mason, and Joe Cocker, thank you both for bringing Feelin’ Alright into the world and giving us such a great song to sing.”

Valerie Ghent contributes her power packed vocals to a latest rendition of Mason’s classic. “Feelin’ Alright” is a fun and funky take on the decidedly downbeat topic of unrequited love. Her version features some of the classic soul/gospel elements (including those churchy backing vocals) heard in Cocker’s version. The horns on Ghent’s interpretation give the track a bit of a jazzy swing.

valerieghent.com
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T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 24, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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October 23, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Listen On Soundcloud

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Jared Gold “Reemergence”
(Strikezone Records 8817) 

Jared Gold – Hammond B3 organ, Dave Stryker-guitar, Billy Hart – drums, Jeremy Pelt – trumpet, flugelhorn
https://www.jaredgoldb3.com
https://store.cdbaby.com/cd/jaredgold
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

For Your GRAMMY® Consideration

MCG JAZZ presents:
BOB MINTZER BIG BAND – NEW YORK VOICES
“MEETING OF MINDS »

MUSICIANS

Kim Nazarian – Vocals
Lauren Kinhan – Vocals
Darmon Meader – Vocals
Peter Eldridge – Vocals, Piano
Bob Mintzer – Tenor Saxophone, Flute
Bob Sheppard – Alto Saxophone, Flute
Lawrence Feldman – Alto Saxophone, Flute
Bob Malach – Tenor Saxophone
Roger Rosenberg – Baritone Saxophone, Clarinet
Bob Millikan – Trumpet
Frank Greene – Trumpet
Scott Wendholt – Trumpet
James Moore – Trumpet
Keith O’Quinn – Trombone
Jeff Bush – Trombone
Jay Ashby – Trombone, Percussion
David Taylor – Bass Trombone
Phil Markowitz – Piano
Marty Ashby – Guitar
Jay Anderson – Bass
John Riley – Drums

FOR YOUR CONSIDERATION:

Large Jazz Ensemble Album
(Meeting of Minds)

Improvised Jazz Solo
(Bob Mintzer, Scott Wendholt)

Arrangement, Instruments and Vocals
(Autumn Leaves, The Way You Look
Tonight)

Arrangement, Instrumental or
A Capella

(I Want To Be Happy)

Engineered Album, Non-Classical
(Meeting of Minds)

STREAM THE ALBUM
CLICK HERE FOR MORE INFORMATION
“Meeting of Minds” focuses on the integration of voices with the big band. The combination of the dynamic writing styles of Bob Mintzer and New York Voices’ Darmon Meader, produces a very dense yet very fresh sonic palette.

Each arrangement transforms a classic song into a modern-day hit revealing the lasting power of a great song. In addition to the wonderful arrangements, the album showcases over a dozen powerful improvised solos from some of the top musicians in the world. The collaboration is truly a musically rich Meeting of Minds.

Produced by MCG’s Marty Ashby with all band arrangements by Mintzer except: “I Get Along Without You Very Well” arranged by Peter Eldridge and Meader and “You Go To My Head” arranged by Meader. All vocal arrangements are by Meader. “Meeting of Minds” also includes classic tracks: “Autumn Leaves,” “I Want To Be Happy,” “The Way You Look Tonight,” “You Go To My Head,” “Old Devil Moon,” “Speak Low,” and “I’ll Remember April” in addition to Mintzer’s composition “Weird Blues.”
For additional information, please visit:
www.mcgjazz.org
www.bobmintzer.com
www.newyorkvoices.com
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October 23, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


Andy Milne & Dapp Theory
The Seasons of BeingFor your Grammy Consideration
Best Jazz Instrumental Album
Andy Milne – pianist/composer
Ben Monder – guitar / Ralph Alessi – trumpet
Michael Attias – saxophones / Aaron Kruziki – reeds
Chris Hoffman & Jody Redhage – cello
La Tanya Hall – vocals/narration / John Moon – vocal poetics
Chris Tordini – bass / Kenny Grohowski – drums
Listen On
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 “This is Milne at his most Ellingtonian, establishing moods and beginning various patterns that the band will soon take over. It is a mature, careful performance—one certainly easy to miss. Every time you pay attention to the piano parts, they are interesting, vital, subtle.”

Pop Matters

An oft-repeated piece of musical lore states that the great composer/arranger Duke Ellington wrote music specifically for the individuals in his orchestra. His knowledge of their musical lineage, strengths and weaknesses allowed him to customize parts for each voice. Pianist and composer Andy Milne takes this principle a step further on his new recording, The Seasons of Being. Applying the principles of homeopathic diagnosis, Milne generates an optimized environment for improvisation for his long running Dapp Theory ensemble and a host of special guests.A fearless, versatile explorer, pianist/composer Andy Milne has been a distinct and respected voice at the heart of New York’s creative jazz scene for over 20 years, collaborating with dancers, visual artists, poets and musicians spanning jazz, classical, pop, folk, and world music. At the piano he skillfully blends poetic gravitas with a playful sense of order.

He has recorded and toured throughout the world with Ravi Coltrane, Ralph Alessi, Carlos Ward and Carla Cook, and has collaborated with a range of artists including Andrew Cyrille, Sekou Sundiata, Avery Brooks, Bruce Cockburn, Fred Hersch, Ben Monder, Dianne Reeves, Jen Shyu, Tyshawn Sorey and Jamie Baum. A former student of Oscar Peterson, Milne was at the center of the M-BASE Collective as a core member of saxophonist Steve Coleman’s bands, as well as performing with Cassandra Wilson and Greg Osby. Milne composed and produced the scores for seven documentary films by acclaimed director William Shatner and has released nine recordings as a leader or co-leader.

https://andymilne.com
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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October 23, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Consideration:
Bob Baldwin
« Abbey Road and the Beatles »
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Dear Grammy Voting Members:

As Bob Baldwin celebrates several milestones:

* 30 Years as an artist
* 25 original discs
* 10 years as host of the NewUrbanJazz Lounge

We’d love for you to consider him for one or several grammy nomination
categories.

His 25th disc, « Abbey Road and the Beatles » puts a keyboard spin on the legendary
iconic Beatles. 

« It was there where the New York Pianist/Arranger caught that infamous ‘Beatles Bug’ 
that had obviously swept the United States…truly a British Invasion. That bug is in full-effect! »

-Urban Music Scene

« Bob Baldwin continues to unload catalog in continuance of his 30-year artist anniversary with 
his latest Beatles Tribute release « Bob Baldwin Presents Abbey Road and the Beatles », 
while the single « Club Life » features a record 10 soloists on one track. »

-KeysandChords.com
Upcoming Tour Info:
12/08/18 – Montclair, NJ – Trumpets Jazz
12/30/18 – Atlanta, GA – St. James Live

To Hear « Abbey Road and the Beatles », PLEASE CLICK HERE!

To interview Bob Baldwin, please reach us at (914) 548-9829 or
info@citysketches.com

To BOOK Bob Baldwin, please reach out to Frank Sheffield/SEI Entertainment
at (202) 438-6216 or seientertainment@gmail.com

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

 

 

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October 23, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Consideration:
Felipe Salles
The Lullaby Project and
Other Works for Large Ensemble
Best Large Ensemble categoryLullaby #4 – Best ArrangementAstor Square –
Best Instrumental Composition
Listen On YouTube
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« Not sure if that prepares the listener for the brilliance of these pieces, the excellent arrangements, the intelligent solos, and the power of the ensemble. »
Richard B. Kamins, Step Tempest »This is the kind of album that will greatly appeal to those of us who value creative jazz-classical fusion »
Lynn René Bayley, Art Music Lounge »The style of writing is uniquely Salles’ own but it’s very clear that it follows in the lineage of Gil Evans/Bob Brookmeyer/Maria Schneider at the highest level in jazz today. »
Lance Liddle, Bebop Spoken Here
www.sallesjazz.com
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

 

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October 23, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Corrected Spotify Link For
Gabriel Mark Hasselbach’s
MidCentury ModernGrammy Jazz voting time!« If you are a Grammy voter,
please consider Gabriel Mark Hasselbach if voting in 
Best Jazz Instrumental Album‘ and
Best Improvised Jazz Solo’ 

(re: Terra Firma Irma)« 
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If you’ve been in the jazz biz for any length of time, you’ll know the name Gabriel Mark Hasselbacha mad-skills hornmeister with a decidedly extensive palette of colors and textures.

Contemporary Jazz lovers will have heard many of his ubiquitous nine Billboard hits from a dozen albums
and know of his Album of the Year and Instrumentalist of the Year Awards

If you are a Classic Jazz lover, you would know Gabriel from his two mainstream JazzWeek charting albums,  including Come Out Swingin’, which included the debut of a young Michael Bublé, actually singing great jazz. 

Gabriel performed his MidCentury Modern Vol. 1 CD release shows during the New Orleans Jazz Festival, at the New Orleans Jazz Museum, so you know he can do that stuff too (we are talking funky, and swinging).

Refusing to be pigeonholed, Gabriel spreads his wings with MidCentury Modern Vol. 1, an engaging mainstream project, 

that showcases his commanding horn, and embraces all the highlights of the jazz experience without pandering or artifice. 

It seems to be an erudite and pleasing mix to the Grammy folks, too, so read the reviews ….. that’s why you need to have a listen! 

Good jazz is good jazz, and this album reaches jazz lovers of all stripes without dumbing-down the content or overwhelming any listener. 

Watch the videos and have a listen to MidCentury Modern Vol. 1

Silvio Ronahan
Artist Resource for WindTunnelRecords.com
SpecialtyTalent@gmail.com
representing
Gabriel Mark Hasselbach

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October 23, 2018

To: Listings/Critics/Features
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www.planetarts.org
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October 23, 2018

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October 23, 2018

To: Listings/Critics/Features
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WATCH LATEST VIDEO – LA VIE EN ROSE
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October 23, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

FOR YOUR CONSIDERATION
Rick Bogart
Concerto For Jazz Clarinet and Orchestra
GRAMMYS 2019

Jazz Composer
jazz Performer
Jazz Vocalist

Listen Here

Watch
Rick Bogart Concerto II & III
Jazz Clarinet and Orchestra

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Rick Bogart
“Concerto for Jazz Clarinet and Orchestra” REVIEW
By Mick Carlon
Rick Bogart’s “Concerto for Jazz Clarinet and Orchestra” is a deeply moving, beautiful musical experience.  With lush strings and varied jazz rhythms, the piece is as fascinating as it is lovely.
What does the composer and clarinetist have to say about this exceptional composition?  “Why are jazz musicians so relegated to playing with small groups in jazz clubs?  Why can’t a jazz musician stand in front of a symphony orchestra and play music that has an improvised aspect?  Mozart, Beethoven, Bach—they were all gifted improvisers.  I really wanted to create something different—something that I could play every night if needed.”
After an opening movement that immediately captures the ear with its depth and beauty, the concerto then switches into a sultry rhythm redolent of rainy New Orleans nights.  “I was trying to make a lush Debussy background with the strings,” says Bogart, “with voicings you can only achieve with a string section—from the bass fiddle to the cello to the viola and to the violins.  You can really voice a chord nicely that way, spread over three octaves. I painstakingly tried to give the strings a full voicing and not be background as in pop music. (I tried) to form different backgrounds and different feelings in each movement connected with cadenzas.”
To this listener, Bogart’s concerto is a deeply involving experience, grabbing both the ear and the intellect, and it is all led by the composer’s liquid, gorgeous clarinet.  “The cheeky part of it all is that I really wanted to make ‘music history’ by writing a concerto for clarinet and orchestra in which the clarinet part is 95 percent improvised.”
For all of its beauty, this is one concerto that does not forget to swing.  “The opening minor theme is completely written out for the clarinet part.  From then on it is an extended set of chord changes against different string backgrounds. There’s a section of twelve bar blues that is not recognizable unless you count it because of the altered chords and dissonances—yet it still has a bluesy feeling.  There are two uptempo sections—one is in major and one is in minor—then for the last movement the concerto moves into the old New Orleans stop time choruses. The strings are playing the stop time along with the rhythm section—then into full rhythm with a perfectly placed flatted fifth in unison with the violins, and then it goes out from there with the strings playing with the piano, bass and drums.  I wasn’t sure if I could do it but…here it is.”
Here it is indeed.  This jazz concerto is a masterpiece of American music, an innovative creation that should be played around the globe.  If there is any justice left—and I believe there is—Rick Bogart’s “Concerto for Jazz Clarinet and Orchestra” will be collecting Grammy Awards next March.Mick Carlon
Acclaimed author for major publications on the subject of Louis Armstrong, Duke Ellington and a fictional book entitled Girl Singer-which in development for Broadway as a musical. Mick is a jazz promoter, and speaker. Specializing in Duke Ellington and Louis Armstrong. He is a patron of the Arts. His feature article on Rick Bogart in Jazz Times is a favorite all over the world.

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October 22, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Consideration:
Spanish Harlem Orchestra – AnniversaryBest Latin Tropical Album
Instrumental Composition – Somos Uno
Arrangement, Instruments and Vocals
– La Media Vuelta

« This two-time Grammy-winning ensemble is the one of the premier New York-style, “hard salsa”  & Latin Jazz groups in the world, »

Spanish Harlem Orchestra – Anniversary
Listen Here

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Multi-Grammy® Award winning Spanish Harlem Orchestra founder Oscar Hernández is all about tradition. Born into a large Puerto Rican family living in the Bronx, it was the nearby Spanish Harlem neighborhood that shaped his cultural musical sensibilities. The soundtrack to this bustling enclave in the ‘60s, emanating from any given window on any given day, was a mix of Latin Jazz and American pop radio. In the spirit of this tradition the Spanish Harlem Orchestra was born.
With each album, and every Grammy nomination, this Latin Jazz powerhouse knows it is crucial to continually push themselves and raise the bar. We are very proud to host Oscar and the members of this world class ensemble on here ArtistShare.JANE CORNWELL
JAZZWISE
« This celebratory disc, released to mark the band’s very own quince anos, boasts 13 tracks whose sophisticated arrangements take nothing away from the wallop packed by salsa dura as it was meant to be played: hot, hard and straight out of the barrio.”MARK SULLIVAN
ALL ABOUT JAZZ
« Champions of salsa dura (« hard salsa »), this is a band whose technical skill is matched only by their consistent high energy. »MARK GILBERT
JAZZ JOURNAL
« There’s huge variety and virtuosity in all departments in this typically bravura performance of New York “salsa dura” – in the writing, arranging, playing and singing. »
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October 22, 2018

To: Listings/Critics/Features
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October 22, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

 

 

Piedmont Piano Company Presents

DENNY ZEITLIN
Solo Jazz Piano

 

EXPLORING GEORGE GERSHWIN

« By any measure, Zeitlin’s output over the past 50 years
places him at jazz’s creative zenith. »

   Andrew Gilbert, JazzTimes

An evening re-imagining unique compositions by
George Gershwin that have become standards in the American Song Book

TWO SHOWS:
Friday, December 7th
8:00 and 10:00 pm

Piedmont Piano Company
1728 San Pablo Avenue
(at 18th Street)
Oakland, CA 94617
Admission $25
Tickets: Available at Door,
Reservations Recommended
Click HERE to purchase tickets ONLINE

(510) 547 8188
www.piedmontpiano.com

A FEW REVIEWS OF DENNY ZEITLIN’S SOLO PIANO PERFORMANCES « …he is an improvisational artist whose skills are so expansive that he can integrate everything he hears into the fabric of his soloing. In the best sense, in the manner that has always been true of jazz’s finest improvisers, Zeitlin constantly stretches the creative envelope, measuring himself only against the infinite demands of his music. »
Don Heckman, Los Angeles Times
« …Zeitlin delivered a riveting solo performance. »
George Goodman, New York Times
« In supreme command of the keyboard…he employs striking dissonances, he constructs extraordinary edifices of harmonics, he can be marvelously pianistic, with a velvet subtlety of touch. He is an original…Denny Zeitlin stretches jazz piano beyond any hitherto defined limits. »
Don Freeman, San Diego Union
« …He didn’t show his brilliance through his technique (which he has), but through subtle improvisation, advanced and finely-tuned harmonic development, and a stupendous internal sense of meter…Denny Zeitlin’s solo piano was the unpretentious highpoint of the festival. »
Munchner Merkur (Munich)


www.dennyzeitlin.com

Media Contact
Jim Eigo Jazz Promo Services
Ph: 845-986-1677 / jim@jazzpromoservices.com
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« Specializing in Media Campaigns for the music community, artists, labels, venues and events.”
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October 22, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Grammy Jazz voting time!

« If you are a Grammy voter,
please consider Gabriel Mark Hasselbach if voting in 
Best Jazz Instrumental Album‘ and
Best Improvised Jazz Solo’ 

(re: Terra Firma Irma)« 

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If you’ve been in the jazz biz for any length of time, you’ll know the name Gabriel Mark Hasselbacha mad-skills hornmeister with a decidedly extensive palette of colors and textures.

Contemporary Jazz lovers will have heard many of his ubiquitous nine Billboard hits from a dozen albums
and know of his Album of the Year and Instrumentalist of the Year Awards

If you are a Classic Jazz lover, you would know Gabriel from his two mainstream JazzWeek charting albums,  including Come Out Swingin’, which included the debut of a young Michael Bublé, actually singing great jazz. 

Gabriel performed his MidCentury Modern Vol. 1 CD release shows during the New Orleans Jazz Festival, at the New Orleans Jazz Museum, so you know he can do that stuff too (we are talking funky, and swinging).

Refusing to be pigeonholed, Gabriel spreads his wings with MidCentury Modern Vol. 1, an engaging mainstream project, 

that showcases his commanding horn, and embraces all the highlights of the jazz experience without pandering or artifice. 

It seems to be an erudite and pleasing mix to the Grammy folks, too, so read the reviews ….. that’s why you need to have a listen! 

Good jazz is good jazz, and this album reaches jazz lovers of all stripes without dumbing-down the content or overwhelming any listener. 

Watch the videos and have a listen to MidCentury Modern Vol. 1

Silvio Ronahan
Artist Resource for WindTunnelRecords.com
SpecialtyTalent@gmail.com
representing
Gabriel Mark Hasselbach

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

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WarwickNy 10990

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October 22, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Consideration:
Sergio Pereira – « Nu Brasil »
Best Latin Jazz Album
Listen On Spotify
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Contemporary Fusion Reviews

Nu Brasil” – one of the most spirited Latin jazz tunes I’ve heard (yet) in 2018… you’ll be hearing this one in regular rotation on jazz stations across the country, guaranteed ».
« …as I listen to Sergio’s splendid guitar on the percussion-driven opener, “Down South“, the “thrill is back” – no doubt!… »

​ »Trem Do Tempo” (Time Train) will sway you gently on your way to Latin jazz oblivion… I can (easily) see this one winning awards this year….”, 

Latin Jazz Network
 « …Mr Pereira has also taken a leap into the great unknown, so to speak, with music that has complex orchestrations, thereby mixing the traditions of men like Laurindo Almeida and Baden Powell with those of Heitor Villa-Lobos… » 

The Vinyl Anachronist
« Pereira’s compositions and arrangements lean toward the impressionistic, resulting in a sound that envelops you with warmth, vivaciousness and a miraculous gift of seduction ».

Sergio Pereira
“Nu Brasil”
(Zoho ZM 201808)
Street Date: September 7, 2018

Sergio Pereira-guitar,  Saxophonist Alexey Leon, Spain’s alto sax great Perico Sambeat, Cuban-born flutist and longtime New Yorker Oriente Lopez and Valencia, Spain-based trumpeter-arranger VoroGarcia. Sao Paulo-based electric guitarist Marcus Teixeira, French pianist Baptiste Bailly, Valencia-based bassist Ales Cesarini, Cuban-born bassist Ariel Ramirez, Brazilian harmonica virtuoso Gabriel Grossi and two Brazilian-born musicians now residing in New York City, pianist Helio Alves and drummer Mauricio Zottarelli.

Vocalists Paula Santoro, Sergio Santos and Viktorija Pilatovic lend an air of mystery and allure to the proceedings while rapper Devin Malloy adds the cherry on top of the buoyant opener, Down South.

There’s a certain something inherent in the music of Brazil that goes well beyond the notes and speaks more of the soul of a culture. Like the music of New Orleans, where the feel for an authentic second line rhythm grows out of the pace, the food, the flavor of the Crescent City, the persuasive rhythms of bossa nova and samba are ingrained in the hearts and souls of musicians from Rio de Janeiro and Sao Paulo. For guitarist-composer Sergio Pereira, that feeling is deeply imbedded in his DNA and emerges through his distinctive comping patterns.“I learned by growing up listening to samba rhythms and playing Brazilian percussion at a local school of samba,” says the 59-year Rio native and longtime resident of New York City. “Since I was a kid I have been always playing samba rhythm, making that ‘batucada’ rhythm with my hands and fingers at school until my teachers would tell me to ‘stopmaking that noise!’ I still do it all the time. It’s addictive.”

Pereira’s samba addiction comes to full fruition in spectacular fashion on his ZOHO debut release Nu Brasil,his follow-upto his acclaimed 2016 debut, Swingando.The title Nu Brasil (“nu” = “naked” in Portuguese) references the beauty of his home country where however social inequality still prevails.

A collection of ten thoughtful compositions, this superb set features contributions from a luxuriant crew of 18 world-class musicians including Cuban-born saxophonist Alexey Leon, Spain’s alto sax great Perico Sambeat, Cuban-born flutist and longtime New Yorker Oriente Lopezand Valencia, Spain-based trumpeter-arranger Voro Garcia. Also on board for Pereira’s sophomore release are Sao Paulo-based electric guitarist Marcus Teixeira, French pianist Baptiste Bailly, Valencia-based bassistAles Cesarini, Cuban-born bassist Ariel Ramirez, Brazilian harmonica virtuoso Gabriel Grossiand two Brazilian-born musicians now residing in New York City ispianist Helio Alvesand drummer Mauricio Zottarelli.

Vocalists Paula Santoro, Sergio Santosand Viktorija Pilatoviclend an air of mystery and allure to the proceedings while rapper Devin Malloyadds the cherry on top of the buoyant opener, Down South. Says the composer, “I started to work on this song last summer while vacationing ‘down south’ in Puglia, Italy. Changing environment and location often provides me with great vibes for inspiration. It’s a happy samba groove with a magical soprano sax solo from Alexey. Devin’s rap is basically describing the experience of failure in pursuit of your dreams and talks about how life will continue to evolve and will pick you back up after you’ve fallen.” Bailly adds a cascading piano solo here while Pereira contributes an appealingly melodic, clean-toned solo on electric guitar.

East River is Pereira’s poignant reflection on the view from his Upper East Side neighborhood in Manhattan. “I frequently jog on the East Side by the East River and many times, after the jog, I just sit on a bench next to the 59thStreet Bridge looking over Roosevelt Island and Long Island City,” he explains. “It’s very peaceful there with the nice breeze from the river, the sounds of boats going by and the FDR Drive humming with vehicles.” The easy-going number opens with sparse solo piano before being joined by lush strings arranged by Garcia. Pereira plays the opening strains of the melody on his nylon string acoustic then scats simultaneously with his solo on this affecting number, which also carries a slight tinge of melancholy. As he explains, “When my older daughter, now 23, was 4 or 5 years old, we lived on Roosevelt Island.  We had an amazing time together there and I miss those moments. The strings bring out the melancholic moments I had, which I dearly miss, when my daughter was little.”

The seductive Arpoadoris an ode to the beach of that name on the south side of Rio de Janeiro where Pereira spent a lot of his youth. “This was my favorite beach, where I used to wake up really early in the morning to go surfing with friends,” he recalls. “Cool and hip crowds used to hang out there at sunset. People fell in love, hearts were broken and memories were left behind. It’s reminiscing about the time when I was 19, right before I moved to New York — some of the best moments of my life.” Singer Santoro narrates the story of love, passion, beach, summer and the sea with an enchanting delivery that combines the smooth allure of bossa nova and the freewheeling abandon of jazz in her delicious scatting passages and call-and-response exchanges with pianist Bailly near the end of the piece.

Greta is an affecting jazz waltz that Pereira wrote for his newly-born niece. “She is sweet, mellow, easy and tender just like this song,” he says. Flutist Lopez brings the mellowness, tenderness and jazziness that the song calls for while singer Sergio Santos doubles Pereira’s tender electric guitar melody with some sweet falsetto singing. Drummer Zottarelli deftly underscores the proceedings with some briskly swinging brushwork.

The energized title trackNu Brasilis fueled by Pereira’s infectious comping and showcases Lithuanian-born singer Pilatovic, who engages in some rapid-fire scat-and-trumpet exchanges with Garcia at the tag. Originally an instrumental, lyricist Paulinho Nunes brings new life to the upbeat piece while Pilatovic, singing in Portuguese with a ‘Carioca’ accent, brings a jazzy flair to this groovy samba.

Garcia arranges the strings on the lush Per Teand offers a warm, melodic flugelhorn solo on this inviting number. The tight Joao Donato-influenced samba/bossa Sambinhacomes charging right out of the gate with guitar and harmonica locked in tandem on the buoyant theme. Sao Paulo-based electric guitarist Marcus Teixeira, a former teacher of Pereira’s, contributes a Bensonesque solo over the percolating undercurrent provided by drummer Zottarelli and bassist Ramirez. Pianist Alves adds some jazzy improvising on this infectious groove while harmonica ace Grossi contributes remarkably flowing legato lines over the top.
PercussionistDavid Gadeajoins Pereira to fuel this fiery samba groove.

The minor key Trem Do Tempocarries a tinge of melancholy on top of an undulating Ixeja rhythm. Lopez contributes a lovely flute solo while Santoro delivers the alluring Portuguese lyrics in her own inimitable style. Nunes again brings new life to the song with his thoughtful lyrics, which tell us a story about life and the passage of time: “Life is like a train/it slips through your hands/it does not stop in every station. Life is to be lived at each moment. Live it…live it…and live it.”

14 Clicks Away, a slow bossa nova fueled by Zottarelli’s brushwork and Pereira’s steady comping, features an elegant solo by pianist Alves and also showcases Sambeat in Getz-ian mode on this restful, gently grooving number.

The album closes with the jazzy bossa nova Lascia Stare,which fluctuates between sadness and happiness and features Pereira doubling the melody with Grossi. “I always heard the more melancholic first part of the song with a harmonica, so Gabriel was my number one choice to deliver that feeling,” says Pereira.” The leader’s electric guitar solo here is typically melodic and flowing while Bailly adds sparkle with his piano solo. The title, Pereira explains, is an Italian expression which roughly translates to ‘let it go’ or ‘don’t bother yourself with it.’”

From opener to closer, Nu Brasiltakes the listener on a journey that is brimming with exhilaration and passion, soulful reflection and deep-seated feelings that speak of Pereira’s homeland. — Bill Milkowski

Artist Website: www.sergiopereira.world

Label Website: http://www.zohomusic.com
ZOHO ® is distributed by  Music Video Distributors 203 Windsor Road Pottstown, PA 19464 www.mvdentertainment.com
Zoho Media contact:
Jim Eigo Jazz Promo Services T: 845-986-1677 E-Mail:jim@jazzpromoservices.com

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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For Your Consideration:
Patricia Lazzara Radiance

Best Classical Instrumental Solo
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“A great range of pieces with varying instrumentation but in each case the flute sings and soars – it’s great to hear new works that have a tonal basis and a melodic richness, and you perform with superb intonation, a great sense of tempo & dynamics and with a great interpretive sense – very well done & really great to listen to.”   Phoenix Classical

 

“Radiance is right! It is a beautiful experience to listen through all the magical music on the CD and feel radiant and nourished! I am so moved by your recording of Sonata (Three Lakes) — the current ebbs and flows, the exciting parts are excitedly stimulating, and the pacing is deeply romantic. I look forward to listening again and again! Brava”, Daniel Dorff

 

“Incredible work of Patty, Steve, Kristin, Kristy, Gerall, Jessica and Darren makes me feel extremely proud to have my song as part of this CD! Beautiful sounds of flutes, voice, piano and harp make my heart feel all the joy of this musical fest! Great selection of songs, magical sounds of flute, fabulous ensemble work, all of those make this disc truly unique!”

Dmitriy Varelas

“Wow, beautiful new recording, enjoying your sensitive artistry Patty!” – Gary Schocker

 

“A great collection of music played with musicality and virtuosity by you and all the musicians involved. I’m very proud that my composition Serenata was included in the repertoire of this beautiful recording.” Carlos Franzetti

 

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October 20, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Consideration:
Carlos Franzetti and Allison Brewster Franzetti
« Buenos Aires Noir »

Best Classical Instrumental Solo 
Carlos Franzetti for
Best Classical Contemporary Composition

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Classical CD of the Month –
« Carlos Franzetti and Allison Brewster Franzetti: Buenos Aires Noir »
Buenos Aires Noir, Nominee for Best Classical Album, Latin Grammy Awards
Carlos Franzetti and Allison Brewster Franzetti
Released by Amapola Records
Available on Spotify, ITunes, Amazon.com, CD Baby
Based on Dante’s Inferno, this tells the story of the poet Dante in the slums of
Buenos Aires, searching for his love, Beatriz.
Link to music:  https://buenosairesnoircarlosfranzetti.hearnow.com/
From Jazz Station by Arnaldo DeSouteiro:

A sublime three-movement symphonic poem for piano and orchestra. Franzetti reaches his peak as a classical composer, a master in the same level of Brouwer, Scriabin, Delius and Ogerman, while his wife Allison displays her virtuosic talents as one of the world’s greatest pianists.

From Latin Jazz Network by Raul da Gama:
This astonishing account from the pen of Mr. Franzetti clearly sets him up as one of Argentina’s greatest contemporary composers. The performance headlined by Ms. Brewster Franzetti’s piano work together with the ensemble performance by the City of Prague Philharmonic is fantastically seductive.
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Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
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October 21, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


Listen On Spotify

Play All On YouTube
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October 21, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Consideration:
Jake Ehrenreich
Jewish Christmas Songs
with The Roger Kellaway TrioJazz Vocal Album
Traditional Pop Vocal Album
American Roots Performance (Rudolph, Holly Jolly)
Arrangement, Instrument and Vocals (Winter Wonderland)
Pop Solo Performance (A Christmas Love Song)
Listen On Spotify
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A TREASURY OF JEWISH CHRISTMAS SONGS
A Cool Jazz Tribute to the Jewish Songwriters“You will wish Christmas came more than once a year when you listen to Roger Kellaway & Jake Ehrenreich’s version of “A Christmas Love Song”. 
It’s just wonderful!”
 Alan & Marilyn Bergman  Legendary Grammy/Oscar winning songwriters« It was a wonderful surprise. I can’t think of a better Christmas present! Jake & Roger’s rendition truly brings the song to life. »
Johnny Mandel    Legendary Grammy / Oscar Winning Songwriter

« Swings like a young Tony Bennett. Add Roger Kellaway and some solid jazzbos to the mix and you get this record that runs so deep ». 
Chris Spector    Midwest Record

Broadway Star and Brooklyn Hall of Famer Jake Ehrenreich joins with Grammy winner / Oscar nominee Roger Kellaway in this critically acclaimed Holiday Release.

Jake and Roger first clicked musically when Jake sang Forget The Woman at a memorial for the great conductor and composer Ettore Stratta, who had written the song for Tony Bennett and his The Art of Excellence Album. The bond between the two was born. Jake flew to LA to record with Roger’s LA Trio featuring Bruce Forman and Dan Lutz. They added Kevin Winard on percussion and the result is this surprising and unique new recording.

A Jewish child of Holocaust Survivors who incongruously grew up loving Christmas music, Jake first explored this theme in his hit Broadway show A Jew Grows in Brooklyn, where the New York Times raved “…a beautiful medley of Christmas Songs written by Jewish composers. Mr. Ehrenreich has a strong voice…his finest moments are dazzling.”

This recording is truly a dream come true.

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 19, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

FOR YOUR CONSIDERATION

HENDRIK MEURKENS & BILL CUNLIFFE « CABIN IN THE SKY »

Best Improvised Jazz Solo « Prague In March »
Best Jazz Instrumental Album « Cabin In The Sky »
Best Arrangement, Instrumental or A Cappella
« Afternoon »
« Young And Fine »

Hendrik Meurkens: harmonica
Bill Cunliffe: piano


LISTEN HERE

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“…Certainly one of the most influential voices on chromatic harmonica since Stevie Wonder and the late Toots Thielemans….”   JazzTimes – Philip Booth“… While all jazz harmonica players start out in the shadow of Toots Thielemans, Meurkens has come the closest of anyone to filling the gap left by Thielemans’ passing. Meurkens has his own sound and approach to the instrument and can play bop, Brazilian music and ballads with the best…” L.A. Jazz Scene – Scott Yanow

“All of a sudden it seems that Hendrik Meurkens is the jazz harmonica player to know…“Cabin in the Sky” is an almost instant classic…(Meurkens’) approach to jazz and to harmonica playing have broadened the instrument’s use in the genre…(Meurkens) is now considered today’s pre-eminent jazz harmonica player….” Lemon Wire – Dodie Miller-Gould

“… truly some of the best duo jazz I’ve heard in 2018.”  Dick Metcalf – Contemporary Fusion Reviews

“It is perhaps inevitable that people should start hailing Hendrik Meurkens as the new Toots Thielemans…”  All About Jazz – Chris Mosey
Hendrik Meurkens and Bill Cunliffe present a dynamic harmonica/piano collaboration on their new release, Cabin in the Sky
Jazz harmonica maven Hendrik Meurkens teams up with acclaimed pianist Bill Cunliffe to present a unique and wonderful mix of tunes on their new duo album, Cabin in the Sky. In addition to several originals, the CD includes compositions by outstanding contributors to the jazz repertoire including Wayne Shorter, Joe Zawinul, and Antonio Carlos Jobim, plus surprises like a sultry, bluesy version of “Ode to Billie Joe,” the 1967 hit from pop/country singer Bobbie Gentry. Coincidentally, “Ode to Billie Joe” is one of several of the compositions on the album that have their roots in Broadway shows and movies, including the title track, “Invitation,” and “Speak Low.” According to Meurkens, “We did not choose the material with that in mind but as it happens some of the best songs out there are written for Broadway, and I love a good song. I am not so much interested in breaking the latest barrier and pushing the jazz envelope but I am interested in playing beautiful music that warms the heart.” Cabin in the Sky highlights include: “Afternoon”: Cunliffe wrote the rich string arrangements that add such warmth and delicacy to this Meurkens composition. Levity meets virtuosity in this delightfully unique version of Jobim’s “Wave,” replete with references to “Smoke on the Water.” Written by the unlikely duo of Kurt Weill and Ogden Nash, “Speak Low” is played at a slightly sprightlier pace than usual, but with great feeling nevertheless.
Cabin in the Sky is the first recording for Meurkens and Cunliffe, who have talked about meeting in the studio for years, perhaps inspired in part by Affinity, the classic harmonica/piano collaboration of Toots Thielemans and Bill Evans. “This CD goes a little bit in that direction, as it features mostly lyrical material, which is where the harmonica shines anyway,” notes the German-born, New York-based Meurkens. Hearing the legendary Toots Thielemans inspired Meurkens to switch to harmonica from his original instrument, vibes. Now widely regarded as today’s pre-eminent jazz harmonica players in the tradition of Toots Thielemans, Meurkens is also an acclaimed composer in jazz, Latin, and Brazilian styles. Having released more than two dozen albums as leader or coleader, Meurkens is also an in-demand sideman and soloist, appearing with Jimmy Cobb, Ivan Lins, Monty Alexander, Claudio Roditi, Astrid Gilberto, Ray Brown, Paquito D’Rivera, and others.
Pianist Bill Cunliffe has proved himself at home in multiple settings from this duo to trios, big bands, Latin bands, and classical-jazz ensembles; he is also an acclaimed soloist with symphony orchestras. A Grammy-winning arranger, Cunliffe has received multiple Emmy and Grammy nominations, and has released more than a dozen albums as a leader, authored several books, and composed several film scores. He is an in-demand jazz sideman, having worked with masters including Frank Sinatra, Buddy Rich, Joe Henderson, Woody Shaw, Freddie Hubbard, James Moody, and Benny Golson.
With Cabin in the Sky, Meurkens and Cunliffe reveal a new side to their virtuosity. Let’s hope this simpatico duo won’t keep listeners waiting to long for a follow up to this great new CD.

Hendrik Meurkens / Bill Cunliffe « Cabin In The Sky »
(Height Advantage 002)  Street Date: June 1, 2018

Hendrik Meurkens – harmonica, Bill Cunliffe – piano
www.hendrikmeurkens.com
www.billcunliffe.com

Available From: Amazon • CDBaby • iTunes

NATIONAL PRESS CAMPAIGN: 
JIM EIGO, JAZZ PROMO SERVICES, 272 State Route 94 South #1, Warwick, NY 10990-3363

Ph: 845-986-1677

jim@jazzpromoservices.com • www.jazzpromoservices.com

“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

NATIONAL RADIO CAMPAIGN: BEN SCHOLZ SCHOLZ PRODUCTIONS

info@benjaminscholz.com 940.206.8045 benjaminscholz.com bpscholz@gmail.com

 

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
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Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 18, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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Sultans of String News

FYC – Christmas Caravan on the Grammy Ballot!


Hello Friends, we just wanted to share the good news that our Sultans of String album Christmas Caravan landed on the Grammy Ballot today.
If you’re a voting member of the Recording Academy, we ask for your consideration, and hope to have your help to get us into the Final Top 5 Nominees. We’re really proud of this album and would appreciate it if you could share it with your fellow NARAS members. The Grammy ballot is now live and must be received by the Academy by October 31.
And of course come see us perform live: http://sultansofstring.com/calendar/

Listen online herehttps://sultansofstring.lnk.to/THc3VWE
Watch Turkish Greensleeves here: https://youtu.be/kIBRBPF7Gw0
Watch EPK here: https://youtu.be/Lwpk_XRnKNw

 

Best World Music Album 
Sultans of String – Christmas Caravan

 

This follows our great trajectory with this album that hit Billboard World Music Charts for three weeks, and was featured in the New York Times Christmas Hits List!

Christmas Caravan takes listeners on a world music tour. 3-time JUNO nominees and 3-time CFMA winning ambassadors of musical diversity Sultans of String have expanded the traditional notion of Christmas music with their new, genre-hopping disc, Christmas Caravan, injecting it with new-found energy and non-traditional sounds. Recorded and co-produced with JUNO Award winning engineer John ‘”Beetle” Bailey, this isn’t your typical holiday album. You may recognize a few titles, but you’ve never experienced seasonal music quite like this before.

“Canadian band Sultans of String keeps imaginative imperatives in overdrive for the entirety of Christmas Caravan, a generous pitch for global unity through the music of Christmas, Kwanzaa and Hanukkah. These five musicians have jubilantly recharged the classics with arrangements that demand attention. ★★★★ Downbeat, USA

“An amazing world beat Christmas where even the tried and true is taken to such new and amazing lengths. Very hot stuff clearly made to chase the cold winter away”
Midwest Record, USA

Sultans of String’s acclaimed world music tapestry has been amplified on this release through its embrace of orchestration and pop, and spurred on by a stellar cast of guest musicians, bringing even more colour to their lively palette.
“We wanted to make a real contribution to the Christmas repertoire, and hopefully create some new standards” says bandleader/violinist and Queens Diamond Jubilee recipient Chris McKhool. “This is a Christmas album, but approached from the perspective of a world-music band. We explored diverse genres, from Quebecois fiddle tunes to collaborating with a traditional Turkish string ensemble, and jump around from the classic sounds of the Andrews Sisters, to a Himalayan sleigh ride, African roots music, gypsy-jazz, rumba flamenco, ska, and the grandeur of the symphony.”

Featuring…

First, the band made a dream list of their favourite vocal and instrumental artists to join in on this musical sleigh ride. Their holiday wish came true with these amazing guests appearing on the recording:

• 6-time Grammy winning Paddy Moloney (The Chieftains),
• Ruben Blades & Luba Mason (Panamanian 7 Grammy and 5 Latin Grammy winner),
• platinum-selling jazz vocalist Nikki Yanofsky;
• 2-time JUNO/Grammy winner Alex Cuba;
• Benoit Bourque of Quebec’s La Bottine Souriante (3 JUNOs, 4 gold, 3 platinum records);
• Sweet Honey in the Rock (Grammy winning, all-woman, African-American a cappella group);
• Cameroon’s Richard Bona (Paul Simon, Herbie Hancock);
• Canada’s singer to the stars Rebecca Campbell (Emmylou Harris, Alanis Morissette);
• singer Mary Fahl from NYC’s October Project;
• Gundem Yayli Grubu, a recording collective of Turkish Roma violinists in Istanbul;
• Sudanese-Canadian singer Waleed Abdulhamid;
• Nashville-based JUNO Award winning country singer Crystal Shawanda;
• sitar virtuoso Anwar Khurshid;
• and hang drum player David Charrier from France.

Why make a Christmas album for a band that has earned its street cred on performing music from diverse cultures? McKhool explains “My parents are from Lebanese and Egyptian backgrounds, and also celebrated Christmas in the home. So Christmas songs as well as music from around the globe were always part of my upbringing. With this record we created the spiritual Christmas album I have always wanted to hear that honoured this tradition, as well as bringing in diverse cultures. As a violin player, I also performed with string orchestras in my youth, so the icing on the cake was traveling to Prague to record with the City of Prague Symphony Orchestra! One of my favourite tracks, Jesous Ahatonhia (The Huron Carol), is fascinating to me. I went back into the archives and found a direct transliteration of the original Huron-Wendat lyrics, which were written in the 1600s by St Jean de Brebeuf. This is Canada’s first Christmas carol, and while there are some complex issues around this song, it is of great historical significance. Now people can hear the intent of the original lyrics for the very first time. Ojibwe artist Crystal Shawanda vocal is so compelling on this song!”

 

Thanks to our supporters!
Toronto Arts Council, Ontario Arts Council, and FACTOR.. MANY THANKS!

Fontana North (CA) / CEN Sony-RED (US) / Proper (EU)

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Upcoming shows

  • 18 Oct 2018 Terrebonne, QC Chapelle du Collège Saint-Sacrement Tickets
  • 19 Oct 2018 Gorham, NH Medallion Opera House Tickets
  • 20 Oct 2018 Gorham, NH Medallion Opera House Tickets
  • 20 Oct 2018 Beloeil, QC Centre Culturel de Beloeil Tickets
  • 21 Oct 2018 L’Assomption, QC Theatre Hector-Charland Tickets
  • View complete calendar
sultansofstring.com
http://sultansofstring.com
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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269 State Route 94 South

WarwickNy 10990

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October 18, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


« CORCOVADO » (« QUIET NIGHTS »)
Alexandra Jackson
featuring Miles Davis enters the charts!
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The third single is receiving airplay on radio stations across the U.S.
Alexandra Jackson’s « Corcovado » (« Quiet Nights ») featuring Miles Davis, with Antonio Carlos Jobim & Ivan Lins — from the « Alexandra Jackson: Legacy & Alchemy » album — enters the charts playing on over 100 stations and channels:
Smooth Jazz Network Top 100 Chart: #54
SmoothJazz.com Chart: #38
SmoothJazz.com Indie Chart: #28
Billboard Smooth Jazz Chart: #1 Most Increased Plays (Last Week)
“Quiet Nights” was the JAZZIZ “song of the day, » and the “Corcovado” version is featured in the JAZZIZ Magazine Fall Edition, its September and October online editions, and its Fall JOD sampler.
JAZZIZ Magazine – Bossa Hit “Quiet Nights” Relives Its Past Courtesy of Vocalist Alexandra Jackson
 ABOUT THE ALBUM:  “ALEXANDRA JACKSON: LEGACY & ALCHEMY”
In 2018 we celebrate the 60th anniversary of Bossa Nova; in 2017 we celebrated the 100th anniversary of Samba; and the 2016 Rio de Janeiro Olympics was a « once-in-a-lifetime opportunity » for Brazil music and its synergy with American Jazz to be reintroduced to the world on the largest stage ever.  Legacy and Alchemy saw this as the moment in time to honor the great Brazilian music legacy.
The instant classic double CD also features the late Al Jarreau, Oscar Castro-Neves, Rod Temperton and Dona Ivone Lara, as well as Larry Dunn, Al McKay, Carlinhos Brown, Banda Black Rio, Hubert Laws, Siedah Garrett, Paulo Jobim, Daniel Jobim, Teo Lima, Armando Marcal, Paulo Calasans, Arthur Maia, Darryl Jones, Charles Floyd, and other Brazilian and American greats contributing to the historic album.
THE ALBUM SUCCESS
• 10 songs from album playing on the radio in 8 formats
• 4 songs from album playing on over 100+ Smooth Jazz stations (including « All One » featuring Al Jarreau, with Larry Williams & Oscar Castro-Neves charting #17 Billboard + Top 30 on 5 other charts, and « Brazilica » featuring Darryl Jones, Larry Dunn, Teo Lima, Armando Marcal & Maestro Charles Floyd with The Bossa Nova Noites Orquestra)
• « Stage » featuring Larry Dunn and Al McKay playing on UAC radio
• 5 songs from album playing on Sirius XM satellite radio on 5 programs (including « A Felicidade » featuring Paulo Jobim and Daniel Jobim)
• 9 songs from album playing / have played on over 50 stations in World Music / AAA / College formats
• Album playing on streaming channels: The Brazilian Hour / Global Village / Sounds of Brazil / AccuRadio

With CNN International recognizing Alexandra Jackson in the vanguard of re-launching Brazil music as contemporary music in the world, the project is off to a great start.  Indeed, music from Ms. Jackson’s album is enjoying worldwide acceptance — playing in U.S., Brazil, Japan, Canada, Mexico, and across Europe, where the album debuted at #20 on World Music Charts Europe.

https://www.cnn.com/videos/spanish/2018/08/04/bossa-nova-atlanta-alexandra-jackson-vision-orig-digital-pkg.cnn

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
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E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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269 State Route 94 South

WarwickNy 10990

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October 19, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Consideration:
The DIVA Jazz Orchestra
25th Anniversary ProjectBest Large Ensemble –
The DIVA Jazz Orchestra’s
25th Anniversary ProjectBest Instrumental Composition –
Forever in My Heart
Composer Sherrie MaricleThe orchestra’s impressive longevity can be attributed partially to the aesthetic clarity with which [Maricle] guides the band…”I like tunes with melodies,” Maricle said. “For lack of a better term, ‘straightahead’ and swinging all the way.”
Downbeat Lean, muscled, physical, all-original and totally in-your-face like a good big band should be, these women could hold their own with any big band in history.
Mike Greenblatt, Aquarian Weekly
Listen Here
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For 25 years, the DIVA Jazz Orchestra has toured the world to both critical and popular acclaim, performing with many of the most notable icons in jazz, playing music composed and arranged by some of the greatest writers in music.

To honor DIVA’s 25 year history and legacy of the band’s founder, Stanley Kay, Sherrie has tasked herself and has asked 9 other band members to compose and arrange a new piece of music to commemorate this significant milestone. To have 10 composers in the band, writing for the band, who have played together for years, who helped forge DIVA’s style and sound, who know the band’s history, who know and respect each other musically and genuinely like each other, has given them a remarkable opportunity to create and share their first all-original DIVA plays DIVA recording; 10 original writers composing for 15 friends in 1 amazing band

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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View this email in your browser
Best Contemporary Instrumental Album
A BURGEONING CONSCIOUSNESS
Noshir Mody
Listen Here (Soundcloud Link)
Best Instrumental Composition
SECRETS IN THE WOOD AND STONE
Noshir Mody
Listen Here (Soundcloud Link)
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October 18, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

GARY LUCAS PLAYS SPANISH « DRACULA » at THE METROGRAPH NYC FRI. OCT. 19th at 7:30pm

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Gary Lucas in Liberec Bohemia   photo montage by Caroline Conejero and Richard Mader

GARY LUCAS accompanies the legendary 1931 Spanish-language “Dracula” film with his original live solo guitar score at The Metrograph, NYC’s premier art-house cinema, on Fri. Oct. 19th at 7:30pm.

Filmed in Hollywood at night on the same sets as Todd Browning’s “Dracula”, directed by George Melford  and featuring an-all Latin cast  (this was before the advent of dubbing technology), the film, like “Dracula” is music-free— Lucas has composed a continuous solo guitar underscore that plays throughout.

Many critics consider this version superior to the original film in terms of its fluid editing rhythms, mobile camera-work, more florid and sensual costumes, and memorable performances by Carlos Villarias as the Conde and Lupita Tovar as Eva.

A pioneer of live film scoring going back to his 1989 live duo score with Walter Horn for “The Golem”,  Lucas premiered his Spanish “Dracula” live score in Dec. 2009 at the La Rampa Cinema for the Havana Film Festival, where it received rave reviews— and has since gone on to perform with the film all over the world, including well-received shows shows at Queen Elizabeth Hall in London, the Transylvania Film Festival,

Sevilla Film Festival, Jerusalem Film Festival, Cineteca Nacional in Mexico City, Krakow Off-Plus Camera Festival, New York Film Festival, Lodz Cinergia Festival,  and many others:

https://bit.ly/24xzTEe

The Metrograph is located at 7 Ludlow Street on the edge of Chinatown..  Tickets can be purchased here:  https://bit.ly/2DVdOcf

This is the first installment in a retrospective series of Gary Lucas’ live film scores at The Metrograph:

https://bit.ly/2xYZnOY

Special thanks to Robert Melvin Rubin and Jacob Perlin.

Also:  Gary performs solo acoustic at the WFMU91.1 FM Wake ’n Bake Benefit Art Auction this Sat. night Oct. 20th  at their Monty Hall performance space at 43 Montgomery St. in Jersey City at 9pm.

www.garylucas.com
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 18, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

GoFundMe Campaign For Denise Perrier


Contribute Here

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After a year of suffering from severe heart disease, Denise had open heart surgery in October and has had a severe financial setback.

She is in a rehabilitation center now but has been unable to work for months and it will be 6 months or more before she will be back at work.
The good news? Despite having a breathing tube in her throat for several hours- her voice is unaffected and as beautiful as ever.

Please be generous in your support, artists and art lovers depend upon each other.

Thank you and please SHARE,
Catherine Cusic for Denise

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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Copyright (C) 2018 All rights reserved.

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269 State Route 94 South

WarwickNy 10990

Add us to your address book

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October 19, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


For Your Consideration:
Duduka Da Fonseca Trio Plays Dom Salvador

 Best Latin Jazz Album


Listen

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Includes unlimited streaming of Plays Dom Salvador via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
The merging of Brazilian music and American jazz changed the trajectory of modern music. The inceptions of bossa nova, samba jazz, and other fusions enable Brazil to make its mark on jazz and beyond, via some incredible musicians and composers, including the legendary Dom Salvador. The remarkable pianist and his classic trios, which blended samba and jazz, made an impression on many during the mid-1960s, including a young Duduka Da Fonseca.Fonseca’s initial exposure to Salvador’s music came as a teenager in Rio de Janeiro. The budding drummer could hear Salvador’s original trio rehearsing, featuring bassist Sergio Barrozo and drummer Edison Machado, while walking to school. When the group released their seminal recording, Rio 65 Trio, Fonseca was completely spellbound by the music and practiced along to the record religiously, forever engraining Salvador’s music into his psyche.Though he had met Salvador briefly in Rio, Fonseca didn’t have a chance to play regularly with his idol until 1980. Having been in New York City for five years, Fonseca had played with a who’s who of modern jazz legends, so when Salvador’s drummer wasn’t available, the pianist called Fonseca to fill in. Fonseca surprised Salvador by knowing Salvador’s repertoire backwards and forwards, thus cementing a bond that led to years of playing and touring together.Salvador and Fonseca played regularly during the 1980s in a quartet that also featured saxophonist Dick Oatts and bassist Dennis Irwin. Their collaborations have continued to this day. In 2015, Fonseca’s relationship with Salvador came full circle when he was asked to play Machado’s parts on the 50th anniversary celebration of the Rio 65 Trio recording at Carnegie Hall.Duduka Da Fonseca Trio Plays Dom Salvador was born from the leader’s love of Salvador and his music and Fonseca’s effort to make a proper tribute to his friend and mentor. The featured trio was born of a 2000 meeting with pianist David Feldman, who was studying then at the New School in New York, and with whom Fonseca recorded with later in 2009 in Brazil, where he also met the trio’s bassist, Guto Wirtti.In the efforts to make the best recording and present Salvador’s music in the best light, Fonseca reached out to Salvador for lead sheets for his compositions. Feldman also took time to consult Salvador and learn the repertoire from its source, removing any doubts about structural and interpretive nuances. Many of Salvador’s songs seem simple but have difficult elements, most notably in the rhythmic combinations.Fonseca traveled to Brazil three times: the first to rehearse the music, the second to record over two days, and the third to mix and master. The trio aimed to make the recording as natural as possible, eventually using many first or second takes.The recording begins with a tune from that inspiring Rio 65 Trio album, “Farjuto,” a breezy composition whose title comes from dated Rio musician slang. ironically meaning “not so good.” The modal of groove of “Transition” is augmented by a variety of rhythms emanating from the Northeastern provinces of Brazil. The haunting “María” is a minimalistic ballad named for Salvador’s wife of 50 years, which the trio molded in the spirit of Keith Jarrett’s memorable take of “It’s Easy To Remember.” The ensemble performs “Antes Da Chuva” in a looser fashion than the Salvador original, while the straight samba of “Samba Do Malandrinho” is bouncy and smart, apropos to its rascally namesake. The sly “Temátrio” is a grooving composition that emerged from Salvador’s second trio around 1966.The title of “Gafieira” refers to an old Rio tradition of a ballroom dance incorporating some acrobatic elements, the difficult composition prancing along in a brilliant display of melodic and rhythmic complexity. Salvador’s beautiful ballad “Para Elis” is a dedication to the pianist’s former employer, the iconic singer Elis Regina, and finds the trio augmented by the great cellist Jaques Morelenbaum. Performed and recorded as a samba, “Valsa De Esquina” was originally composed as a Brazilian waltz by Salvador, so the trio transformed it into a Bill Evans-esque jazz waltz. The upbeat “Clauditi” is a tribute to a great friend and collaborator, trumpeter Claudio Roditi, and features rhythmic elements of samba and the pre-samba maxixe. Perhaps Salvador’s most famous composition, “Meu Fraco é Café Forte” (or “My Weakness Is Strong Coffee”) utilizes an intriguing arrangement by Wirtti that introduces the melody in half time before speeding it up.Duduka Da Fonseca and his wonderful trio of David Feldman and Guto Wirtti pay tribute to Brazilian jazz legend Dom Salvador on the enchanting Duduka Da Fonseca Trio Plays Dom Salvador by highlighting the composer’s brilliant music but also giving it new life with new contemporary arrangements.
www.dudukadafonsecatrio.com
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October 18, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

F O R   Y O U R   C O N S I D E R A T I O NPuerto de Buenos Aires 1933

EL ECO with Guillermo Nojechowicz
Featuring Helio Alves, Fernando Huergo,
Kim Nazarian, Marco Pignataro & Brian Lynch

B E S T   L A T I N   J A Z Z   A L B U M
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Puerto de Buenos Aires 1933 was inspired by a remnant of Guillermo Nojechowicz’s family history, the passport that his grandmother carried when she fled Warsaw for Argentina in 1933 along with Nojechowicz’s father, who was then a small boy. Crossing Europe by train, they left behind everything familiar to face the unknownin Buenos Aires – a trip that spared them from the Holocaust, where so many others in their community later perished. The Latin Jazz Suite that chronicles their long, uncertain journey is the centerpiece of EL ECO‘s new recording: Puerto de Buenos Aires 1933.

 

This is a beautiful and important record. 
— Brazilian Jazz Vocalist Luciana Souza

 

One of the year’s most spellbinding releases.    
 — Mark Holston, JAZZIZ

« Album of the Year » for the annual critics’ choices, to be published in the Winter 2019 issue of JAZZIZ
 
With plenty of full-throated jazz soloing, the album has one foot in the southern hemisphere and one in the north, and the personnel also straddles the equator:Guillermo Nojechowicz’s sextet El Eco is rounded out by American trumpet ace Brian Lynch, Argentinian bassist Fernando Huergo, Brazilian pianist Helio Alves, and Italian saxophonist Marco Pignataro, with a string quartet added for additional grandeur. Conceived in solemnity and impressively executed with passion and precision, it succeeds entirely.
 — Neil Tesser, JAZZIZLISTENPuerto de Buenos Aires
https://soundcloud.com/user-104485189/puerto-de-buenos-aires

Milonga Para Los Niños
https://soundcloud.com/user-104485189/1-milonga-para-los-ninos
If you would like to receive a link or CD with the complete album, please contact: gnojechowicz@gmail.comwww.elecomusic.com
www.zohomusic.com

 

 

 

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October 19, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


FOR YOUR GRAMMY
VOTING CONSIDERATION
Bobby Sanabria Multiverse Big Band
“West Side Story Reimagined”
Listen On Spotify

Full samples also on YouTubeAlbum Of The Year
Best Latin Jazz Album
Improvised Jazz Solo  – Gee, Officer Krupke – solo – trumpet – 4:41 – 5:12
– Shareef ClaytonImprovised Jazz Solo  – Cha Cha Cha  solo – flute – 2:28 – 3:16 – Gabrielle GaroImprovised Jazz Solo  – One Hand One Heart – solo – flute – 4:11-4:44 – Gabrielle GaroImprovised Jazz Solo  – Jet Song – solo – trumpet – 2:16- 3:45 – Max DarchéImprovised Jazz Solo  – Somewhere – solo – violin – Ben SuttonBest Arrangement, Instrumental or Acapella – Gee, Officer Krupke- Jeremy FletcherBest Arrangement, Instrumental or Acapella – America – Jeff LedererBest Arrangement, Instrumental or Acapella – The Rumble/Rumba – Takao HeishoBest Arrangement, Instrumental or Acapella – Gym Scene – Cha Cha Cha – Nate SparksBest Arrangement, Instrumental or Acapella – Somewhere – Jeremy FletcherBest Arrangement, Instrumental or Acapella – Gym Scene – Mambo – Danny RiveraBest Arrangement, Instrumental or Acapella – Tonight – Matt WongBest Arrangement, Instrumental or Acapella – Jet Song – Niko SieboldBest Arrangement, Instrumental or Acapella – Cool – Andrew NeesleyBest Arrangement, Instrument or Vocal – Maria- Eugene Marlow, Bobby SanabriaBest Engineered Album, Non-Classical – Jim Gately & Rob Macomber, engineers; Gene Paul, mastering engineerBest Recording Package

 The nominations in this category are determined by special nominating committees.

Best Album Notes
 The nominations in this category are determined by special nominating committees.

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Led by 7X Grammy nominee as a leader – drummer, percussionist, composer, arranger, educator, activist Bobby Sanabria’s 21 piece Multiverse Big Band is a musical juggernaut that easily straddles multiple worlds from complex concert repertoire to hardcore dance music. All of their CD’s have been Grammy nominated and their new double CD release, WEST SIDE STORY REIMAGINED, a total Latin jazz reworking of Maestro Leonard Bernstein’s iconic score, is proving to be their greatest work being hailed by the critics as a masterpiece. Partial proceeds from its sale go to the

 
BOBBY SANABRIA MULTIVERSE BIG BAND 

RHYTHM:
Bobby Sanabria – drums, musical director, vocals
Oreste Abrantes – congas
Matthew Gonzalez – bongó/cencerro, vocals
Takao Heisho – percussion
Darwin Noguera – piano
Leo Traversa – bass

TRUMPETS:
Kevin Bryan
Shareef Clayton
Max Darché
Andrew Neesley

SAXOPHONES:
David Dejesus – alto, soprano, flute
Andrew Gould – alto, flute
Peter Brainin – tenor, flute
Yaacov Mayman – tenor, clarinet, flute
Danny Rivera – bari

TROMBONES:
Dave Miller
Tim Session
Armando Vergara
Chris Washburne

FLUTE, PICCOLO:
Gabrielle Garo

ELECTRIC VIOLIN:
Ben Sutin

New CD
Eight weeks on the JazzWeek Chart:
Chart Debut: Highest Debut / Biggest Gainer July 30 Jazzweek.com
#1 Jazz Record in the country September 3 Jazzweek Chart
Now at week 8 on chart:  5* September 17 Jazzweek Chart

 

« There’s every reason to hope that Steven Spielberg’s remake of “West Side Story” will improve upon the 1961 film, but I doubt if we’ll ever hear a more thrilling interpretation of that immortal score  than that of the Bobby Sanabria Multiverse Big Band. »

Will Friedwald-Wall Street Journal 

« Congrats on the album of the year! »
Marc Myers Jazz Wax

Read Marc’s review HERE

West Side Story Reimagined is now LIVE on
AMAZON
ITUNES
SPOTIFY!

What The Press Is Saying About
“West Side Story Reimagined”

« It’s the most ambitious reimagining of the music I have ever heard!”
Jamie Bernstein

« You have never heard such an ambitious, complex, and satisfying remake of that classic. Sanabria, an amazing drummer, draws deep from his Puerto Rican heritage to give this Leonard Bernstein masterpiece a roots-authentic update that’s heavy on Latin jazz influences and full of peppy, energetic rhythms. »
Tom Henry – Toledo Blade

« Among other things, it’s a master class in Latin rhythms. Just get it »
Ken McCarthy – Jazz on the Tube

« If you’re a fan of either Latin jazz or West Side Story, this album is a feast of those flavors. »
Marc Phillips – thevinylanarchist.com/blogspot

« The infusion of Latin rhythms that Mr. Sanabria uses is a big part of what makes this album so stunning. »
   Dick Metcalf – Contemporary Fusion Reviews

« it’s a love letter to Bernstein as well as a reclamation, tracing his evocation back to the source. »
Nate Chinen – WBGO

« A triumphant, Latin-flavored reimagining of Leonard Bernstein’s masterwork West Side Story.
Bill Milkowski – Downbeat

A captivating and fulfilling recording that more than reimagines this enduring masterpiece. 
Pierre Giroux Audiophile Audition

West Side Story Reimagined is Bobby’s retelling of the story in his way, seen through the eyes of love and gratitude and, often, uncertainty.
As Bobby says, this is “a reimagining from the perspective of a Jazz musician, a Latin musician, and a native Nuyorican son who is proud to say he is from the city that defines aché, hipness, and cool. Aché is Energy.
In my review of Bobby’s album, Multiverse, I said that “Bobby is a prophet of life.” That was never truer than with West Side Story Reimagined.
Travis Rogers, Jr. is The Jazz Owl

 Bobby Sanabria Multiverse Big Band

“West Side Story Reimagined”
(Jazzheads JH1231)
Street Date: 07/20/2018
www.jazzheads.com

Recorded live at Dizzy’s Club Coca-Cola in NYC, this exciting new reimagining is West Side Story like you’ve never heard it before as performed by the amazing multi-Grammy nominated 21 piece Bobby Sanabria Multiverse Big Band. This set includes an accompanying 16 page booklet containing rare photographs of Maestro Leonard Bernstein, along with the timeless music of West Side Story featuring the rhythms of various Latin American countries with exciting breaking-down-the-wall instrumental big band arrangements all done through the lens of the Latin jazz continuum.
 

« It’s the most ambitious reimagining of the music I have ever heard!”
– Jamie Bernstein

Check Out Why
Bobby Sanabria & Jamie Bernstein Interview:

Partial proceeds from this special commemorative set will be donated to the Jazz Foundation of America’s Puerto Rico Relief Fund. The island has been completely devastated by hurricanes Irma and Maria and the government’s response has been less than adequate. What better way to help my ancestral homeland Puerto Rico and its people, than through the music of West Side Story Reimagined. – Bobby Sanabria

 

www.jazzheads.com | Contact: jazzheads@jazzheads.com
Jazzheads | PO Box 0523 | Planetarium Station | New York, NY10024
JazzHeads Media Contact

Jim Eigo
Jazz Promo Services
272 State Route 94 South #1
Warwick, NY 10990-3363
Ph: 845-986-1677 
Cell / text: 917-755-8960
Skype: jazzpromo
E Mail: jim@jazzpromoservices.com
www.jazzpromoservices.com
« Specializing in Media Campaigns for the music community, artists, labels, venues and events.”Radio
MIKE CARLSON
MC Promotion

1-360-477-4994
mcpro@earthlink.net
http://www.mcpromo.com

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Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 19, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Grammy Consideration
INNERrOUTe

Rick Savage – Trumpet/Flugelhorn
Joe Vincent Tranchina – Keyboard
 Bill McCrossen – Acoustic /Electric Bass
 Michael D’Agostino – Drums/Percussion

Best Jazz Instrumental Album
Best Instrumental Composition: “Sans Net”
Best Engineered Album, Non-classical: Michael D’Agostino – engineer

INNERrOUTe “Wing Factory”
(Rainchant Eclectic Records RER 1002)
Street Date: March 1, 2018 

INNERrOUTe.net
Listen Here

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“Tasty stuff dedicated to pushing the boundaries of where certain forms of jazz lie, this crew gives you an unvarnished and uncommercial look behind the curtain where the muse is what it’s all about.”

—Chris Spector (midwest record.com)

“…for those who embrace the never-to-be-repeated avenues of exploration, and are inclined toward in-the-moment inspiration, then INNERrOUTe is a band to find and appreciate.”
–Doug Simpson/Audiophile Audition (audaud.com)

“21st-century jazz that not only sounds new and fresh but also touches one deeply.”-Willard Maus (lively-arts.com)

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

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October 19, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

FOR YOUR CONSIDERATION
ANTONIO ADOLFO
« Encontros – Orquestra Atlantica »Best Latin Jazz Album
Best Instrumental Composition: Delicada Jazz Watz
Best Instrumental Composition: Pentatonica
Best arrangements: Milestones (Marcelo Martins & Jesse Sadoc
Best arrangements: Africa Bahia Brasil (Jesse Sadoc)
Best improvise Jazz solo: Danilo Sinna (Africa Bahia Brasil)
Best engineers: Roger Freret, Marcelo Saboia, Ron McMaster
Featuring

Antonio Adolfo – piano, Jorge Helder – bass, Williams Mello – drums, Dada Costa – percussion, Diogo Gomes – trumpet & flugelhorn, Gesiel Nascimento – trumpet, Danilo Sinna – alto sax & flute, Marcelo Martins – tenor sax & flute, Levi Chaves – baritone and soprano saxes, Aldivas Ayres – trombone, Wanderson Cunha – trombone, Marcos Nimrichter – accordion.

Listen On Spotify

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PIANIST-COMPOSER ANTONIO ADOLFO
TEAMS UP WITH A BRAZILIAN BIG BAND 

FOR A MEMORABLE RECORDING OF NEW BRAZILIAN JAZZ
ENCONTROS WILL BE RELEASED BY AAM ON JULY 11

Throughout the past 40 years, Antonio Adolfo has had a very busy career as a pianist, composer and arranger. Born and raised in Rio de Janeiro, his teachers included Eumir Deodato and Nadia Boulanger (in Paris). A jazz pianist since the mid-1960s in Brazil, Adolfo worked with such major singers as Leny Andrade, Flora Purim, Elis Regina and Milton Nascimento and has recorded more than 25 albums as a leader. A major name for decades, his music combines together Brazilian rhythmic styles with jazz. His previous recording, Antonio Adolfo « HYBRIDO – From Rio to Wayne Shorter,” was a 2018 Grammy finalist.As a bandleader, Antonio Adolfo has mostly been featured with small groups that showcase his music and his solo abilities. However he has long considered it a major goal to someday record an album with a larger ensemble, a big band that had a full understanding of both Brazilian music and jazz.

Encontros – Orquestra Atlantica is the realization of that dream. After having seen a performance in Rio de Janeiro by Orquestra Atlantica, a Brazilian jazz orchestra founded in 2012, Antonio Adolfo was so impressed that he invited the group to be a major part of his new recording. With up to seven horns and several guests, Adolfo had many new tone colors at his disposal along with the powerful sound of a big band. The result is an exciting set comprised of nine of Adolfo’s compositions plus Miles Davis’ “Milestones.” The inventive arrangements of Jesse Sadoc and Marcelo Martins mix together the sound of big band jazz with such Brazilian styles as the Samba, Bossa Nova, Baiao, Frevo, and the Afoxe to create memorable and infectious music.

The program begins with “Partido Samba-Funk,” a tune that combines Samba with the type of Brazilian funk often heard at dance parties in Rio and Sao Paulo. The colorful percussion, the horn riffs, and the solos by Adolfo, altoist Danilo Sinna, and trumpeter Jesse Sadoc (who makes a particularly explosive statement) get Encontros Orquestra Atlantica off to a stirring start.

“Pentatonica,” a melodic piece with strong forward momentum, has spots for guest guitarist Leo Amuedo and tenor-saxophonist Marcelo Martins along with some singing by Ze Renato.

“Atlantica,” which Adolfo named after the big band, is a warm medium-tempo ballad. The concise bass, flute and piano solos are strong assets during the atmospheric work.

“Luizao” is a tribute to the late great bassist Luizao Maia, an innovator in reinventing the way that the samba is played on bass, and a member of Antonio Adolfo’s early groups. The mostly straight ahead performance by the big band is highlighted by valve trombonist Serginho Trombone’s inventive solo.

The set’s lone standard, “Milestones,” is a combination of boppish jazz and Frevo. The rapid ensemble work by the horns is quite impressive and there are also excellent solos from Adolfo and accordionist Marcos Nimrichter.

Brazilian music often alternates in the same piece (and sometimes the same chorus) between happiness and a melancholy mood. “Saudade” gives listeners a good example of that unique feel, accentuated by the playing of flugelhornist Jesse Sadoc.

Capoeira is an unusual Brazilian dance that is combined with martial art. The berimbau, a one-string instrument, is a major part of that style. “Capoeira Ya” has a strong hint of both the berimbau and flamenco guitar in Nelson Faria’s playing along with impressive trumpet and piano solos.

“Africa Bahia Brasil” shows the African influence in Brazilian culture, blending together Afoxe and jazz in a very danceable performance. Danilo Sinna takes a particularly passionate alto solo while Adolfo makes one of his strongest statements of the album.

Contrasting the mood a bit, “Delicada Jazz Waltz” is a gentle piece with a delicate melody. The solos of Adolfo and accordionist Marcos Nimrichter are subtle and pleasing.

Encontros – Orquestra Atlantica concludes with a new version of Antonio Adolfo’s biggest hit, “Sa Marina.” Composed in 1967 and released internationally as “Pretty World” with lyrics by Alan and Marilyn Bergman, the number has been recorded by more than 200 artists. In addition to a fine solo from the leader, this memorable rendition has Marcelo Martins featured on tenor, and there is also a colorful tradeoff between baritonist Levi Chaves and trombonist Aldivas Ayres.

It is very rare for Brazilian jazz to be performed by a big band, particularly one of this quality. Hearing Antonio Adolfo’s music played by a top-notch orchestra casts new light on his writing abilities. Whether one loves Brazilian music, big bands or modern jazz, Encontros – Orquestra Atlantica makes for a memorable and stimulating listening experience. For more information about this album and its artists, visit www.antonioadolfomusic.com and www.aammusic.com.

Antonio Adolfo
“Encontros – Orquestra Atlantica”
(AAM0712)
Street Date: July 11, 2018
Antonio Adolfo – piano, Nelson Faria and Claudio Jorge – acoustic guitars, Leo Amuedo – electric guitar, Jorge Helder – bass, Rafael Barata – drums, Dada Costa – percussion, Jesse Sadoc – trumpet & flugelhorn, Danilo Sinna, alto sax & flute, Marcelo Martins – tenor sax & flute, Marcos Nimrichter – accordion; Ze Renato – vocals, plus other members of Orquestra AtlanticaNational Publicity Campaign
Jim Eigo Jazz Promo Services
Ph: 845-986-1677 / Cell/text: 917-755-8960
jim@jazzpromoservices.com
www.jazzpromoservices.com« Specializing in Media Campaigns for the music community, artists, labels, venues and events.”
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Web Site: www.jazzpromoservices.com/

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October 18, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

FOR YOUR CONSIDERATION:
Benji Kaplan
« CHORANDO SETE CORES »

– Best Chamber Music/Small Ensemble Performance
– Best Instrumental Composition: (« At The Vanguard »)
– Best Arrangement for (« The Wind »)
– Best Music Video (« The Wind ») by Rita Figueiredo

Listen to the album here:

Chorando Sete Cores

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Please check out the links below and share this post with anyone who is a voting member of the recording academy!

 

– Music Video « THE WIND » –

The wind – (Benji Kaplan) Official Music Video

www.benjikaplan.com
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

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October 18, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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For Your Consideration
for Best Jazz Vocal Album
Beverley Beirne “Jazz Just Wants to Have Fun” 

LISTEN HERE

PRESS Quotes
 ‘Such is Beirne’s skill that she sings these pop favourites as though she were singing Gershwin, Porter or Berlin’
Jazz Journal (Derek Ansell)

‘Beirne has a talent for recognizing within these songs the seeds of jazz…the phrasing’s and rhythms that can bring out the swing that might not be obvious to many…Engaging, sophisticated… ‘It’s pure jazz.’
All About Jazz 4 ****review (Bruce Lindsay)

‘The textures and colours of her voice really shine through giving the album a truthful connection to these former pop songs’
London Jazz News (Sarah Chaplin)

 ‘Beirne scats and soars, stretching syllables over slinky sax lines… her vocals are subline’
Jazz in Europe (George Cole)

 ‘Beirne’s vocals often sound like the phrasing of a tenor saxophone. She knows how to hit those notes and get in between the cracks of them like a virtuoso instrumentalist…’
LA Jazzscene (Doc Wendell)

 ‘A jazz album so different than anything that has been done before’
Grammy Winning Jason Miles

 ‘It’s raw, energetic and her vocal is both sassy and commanding.’Limahl

 ‘I love the jazz version of Noize…Fab Singer!’ Noddy Holder “Slade”

 ‘I was absolutely thrilled by the way Beirne handles her voice, swinging in a masterly fashion and even in soft passages the voice is perfectly placed. Beirne displaces the beat with finesse, using her voice like an instrument.
The Art Music Lounge (US)

 Produced by JASON MILES
  Mixed by JIMMY BRALOWER
  Mastered by MIKE FOSSENKEMPER 

www.beverleybeirne.com
Facebook: https://www.facebook.com/BeverleyBeirneMusic/
Twitter: https://twitter.com/BeverleyBeirne
Soundcloud: https://soundcloud.com/beirnesmith

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Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677 / F: 845-986-1699
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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October 17, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Ken Wiley
CUERNO EXOTICA
-FOR YOUR GRAMMY CONSIDERATION-
Best Latin Jazz Album
Best Arrangement, Instrumental or A Cappella
Best Recording Package
Best Engineered Album, Non-ClassicalListen Here
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Naturally, the main soloist is Wiley himself, and the sound of his horns can not be denied elegance. But multi-instrumentalist, Dan Higgins (excellent flute in Carilõ and Black Orchid, a perfect combination of a horn and a tenor saxophone sound in Sama Layuca), and acoustic guitarist Leggett, who decorated the melody El Gorriõn, are no less good either. Add to this a solid rhythm group with the participation of the famous Cuban percussionist Luis Conte, and you will get an idea of the richness of the sound palette of this album. You also have all the chances to « feel the vibrations of the World and Love, » as the author of the album Cuerno Exotica writes in liner notes.

September 07, 2018 / By Dick Metcalf, editor, Contemporary Fusion Reviews
Ken Wiley Cuerno Exotica
(KRUGPARK MUSIC) Street Date: August 24, 2018

Ken Wiley (French Horn, Piano),  Bernie Dresel (Drums, Except 1 and 6),  Rene Camacho (Bass, Except 7),  Dominick Genova (Bass 7),  Dave Loeb (Piano),  Mark Leggett (Acoustic Guitar),  Luis Conte (Percussion), Kevin Ricard (Percussion), Dan Higgins (Tenor Sax, Flute, Alto Flute, Piccolo, Clarinet), Bolero Horns: Gary Grant, Larry Hall, Steve Holtman & Dan Higgins
UPC: 191924429302

https://kenwiley.com

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HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 18, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Ta-Nehisi Coates and We Have Voice Collective to Keynote Chamber Music America’s 2019 National Conference
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For Immediate Release

New York, NY (October 15, 2018)—Chamber Music America (CMA), the national network of ensemble music professionals, announced today that author Ta-Nehisi Coates and the We Have Voice Collective will keynote at CMA’s 2019 National Conference, Building Equitable Communities.

Ta-Nehisi Coates is a distinguished writer in residence at NYU’s Arthur L. Carter Journalism Institute. He is the author of the bestselling books The Beautiful StruggleWe Were Eight Years in Power, and Between The World And Me, which won the National Book Award in 2015. Ta-Nehisi is a recipient of a MacArthur Fellowship. He is also the current author of the Marvel comics The Black Panther and Captain America.
We Have Voice is a collective of 14 musicians, performers, scholars, and thinkers working to bring awareness to issues of inequity in the field. The collective released its Code of Conduct to Promote SAFE(R) Workplaces in the Performing Arts earlier this year.
The We Have Voice Collective is comprised of Fay Victor, Ganavya Doraiswamy, Imani Uzuri, Jen Shyu, Kavita Shah, Linda May Han Oh, María Grand, Nicole Mitchell, Okkyung Lee, Rajna Swaminathan, Sara Serpa, Tamar Sella, Terri Lyne Carrington, and Tia Fuller.

Both of these sessions will underline CMA’s 2019 conference theme, Building Equitable Communities. “We are privileged to be hosting a revolutionary voice in journalism in Ta-Nehisi Coates and a powerful and unique coalition of advocates in We Have Voice,” commented Margaret M. Lioi, Chief Executive Officer of Chamber Music America. “The perspectives of Ta-Nehisi Coates and We Have Voice are both necessary and significant in the national dialogue of inclusion and equitable practices within and beyond the field of small ensemble music.”
Ta-Nehisi Coates will speak on Friday, January 18. The We Have Voice Collective will appear on Saturday, January 19.

CMA’s 2019 National Conference, Building Equitable Communities, will take place January 17-20, 2019 at the Westin New York at Times Square. Conference Registration is now open.


Chamber Music America, the national network for ensemble music professionals, was founded in 1977 to develop, support, and strengthen the chamber music field. With a membership of nearly 6,000, including musicians, ensembles, presenters, artist managers, educators, music businesses, and advocates of ensemble music, CMA welcomes members representing a wide range of musical styles and traditions. CMA provides its members with grant programs, consulting services, a national conference, professional development seminars, access to instrument and other insurances, and several publications, including Chamber Music magazine; the weekly Accent e-newsletter; and a member-driven website, www.chamber-music.org.
For more information on CMA’s 2019 National Conference, visit conference.chamber-music.org.

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E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

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Best Contemporary Instrumental Album
A BURGEONING CONSCIOUSNESS
Noshir Mody
Listen Here (Soundcloud Link)
Best Instrumental Composition
SECRETS IN THE WOOD AND STONE
Noshir Mody
Listen Here (Soundcloud Link)
Website
Facebook
Twitter
SoundCloud

 

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October 17, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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October 17, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


Best Jazz Vocal AlbumBest Improvised Solo: Joe Vincent Tranchina – « Vera Cruz »Best Arrangements, Instruments and Vocals: « A Song for India »Best Engineered Album, Non-Classical: Rick Savage – engineerProducer of the Year, Non-Classical: Rick SavageListen Here
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“Gabriele Tranchina, whose fourth release (and first since 2010), Of Sailing Ships and the Stars in Your Eyes, demonstrates the singer’s firm grasp across styles, genres, and, yes, languages.
The singer’s voice is singular and well balanced, capable of low purrs and assertive exuberance. Refined and fine is Of Sailing Ships and the Stars in Your Eyes. “
Michael Bailey – All about jazz“Not your typical bossa/Latin set that you can set and forget while you sit back and enjoy it, Tranchina has a way with the special sauce, ladling it out in just the right measure at just the right time.  A sassy modern take on a classic vibe, this nicely ear opening set is a tonic of feel good music throughout.  Check it out.”
– CHRIS SPECTOR, Midwest record“A confluence of rhythms rooted in samba, bossa nova, blues, and swing come together with soothing vocals on Of Sailing Ships and the Stars in Your Eyes from vocalist Gabriele Tranchina. She bridges traditional Latin and jazz-inspired motifs with New World impressions.”
– Susan Frances, Amazon.com
Gabriele Tranchina Of Sailing Ships and the Stars in Your Eyes
(Rainchant Eclectic Records RER1001) Street Date: October 18, 2017

Gabriele Tranchina (voice, background voices (tracks 1, 4 ,6 & 8), Joe Vincent Tranchina (piano, keyboards, melodica (track 5), programming (track 12), clavés (track 3), background voice (track 2), Carlo De Rosa (acoustic bass, electric bass, background voice (track 2), Vince Cherico (drums, percussion), Renato Thoms (percussion, background voice (track 2)
http://www.gabrieletranchina.com
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
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E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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WarwickNy 10990

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For Your Grammy Consideration:
Storyville Records
« Ronnie Cuber Live At Montmartre »
Ronnie Cuber (Baritone Saxophone)
Kjeld Lauritsen (Hammond B-3 Organ)
Krister Jonsson (Guitar)
Andreas Svendsen (Dr)Contemporary Instrumental Album
Improvised Jazz Solo “Tee’s Bag
Jazz Instrumental Album
Arrangement Instrumental “Just Friends »
Recording Package Cover Art

 

 

 

Get more information and
listen to the music here! 

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Contact Roberta Arnold arnoldmusic@optonline.net

 

www.facebook.com

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
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T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

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269 State Route 94 South

WarwickNy 10990

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October 17, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

FOR YOUR CONSIDERATION
Andrew Neu
The Big Band Side of Andrew Neu
« Catwalk »Best Large Jazz Ensemble Album
Best Instrumental Composition: Catwalk
Best Arrangement, Instrumental or A Cappella: Body and Soul
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Andrew Neu The Big Band Side of Andrew Neu « Catwalk »
(CGN Records 82601-2) Street Date January 16, 2018

featuring Randy Brecker, Bob Mintzer, Wayne Bergeron,
Eric Marienthal, Gordon Goodwin and Rick Braun. 
This is one swinging big band CD! Great arrangements and soloing by many musicians you know, and some you be thrilled to hear possibly for the first time. A winner! Happy to be a part of it.
– Randy BreckerAndrew is a talented arranger with interesting ideas. HE is someone to watch in the large ensemble scene. 
– Bob Mintzer

Catwalk – 2018

  1. Juggernaut – 6:09
  2. Zebrano Featuring Randy Brecker – 6:11
  3. Catwalk – 7:35
  4. Body and Soul Featuring Bob Mintzer – 8:58
  5. My Dear Featuring Eric Marienthal- 5:17
  6. What Is This Thing Called Love – 5:44
  7. Wasamba Featuring Wayne Bergeron and Brian Bromberg – 8:02
  8. Too Much Of A Good Thing Featuring Gordon Goodwin – 7:42
  9. Cinema Paradiso Featuring Rick Braun – 5:18
  10.  Blue Sesame – 6:25
  11.  Alpha Dog Featuring Brian Bromberg – 7:47

Featured Artists
Wayne Bergeron, Rick Braun, Randy Brecker, Brian Bromberg, Gordon Goodwin, Eric Marienthal & Bob Mintzer.

SAXES
Jeff Driskill – lead alto, Dan Kaneyuki –alto, Andrew Neu – tenor, flute & alto flute, Vince Trombetta – tenor, Ken Fisher – bari
TRUMPETS
Anthony Bonsera – lead, Jeff Jarvis, Jamie Hovorka – split lead 3, 7, Mike Stever
TROMBONES
Andrew Lippman – lead 4, 6, 11, Paul Young – split lead 1, 3, 8, 10, Charlie Morillas – split lead 2, Dave Ryan – split lead 5, 7, 9, Steve Hughes – bass
RHYTHM
Andy Langham – piano, Matt Hornbeck – guitar, David Hughes – bass, Jamey Tate – drums & percussion
VIBES
Craig Fundyga on Catwalk
HORN
Stephanie O’Keefe on Catwalk

AVAILABLE FROM: AMAZON | ITUNES | CD BABY
NATIONAL PRESS CAMPAIGN: JIM EIGO, JAZZ PROMO SERVICES

272 State Route 94 South #1, Warwick, NY 10990-3363

Ph: 845-986-1677

Skype: jazzpromo | jim@jazzpromoservices.com | jazzpromoservices.com

“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

NATIONAL RADIO CAMPAIGN BEN SCHOLZ SCHOLZ PRODUCTIONS

info@benjaminscholz.com

940.206.8045 | benjaminscholz.com | bpscholz@gmail.com

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

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269 State Route 94 South

WarwickNy 10990

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October 16, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Consideration
« Fusiolicious » by Oytun Ersan ft. Dave Weckl, Eric Marienthal, Gary Husband, Dean Brown and many more
Best Jazz Instrumental Album
Best Contemporary Instrumental Album
Best Instrumental Composition       ( »Mysterious Maze »)
Best Improvised Jazz Solo
Best Engineered Album
Best Arrangement, Instruments and vocals    (Ric Fierabracci  »Sacred Solace »)
Producer of the Year, Non-Classical
(Ric Fierabracci)
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Oytun Ersan Fusiolicious
Street Date: June 1, 2018

Oytun Ersan (Bass), Dave Weckl (Drums), Eric Marienthal (Saxophone), Gary Husband (Keys) ,Gerry Etkins (Keys), Dean Brown (Guitar), Mike Miller (Guitar), Brett Garsed (Guitar), Okan Ersan (Guitar), Gökay Gökşen (Trombone), Utku Akyol (Trumpet), Karen Briggs (Violin), Simge Akdoğu (Vocals), Aytunç Akdoğu (Vocals)
UPC Code: 192914158073 (Digital)Website: www.oytunersan.com
Instagram: www.instagram.com/oytunersan
Facebook: www.facebook.com/OytunErsanOfficial
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
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E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

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269 State Route 94 South

WarwickNy 10990

Add us to your address book

 

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October 15, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


Event Info
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Medici Musica Productions Presents:
Téka: Watercolors of Brazil

FEATURING: TÉKA – VOCALS & GUITAR
HELIO ALVES – PIANO
TIAGO MICHELIN – DRUMS
EBINHO CARDOSO – BASS

The show, Watercolors of Brazil featuring Téka: A mix of the sensual rhythms and harmonies of Brazil with the sophistication and improvisation of Jazz – a fascinating musical blend Téka calls New Bossa.  A native of Londrina, Brazil, Téka mastered the traditions of Brazilian music at an early age. Along the way, she became equally entranced by American jazz.  After graduating in Music Education from Sao Paulo University, Téka studied at Boston’s Berklee College and Longy School of Music.

Téka has performed with Brazilian and American legends such as Hermeto Pascoal, Gilberto Gil, Flora Purim, Airto Moreira and Roger Kellaway. She has appeared as the contralto soloist with numerous chorales and has been featured as soloist with the Long Beach Symphony Orchestra, The San Luis Obispo Symphony Orchestra, and The Glendale Pops Orchestra as well as many national and International Jazz Festivals.

Her recordings as a leader, Garden Planet and Watercolors of Brazil have received high praise from critics and audiences.  Her latest release, “So Many Stars,” is a definitive statement that she is a mature and world-class musical artist. Téka brings everything into a unified expression, combining her vocal lines and rhythmic guitar accompaniments into a single, elegantly buoyant musical blend.

Helio Alves – piano 
A Berklee College graduated, native of Brazil and New York based, pianist, Helio Alves has received high praise as an in-demand sideman with Joe Henderson, Yo-Yo Ma, Claudio Roditi, Paquito D’Rivera, Gato Barbieri, Dave Samuels, Rosa Passos, Chico Pinheiro, Romero Lubambo, Joyce Moreno, Airto Moreira & Flora Purim, Oscar Castro-Neves, to name a few.

Tiago Michelin – drums 
A Berklee College graduated of music with Bachelor’s in Performance in 2015, native of Brazil, and New York based, drummer Tiago Michelin has performed and recorded with many internationally critically acclaimed musicians, notably Esperanza Spalding, Eliane Elias, Marc Johnson, Kenny Werner, Leo Blanco, Guillermo Klein, Jerry Bergonzi, George Garzone, Danilo Perez, among many others.

Ebinho Cardoso – bass
Brazilian bassist, composer, arranger, singer and researcher Ebinho Cardoso is considered one of the most promising newcomers in the bass world today.  A virtuoso on his instrument he is one of the most respected Brazilian bassists of the new generation.
Ebinho has performed in Jazz Festivals and Music Festivals in Brazil and the US and has shared the stage with big names in the music world including Abraham Laboriel, Toninho Horta, Joe Hunt, Michael Manring, Dave Samuels, Marshall Wood, Carlos Malta, Arthur Maia , Nelson Faria and many others.

Autumn Leaves Téka & NewBossa July 18, 2018

http://www.newbossa.com
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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October 12, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

GARY LUCAS PLAYS SPANISH « DRACULA » at THE METROGRAPH NYC FRI. OCT. 19th at 7:30pm

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at the premiere of Gary Lucas’ Spanish Dracula live score at the Havana Film Festival Dec. 2009

GARY LUCAS accompanies the legendary 1931 Spanish-language “Dracula” film with his original live solo guitar score at The Metrograph,

NYC’s premier art-house cinema, on Fri. Oct. 19th at 7:30pm.

Filmed in Hollywood at night on the same sets as Todd Browning’s “Dracula”, directed by George Melford  and featuring an-all Latin cast
(this was before the advent of dubbing technology), the film, like “Dracula” is music-free— Lucas has composed a continuous solo guitar underscore that plays throughout.

Many critics consider this version superior to the original film in terms of its fluid editing rhythms, mobile camera-work, more florid and sensual costumes, and memorable performances by Carlos Villarias as the Conde and Lupita Tovar as Eva.

A pioneer of live film scoring going back to his 1989 live duo score with Walter Horn for “The Golem”,  Lucas premiered his Spanish “Dracula” live score in Dec. 2009 at the La Rampa Cinema for the Havana Film Festival, where it received rave reviews—and has since gone on to perform with the film all over the world, including well-received shows shows at Queen Elizabeth Hall in London, the Transylvania Film Festival, Sevilla Film Festival, Jerusalem Film Festival, Cineteca Nacional in Mexico City, Krakow Off-Plus Camera Festival, New York Film Festival, Lodz Cinergia Festival,

and many others:

https://bit.ly/24xzTEe

The Metrograph is located at 7 Ludlow Street on the edge of Chinatown..  Tickets can be purchased here:  https://bit.ly/2DVdOcf

This is the first installment in a retrospective series of Gary Lucas’ live film scores at The Metrograph:

https://bit.ly/2xYZnOY

Special thanks to Robert Melvin Rubin and Jacob Perlin.

Also this week: Gary Lucas is a guest of Mitch Goldman on WKCR 89.9FM discussing and playing all things Mingus this Mon. night Oct. 15th from 6 to 9m…and Gary performs solo acoustic at the WFMU91.1 FM Wake ’n Bake Benefit Art Auction next Sat. night Oct. 20th  at their Monty Hall performance space at 43 Montgomery St. in Jersey City at 9pm.

www.garylucas.com
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October 5, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

GARY LUCAS PLAYS SPANISH « DRACULA » at THE METROGRAPH NYC FRI. OCT. 19th at 7:30pm

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Gary Lucas performing with Spanish “Dracula” at the 2010 New York Film Festival  photo by Jason Candler

GARY LUCAS accompanies the legendary 1931 Spanish-language “Dracula” film with his original live solo guitar score at The Metrograph,

NYC’s premier art-house cinema, on Fri. Oct. 19th at 7:30pm.

Filmed in Hollywood at night on the same sets as Todd Browning’s “Dracula” and featuring an-all Latin cast (this was before the advent of dubbing technology), the film, like “Dracula” is music-free— Lucas has composed a continuous solo guitar underscore that plays throughout.

Many critics consider this version superior to the original film in terms of its fluid editing rhythms, mobile camera-work, more florid and sensual costumes, and memorable performances by Carlos Villarias as the Conde and Lupita Tovar as Eva.

A pioneer of live film scoring going back to his 1989 live duo score with Walter Horn for “The Golem”,  Lucas premiered his Spanish “Dracula” liv score in 2009 at the La Rampa Cinema for the Havana Film Festival, where it received rave reviews—and has since gone on to perform with the film all over the world, including well-received shows shows at Queen Elizabeth Hall in London, the Transylvania Film Festival,

Sevilla Film Festival, Jerusalem Film Festival, Cineteca Nacional in Mexico City, Krakow Off-Plus Camera Festival, New York Film Festival, Lodz Cinergia Festival and many other cities:

https://bit.ly/24xzTEe

The Metrograph is located at 7 Ludlow Street on the edge of Chinatown..  Tickets can be purchased here:  https://bit.ly/2DVdOcf

This is the first installment in a retrospective series of Gary Lucas’ live film scores at The Metrograph:

https://bit.ly/2xYZnOY

Special thanks to Robert Melvin Rubin and Jacob Perlin.

www.garylucas.com
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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269 State Route 94 South

WarwickNy 10990

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October 4, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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Trick or Treat?

Susie Blue & the Lonesome Fellas releases a wildly fun and rockin’ new single for Halloween this year, « The House is Haunted »

The original tune « The House is Haunted by the Echo of Your Last Goodbye » is a classic  swing song from 1938, but the Lonesome Fellas cleverly morph it into a swing/rockabilly/blues crossover,  featuring the distinctive and renown tempo from  Screamin’ Jay Hawkins’  « I Put a Spell on You ».

The spotlight is turned to  saxophonist Eric Schneider, who wails away like Sam Taylor from the Screamin’ Jay renditon, while guitarist Neal Alger breaks out a hard blues guitar.    Bassist Chris Bernhardt leads the throbbing  tempo and  drummer Phil Gratteau spanks a hard, rock-blues beat.  Over the top of it all, vocalist Solitaire Miles belts the lyrics for « Haunted » with her notorious  Patsy Cline/Billie Holiday hybrid  vocal, consummating a cacophony of melody, tempo and genres.

When you listen to the first few bars you get a TRICK, thinking that Miles will be warbling the first lines of « I Put a Spell on You », but Fellas fans are in for one hell of a TREAT  when she delivers a totally different and unexpected  melody on top of the infamous Screamin’ Jay beat.   « The House is Haunted » is an entertaining and lively addition to your Halloween collection.   – JM Reid, Chicago Music Guide
The tune is available for digital download on Bandcamp in several high quality file types available including mp3, wav and flac.  https://solitairemiles.bandcamp.com/track/susie-blue-the-lonesome-fellas-the-house-is-haunted

Watch the retro animated cartoon video for the song here – https://www.youtube.com/watch?v=quc8s9SLZTY

You can visit Susie Blue & the Lonesome Fellas on the web http://www.susiebluelonesomefellas.com/

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

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October 6, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Willie Oteri and Dark Matter Horns
Release Second Album

 Dark Matter Horns with O’clock

 Dark O’clock – Live at Kenny Dorham’s Backyard

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NOTE: THIS IS A DIGITAL ALBUM – WE WILL BURN PERSONAL CDR COPIES FOR THOSE WISHING THEM FOR REVEIW

OR YOU MAY REQUEST DIGITAL FILES EMAILED VIA WETRANSFER.COM

Contact: Sue – booking@willieoteri.com

Official Release Date – December 14, 2018 – O’clock with Dark Matter Horns

Available for streaming and downloads at popular outlets including iTunes, Google Play, CD Baby, etc.

Prior to the official release date individual tracks will be available at
https://wd-41.bandcamp.com/

Willie Oteri – Tenor Sax, Flute, Live Loops

LCM – Ricardo Acevedo – Keys and Electronic Percussion

Dave Laczko – Trumpet, Effects, Live Loops

A series of albums by Willie Oteri’s Dark Matter Horns are the first officially released recordings to focus on Oteri’s tenor sax and flute work. The first, released on May 15, 2018, Dark Matter Horns Narratives Vol 1. For this second release he is joined again by long time friend  Dave Laczko on trumpet and LCM – Ricardo Acevedo on keys and electronic percussion. Together Oteri and Acevedo make up the duo O’clock. Recorded live at Kenny Dorham’s Backyard in Austin Texas on September 27thof 2018 using only a small stereo recorder, 2 tracks. This is totally improvised music that will appeal to fans of Free Jazz, Avant Garde, Experimental and Electronic styles as well as to fans of more melodic jazz offerings.

 

Oteri has several guitar based albums to his name with some very fine musicians including, Scott Amendola, Giko Pavan, Tony Levin, J.A. Deane and others, 1999s Jazz Gunn Concepts of MateMaToot  featured A-Team players Brannen Temple, Michael Malone, Chris Maresh, and second guitarist Chris Tondre, the uniquely original 2003 release Spiral Out produced by Ronan Chris Murphy which featured prog rockers Tony Levin, Pat Mastelotto and Mike Keneally in a free improvised jazz setting with trumpet master Ephraim Owens, two critically acclaimed Avant-Garde WD-41 albums followed with electric trumpet player Dave Laczko, the second incorporating the talents of Dino J.A. Deane with drummer Scott Amendola and Shrunken Head Shop taken from a series of live recordings from a tour through Germany.

 

Always driven to reinvent and create, Oteri is now focusing on sax and flute after putting these instruments on the back burner for many years.

 

Promotional copies for review may be requested at booking@willieoteri.com

 

For more information on Willie Oteri please visit,

www.willieoteri.comand https://musicians.allaboutjazz.com/willieoteri

For more information on LCM-Ricardo Acevedo visit,

https://www.facebook.com/lostcatmagnetTX/

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677 / F: 845-986-1699
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

jazzLogo.jpg
October 4, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

shem.gif

Trick or Treat?

Susie Blue & the Lonesome Fellas releases a wildly fun and rockin’ new single for Halloween this year, « The House is Haunted »

The original tune « The House is Haunted by the Echo of Your Last Goodbye » is a classic  swing song from 1938, but the Lonesome Fellas cleverly morph it into a swing/rockabilly/blues crossover,  featuring the distinctive and renown tempo from  Screamin’ Jay Hawkins’  « I Put a Spell on You ».

The spotlight is turned to  saxophonist Eric Schneider, who wails away like Sam Taylor from the Screamin’ Jay renditon, while guitarist Neal Alger breaks out a hard blues guitar.    Bassist Chris Bernhardt leads the throbbing  tempo and  drummer Phil Gratteau spanks a hard, rock-blues beat.  Over the top of it all, vocalist Solitaire Miles belts the lyrics for « Haunted » with her notorious  Patsy Cline/Billie Holiday hybrid  vocal, consummating a cacophony of melody, tempo and genres.

When you listen to the first few bars you get a TRICK, thinking that Miles will be warbling the first lines of « I Put a Spell on You », but Fellas fans are in for one hell of a TREAT  when she delivers a totally different and unexpected  melody on top of the infamous Screamin’ Jay beat.   « The House is Haunted » is an entertaining and lively addition to your Halloween collection.   – JM Reid, Chicago Music Guide
The tune is available for digital download on Bandcamp in several high quality file types available including mp3, wav and flac.  https://solitairemiles.bandcamp.com/track/susie-blue-the-lonesome-fellas-the-house-is-haunted

Watch the retro animated cartoon video for the song here – https://www.youtube.com/watch?v=quc8s9SLZTY

You can visit Susie Blue & the Lonesome Fellas on the web http://www.susiebluelonesomefellas.com/

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

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October 5, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

GARY LUCAS PLAYS SPANISH « DRACULA » at THE METROGRAPH NYC FRI. OCT. 19th at 7:30pm

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Gary Lucas performing with Spanish “Dracula” at the 2010 New York Film Festival  photo by Jason Candler

GARY LUCAS accompanies the legendary 1931 Spanish-language “Dracula” film with his original live solo guitar score at The Metrograph,

NYC’s premier art-house cinema, on Fri. Oct. 19th at 7:30pm.

Filmed in Hollywood at night on the same sets as Todd Browning’s “Dracula” and featuring an-all Latin cast (this was before the advent of dubbing technology), the film, like “Dracula” is music-free— Lucas has composed a continuous solo guitar underscore that plays throughout.

Many critics consider this version superior to the original film in terms of its fluid editing rhythms, mobile camera-work, more florid and sensual costumes, and memorable performances by Carlos Villarias as the Conde and Lupita Tovar as Eva.

A pioneer of live film scoring going back to his 1989 live duo score with Walter Horn for “The Golem”,  Lucas premiered his Spanish “Dracula” liv score in 2009 at the La Rampa Cinema for the Havana Film Festival, where it received rave reviews—and has since gone on to perform with the film all over the world, including well-received shows shows at Queen Elizabeth Hall in London, the Transylvania Film Festival,

Sevilla Film Festival, Jerusalem Film Festival, Cineteca Nacional in Mexico City, Krakow Off-Plus Camera Festival, New York Film Festival, Lodz Cinergia Festival and many other cities:

https://bit.ly/24xzTEe

The Metrograph is located at 7 Ludlow Street on the edge of Chinatown..  Tickets can be purchased here:  https://bit.ly/2DVdOcf

This is the first installment in a retrospective series of Gary Lucas’ live film scores at The Metrograph:

https://bit.ly/2xYZnOY

Special thanks to Robert Melvin Rubin and Jacob Perlin.

www.garylucas.com
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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269 State Route 94 South

WarwickNy 10990

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Re-Discover Johnny Costa.

The recent Fred Rogers film Won’t You Be My Neighbor has become the highest grossing biographic documentary of all time. For most Mister Rogers’ neighborhood’s 31 season run, pianist Johnny Costa provided the jazzy accompaniment that millions grew up on. Wynton Marsalis says Costa was called « Baby [Art] Tatum. »

Costa recorded four outstanding solo piano albums for Chiaroscuro that highlights his imagination and artistry.

Click albums to purchase on iTunes.

These releases are available at retail outlets through MVD. Also available to purchase at Amazon.
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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!Our mailing address is:

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WarwickNy 10990

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October 8, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

HENDRIK MEURKENS & BILL CUNLIFFE « CABIN IN THE SKY » CD RELEASE SHOW @ VITELLO’S
4349 Tujunga Ave.
Studio City, CA 91604
Doors: 6:30 pm / Show: 7:30 pm
Tickets starting from $20
Purchase Your Tickets In AdvanceHendrik Meurkens: harmonica
Bill Cunliffe: piano
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“…Certainly one of the most influential voices on chromatic harmonica since Stevie Wonder and the late Toots Thielemans….”   JazzTimes – Philip Booth“… While all jazz harmonica players start out in the shadow of Toots Thielemans, Meurkens has come the closest of anyone to filling the gap left by Thielemans’ passing. Meurkens has his own sound and approach to the instrument and can play bop, Brazilian music and ballads with the best…” L.A. Jazz Scene – Scott Yanow

“All of a sudden it seems that Hendrik Meurkens is the jazz harmonica player to know…“Cabin in the Sky” is an almost instant classic…(Meurkens’) approach to jazz and to harmonica playing have broadened the instrument’s use in the genre…(Meurkens) is now considered today’s pre-eminent jazz harmonica player….” Lemon Wire – Dodie Miller-Gould

“… truly some of the best duo jazz I’ve heard in 2018.”  Dick Metcalf – Contemporary Fusion Reviews

“It is perhaps inevitable that people should start hailing Hendrik Meurkens as the new Toots Thielemans…”  All About Jazz – Chris Mosey
Hendrik Meurkens and Bill Cunliffe present a dynamic harmonica/piano collaboration on their new release, Cabin in the Sky
Jazz harmonica maven Hendrik Meurkens teams up with acclaimed pianist Bill Cunliffe to present a unique and wonderful mix of tunes on their new duo album, Cabin in the Sky. In addition to several originals, the CD includes compositions by outstanding contributors to the jazz repertoire including Wayne Shorter, Joe Zawinul, and Antonio Carlos Jobim, plus surprises like a sultry, bluesy version of “Ode to Billie Joe,” the 1967 hit from pop/country singer Bobbie Gentry. Coincidentally, “Ode to Billie Joe” is one of several of the compositions on the album that have their roots in Broadway shows and movies, including the title track, “Invitation,” and “Speak Low.” According to Meurkens, “We did not choose the material with that in mind but as it happens some of the best songs out there are written for Broadway, and I love a good song. I am not so much interested in breaking the latest barrier and pushing the jazz envelope but I am interested in playing beautiful music that warms the heart.” Cabin in the Sky highlights include: “Afternoon”: Cunliffe wrote the rich string arrangements that add such warmth and delicacy to this Meurkens composition. Levity meets virtuosity in this delightfully unique version of Jobim’s “Wave,” replete with references to “Smoke on the Water.” Written by the unlikely duo of Kurt Weill and Ogden Nash, “Speak Low” is played at a slightly sprightlier pace than usual, but with great feeling nevertheless.
Cabin in the Sky is the first recording for Meurkens and Cunliffe, who have talked about meeting in the studio for years, perhaps inspired in part by Affinity, the classic harmonica/piano collaboration of Toots Thielemans and Bill Evans. “This CD goes a little bit in that direction, as it features mostly lyrical material, which is where the harmonica shines anyway,” notes the German-born, New York-based Meurkens. Hearing the legendary Toots Thielemans inspired Meurkens to switch to harmonica from his original instrument, vibes. Now widely regarded as today’s pre-eminent jazz harmonica players in the tradition of Toots Thielemans, Meurkens is also an acclaimed composer in jazz, Latin, and Brazilian styles. Having released more than two dozen albums as leader or coleader, Meurkens is also an in-demand sideman and soloist, appearing with Jimmy Cobb, Ivan Lins, Monty Alexander, Claudio Roditi, Astrid Gilberto, Ray Brown, Paquito D’Rivera, and others.
Pianist Bill Cunliffe has proved himself at home in multiple settings from this duo to trios, big bands, Latin bands, and classical-jazz ensembles; he is also an acclaimed soloist with symphony orchestras. A Grammy-winning arranger, Cunliffe has received multiple Emmy and Grammy nominations, and has released more than a dozen albums as a leader, authored several books, and composed several film scores. He is an in-demand jazz sideman, having worked with masters including Frank Sinatra, Buddy Rich, Joe Henderson, Woody Shaw, Freddie Hubbard, James Moody, and Benny Golson.
With Cabin in the Sky, Meurkens and Cunliffe reveal a new side to their virtuosity. Let’s hope this simpatico duo won’t keep listeners waiting to long for a follow up to this great new CD.

Hendrik Meurkens / Bill Cunliffe « Cabin In The Sky »
(Height Advantage 002)  Street Date: June 1, 2018

Hendrik Meurkens – harmonica, Bill Cunliffe – piano
www.hendrikmeurkens.com
www.billcunliffe.com

Available From: Amazon • CDBaby • iTunes

NATIONAL PRESS CAMPAIGN: 
JIM EIGO, JAZZ PROMO SERVICES, 272 State Route 94 South #1, Warwick, NY 10990-3363

Ph: 845-986-1677

jim@jazzpromoservices.com • www.jazzpromoservices.com

“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

NATIONAL RADIO CAMPAIGN: BEN SCHOLZ SCHOLZ PRODUCTIONS

info@benjaminscholz.com 940.206.8045 benjaminscholz.com bpscholz@gmail.com

 

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

 

 

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September 27, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

 

Jazz Promo Services via mail87.atl161.mcsv.net 

jeu. 27 sept. 23:00 (Il y a 1 heure)

À moi

 

 

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September 27, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


NESTOR TORRES:JAZZ FLUTE TRADITIONSReceives2018 Latin Grammy Nominationfor Best Latin Jazz / Jazz Album
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 FOR IMMEDIATE RELEASE

 

Los Angeles, CA – Latin Grammy Award Winning Flautist Nestor Torres receives Latin Grammy Nomination for his release Jazz Flute Traditions on Alfi Records.

With his Caribbean heritage, Classical training and and a unique, rhythmic & melodic approach to Jazz improvisation, Nestor Torres’ talkative and mellifluous flute sound remains apart in a class all by itself. Now, with his 15th album release, the Flautist shows his deep respect and knowledge for the tradition of Jazz and Latin Jazz in its purest forms.
This eleven-song offering pays homage to legendary Jazz Flute pioneers like Herbie Mann and Eric Dolphy, as well as Torres’ idol and mentor, Hubert Laws. The tribute expands further, from Frank Wess and Moe Koffman, who were playing the instrument when it was still showing up in the “miscellaneous” categories of major 1950’s jazz polls, to revolutionaries such as Yusef Lateef and Esy Morales.

“For years I’ve wanted to pay tribute to the Jazz Flute pioneers that opened the way for us”, says Nestor. The selection of songs are daringly diverse. From the popular and catchy ‘Swingin’ Shepherd Blues’ and funky ‘Memphis Underground’ to the avant garde in ‘Gazzelloni’; from Count Basie’s straight ahead ‘Cute’ and Rahsaan Roland Kirk’s ‘Serenade To A Cuckoo’ to hard core Latin Jazz with ‘Jungle Fantasy’. The stylistic jaunt goes on with Lateef’s haunting ‘The Golden Flute’ and includes Chick Corea’s flute showcases ‘Windows’ & ‘Spain’. Nestor Torres defies the daunting task of bringing together what would seem to be an incongruent mix & match of unrelated pieces by creating a cohesive and exciting narrative of the rich, deep and somewhat overlooked contribution of the flute to the Jazz cannon. Torres himself contributes to the Jazz Flute Tradition with his very personal renditions of the mid 20th century standards ‘Miami Beach Rhumba’ and Cole Porter’s ‘So In Love’.

“The release of Jazz Flutes Traditions capture(s) his energy, depth,

and technical brilliance… all that and more.”
Mark Ruffin – Real Jazz SiriusXM Program Director at Sirius/XM Satellite Radio

14 previous albums as a soloist, 5 Latin Grammy nominations, one Grammy nomination and one Latin Grammy Award, as well as collaborations with artists such as Dave Mathews, Gloria Estefan, Herbie Hancock, Wayne Shorter and Tito Puente, are testament to the remarkable versatility of an Artist who continuously challenges himself to push music forward, this time steeped in the total tradition of Jazz. Jazz Flute Traditions is a revelation of Nestor Torres’ essence, prowess and artistry, as he pays a most worthy tribute to and stands on the shoulders of those who came before him.

For more information on the Jazz Flute Traditions release contact Frank Vardaros, Alfi Records, 818-745-2534 / 818-745-ALFI, or email alfirecords@gmail.com

www.nestortorres.com          www.alfirecords.com

Media Contact:

Jim Eigo, Jazz Promo Services, 845-986-1677, email

jim@jazzpromoservices.com

Management Contact: ALG Entertainment – info@algmusic.com

Alfi Records

18375 Ventura Blvd, Suite 430

Tarzana, CA 91356

818-745-ALFI (2534) / 818-745-2534

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

 

 

 

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September 25, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


Portrait Of: Bobby Sanabria 
Listen Here
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Growing up as a Nuyorican kid in the Bronx, Bobby Sanabria first watched « West Side Story » in the movie theaters, on the 10th anniversary of the film’s release. « I was mesmerized, » said the Latin Jazz drummer and composer. Last year, « West Side Story » celebrated its 60th anniversary and to honor this milestone, Sanabria re-envisioned what Latino New York City actually sounds like. The result was his album, « West Side Story Reimagined. » Maria Hinojosa talks to the drummer and composer about what the iconic musical means to him and how he paid tribute to its legacy.

New CD

Bobby Sanabria Multiverse Big Band
“West Side Story Reimagined”
(Jazzheads JH1231)
Street Date: 07/20/2018

MUSICIANS: Multiverse Big Band TRUMPETS Kevin Bryan – lead Shareef Clayton Max Darché Andrew Neesley SAXOPHONES David Dejesus- lead alto, soprano, flute Andrew Gould – alto, flute Peter Brainin- tenor, flute Yaacov Mayman – tenor, flute, clarinet Danny Rivera – baritone TROMBONES David Miller – lead Tim Sessions Armando Vergara Chris Washburne- bass FLUTE, PICCOLO Gabrielle Garo ELECTRIC VIOLIN Ben Sutin RHYTHM Bobby Sanabria – musical director, drums, whistle, lead vocals, coro Darwin Noguera – piano Leo Taversa – electric bass Oreste Abrantes – congas, itotele batá drum, coro Matthew Gonzalez – bongo/cencerro, primo bomba drum, Iyá bata, requinto pandereta, ganza, coro Takao Heisho – Cuban guiro macho, Dominican guira, Puerto Rican guicharro clave, okonkolo batá drum, maracas (Cuban and Venezuelan), shekere, tambourine, cuica, pandeiro, triangle, gong

http://jazzheads.com/store.php?crn=244&rn=615&action=show_detail

http://bobbysanabria.com
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Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
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WarwickNy 10990

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September 25, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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269 State Route 94 South

WarwickNy 10990

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For Your Grammy® Consideration

Artist: Noshir Mody
Album: A Burgeoning Consciousness

CONTEMPORARY INSTRUMENTAL ALBUM
A BURGEONING CONSCIOUSNESS
Noshir Mody
Listen Here (Soundcloud Link)
INSTRUMENTAL COMPOSITION
SECRETS IN THE WOOD AND STONE
Noshir Mody
Listen Here (Soundcloud Link)

Official Website

www.NoshirMody.com

 “Noshir’s involvement and dedication to producing music with true power is total, and his players are all cut from that same cloth; this is music that will stand the test of time – and survive.”

Dick Metcalf, Contemporary Fusion Reviews

« Your mind will flicker back and forth between the sum and its parts, and then you’ll relax and hear the whole sound wash over you complete, especially as each of these epic tunes reach a thrilling climax. »

Marc Phillips, The Vinyl Anachronist

Live Performance Video

Noshir Mody: Guitar, Mike Mullan: Alto Saxophone, Benjamin Hankle: Flugelhorn, Campbell Charshee: Piano, John Lenis: Bass, Yutaka Uchida: Drums

« Mody is an incredibly fluid guitarist, capable of deft runs when he needs to, or sitting there providing the direction for others to follow. »

Kev Rowland, Power Of Prog

“Mody is a great reminder that the qualities of music that connect with us are as mysterious and unpredictable as the forces of creativity that give them birth.”

Dave Sumner, Jazz Recommendations – 2018

Website
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Copyright © 2018 Jazz Promo Services, All rights reserved.
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September 26, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

« An Evening with Gary Lucas: From Beefheart to Buckley and Beyond » at The Cutting Room NYC Thurs. Sept. 27th

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On Thurs. Sept. 27th, guitar virtuoso, Grammy-nominated songwriter and composer GARY LUCAS brings his multimedia one-man show

“AN EVENING WITH GARY LUCAS: FROM BEEFHEART TO BUCKLEY AND BEYOND”   into The Cutting Room NYC at 9:30pm.  The Cutting Room is located at 44 East 32nd St.

For tickets and more info:  https://bit.ly/2OxjBFg

This retrospective evening spans Gary Lucas’ nearly 40 years in the music business, and is filled with stories, rare performance clips, and music.

The show focuses on Gary’s time collaborating with visionary genius Captain Beefheart (Don Van Vliet) and rock icon Jeff Buckley—
and includes selections from Lucas’ 30-plus album catalog, including Chinese pop, film soundtracks, country blues, jazz and classical solo arrangements, and original songs and instrumentals.

For nearly 40 years, Gary Lucas has blazed his own trail in music with appearances in over 40 countries including China, India, Japan, Australia, Cuba,  Russia, Israel, Morocco, Serbia, South Korea, Brazil, Colombia, Canada, and across the EU.

He has played and collaborated with such diverse artists as Leonard Bernstein, Lou Reed, Nick Cave, Joan Osborne, John Cale, Amanda Palmer, Chris Cornell, Nona Hendryx, Bryan Ferry, John Zorn, Kate and Anna McGarrigle, Roswell Rudd, Peter Hammill, Najma Akhtar, Los Van Van, Emir Kusturica, Haydee Milanes and many others.
Gary recently brought his one-man show to 12 cities in the UK including London, Liverpool, Glasgow, and Newcastle, and received excellent reviews:
http://garylucas.com/www/fbbb/fbbb.shtml

His guests for this special NYC evening include vocalist and erhu virtuoso Feifei Yang and saxophonist Jason Candler performing  “Grace” co-written with Jeff Buckley in Mandarin:

https://vimeo.com/258619596

plus singer/songwriter Jann Klose, Joziah Longo from the Slambovian Circus of Dreams, and classical soprano Lila Palmer.

New interview with Gary Lucas in TOTAL GUITAR :

https://bit.ly/2POGG7h

www.garylucas.com

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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269 State Route 94 South

WarwickNy 10990

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September 26, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Out Today:
One O’Clock Lab Band
« Lab 2018 | The Rhythm of the Road « 

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The Grammy-nominated One O’Clock Lab Band is the premier ensemble of the world-acclaimed UNT Jazz program. This edition of the group keeps the tradition alive and burning, with compelling originals and arrangements performed by an exceptional ensemble with superb soloists. 

RELEASE DATE: SEPTEMBER 26, 2018

ONE O’CLOCK LAB BAND “LAB 2018
| THE RHYTHM OF THE ROAD”

Artist: ONE O’CLOCK LAB BAND

Title: LAB 2018 | THE RHYTHM OF THE ROAD

Label: NORTH TEXAS JAZZ LA1801-AB

Release Date: SEPTEMBER 26, 2018

Distributor: CD BABY PRO DIGITAL DISTRIBUTION

Artist Website: www.jazz.unt.eduwww.theoneoclock.com

UPC Code: 648040180124

Track listing w/ track time 

1. HEY, IT’S ME YOU’RE TALKIN’ TO 5:53

2. THE RHYTHM OF THE ROAD 8:07

3. TRAIN 9:23

4. BLUES FOR KAZU 7:43

5. A FLOWER IS A LOVESOME THING 5:49

6. “BIRDS OF A FEATHER…” 7:20

7. WITHOUT A DOUBT 7:39

8. BACHIANAS BRASILEIRAS NO. 5 5:46

9. AFTER THE RAIN 7:52

Musicians Names + Instruments: 

University of North Texas ONE O’CLOCK LAB BAND

Directer: Alan Baylock

Saxophones: Kyle Bellaire (lead) – alto sax, soprano sax, clarinet, flute Woodbine, MD, Sam Cousineau – alto sax, clarinet Ottawa, Ontario, Canada Brandon Moore – tenor sax, clarinet, Dexter, MO, Will Nathman – tenor sax, clarinet Watauga, TX , Brendon Wilkins – baritone sax, bass clarinet, flute Saratoga, NY

Trumpets: Nick Owsik (lead) Doylestown, PA Adam Horne Southlake, TX Huang-Hsiang Chang Taipei, Taiwan Kazunori Tanaka Tokyo, Japan Gregory Newman Arlington, VA

Trombones: Brian Woodbury (lead) Salt Lake City,
UT DJ Rice Rowlett, TX

Brett Lamel Plainview, NY Tommy Barttels (bass) Springfield, MO Kenny Davis (bass) Waunakee, WI

Rhythm: Marion Powers – voice Scituate, MA Daniel Pinilla – guitar Bogotá, Colombia Paul Lees – piano, keyboard St. Peters, MO Raul Reyes – bass Camagüey, Cuba John Sturino – drumset, percussion Kenosha, WI

Manager: Craig MarshallAdministrative Assistant: Christopher Walker The One O’Clock Lab Band is underwritten by Spec’s Charitable Foundation.

The UNT program began in the late 40s, when big bands dominated the musical landscape, and has long included a different rehearsal group for nearly every hour of the day. It is in this musically supercharged environment that talented young musicians have experienced preparing new work, collaborations with guest artists and frequent performances. Daily music nurturing at such a high professional standard has produced memorable bands over the years and this edition of the One O’Clock Lab Band is undoubtedly one of the school’s finest. Leader Alan Baylock, known for his own groups and arrangements, is co-producer and director here and he has assembled a particularly well-conceived set bristling with depth and conviction. The foundation of a great big band is the drummer and the lead trumpeter. John Sturino, whose arranging chops are also on display here, demonstrates a high level of expertise in the art of swing, as well as the sensitivity he brings to ballads. Lead trumpeter Nick Owsik knows phrasing and style, and possesses the necessary power to generate excitement when needed.

 

The opener, Mr. Sturino’s arrangement of Victor Lewis’ “Hey, It’s Me You’re Talkin’ To,” is a rousing invitation to join the party, showcasing each section of the band individually, as well as the group itself.

The excitement continues on the title track “The Rhythm of the Road,” multi-instrumentalist Brandon Moore’s composition and arrangement, featuring a relentlessly swinging shuffle groove and challenging chord changes expertly navigated by soloists Brian Woodbury on trombone, lead alto Kyle Bellaire, and drummer Sturino. Moore also arranged Chris Potter’s pensive “Train,” which features him on tenor, Daniel Pinilla on guitar, and vocalist Marion Powers, who is elegantly woven into the ensemble tapestry.
“Blues for Kazu,” composed and arranged by Brandon Moore, was written for trumpeter Kazunori Tanaka, a native of Tokyo. Mr. Tanaka is an old musical soul whose heart lies deeply in the blues, his plunger work recalling Cootie Williams. Jazz is played all over the planet these days and this edition of the group includes musicians from the US, Canada, Colombia, Cuba, Japan and Taiwan, proving once again that our homegrown art form has a message that resonates globally.

The band also includes vocalist Marion Powers, whose silky take on “A Flower is a Lovesome Thing” is a tasteful contrast to the group’s more hard-driving, brilliantly crafted arrangements.
Professor Rich DeRosa, who comes from a family of jazz educators, contributed his composition “Birds of a Feather…,” and in addition to his teaching chops, Mr. DeRosa’s flair for robust composing and his world-class arranging acumen have few peers. Pianist Paul Lees really shines here, pulling the rhythm out of the big band, taking us to new musical ground.
Alan Baylock’s demanding “Without a Doubt” is a marvel, with a “take no prisoners” absolutely cooking alto solo from Sam Cousineau. “Bachianas Brasileiras No. 5,” a Heitor Villa-Lobos composition arranged by lead trombonist Brian Woodbury, is a fascinating blend of musical styles which showcases trombonist DJ Rice.
The set closes with Brandon Moore’s arrangement of John Coltrane’s moody “After the Rain.” In a 10/8 time signature, it’s an introspective way to close the recording that broadens the set’s expressive range.

Featuring noteworthy, perfectly executed arrangements and soloists who play far beyond their years, Lab 2018 | The Rhythm of the Road demands repeated listening. Although skeptics have long believed big band jazz is no longer relevant, this recording offers proof that the big bands are alive, well and flourishing.
Distributor: CD Baby Pro Digital Distribution

AVAILABLE FROMAmazon • iTunesCD Baby, Spotify, Pandora, etc. (all 35 digital distribution partners of CD Baby Pro distribution)

 

NATIONAL PRESS CAMPAIGN: 
JIM EIGO, JAZZ PROMO SERVICES
272 State Route 94 South #1, Warwick, NY 10990-3363

Ph: 845-986-1677

jim@jazzpromoservices.com • www.jazzpromoservices.com

“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

NATIONAL RADIO CAMPAIGN:
BEN SCHOLZ SCHOLZ PRODUCTIONS

info@benjaminscholz.com
940.206.8045 

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
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E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

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September 26, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

MARIA MULDAUR RELEASES 41st ALBUM:
“DON’T YOU FEEL MY LEG: THE NAUGHTY BAWDY BLUES OF BLUE LU BARKER” AND LAUNCHES NEW ALBUM TOURSEPTEMBER 28th

Produced by Maria Muldaur and Jacques de Latour, the album features some of NOLA’s finest “first-call” musicians.


Listen Here: Private Soundcloud Link to Album

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NEW ORLEANS— Multiple Grammy nominee Maria Muldaur will release her 41stalbum, and her first studio album in 6 years on September 28th. “DON’T YOU FEEL MY LEG—The Naughty Bawdy Blues of Blue Lu Barker” is her first for the London-based Last Music Company.

Recorded this past June, the album is a tribute to popular vocalist and songwriter Blue Lu Barker, who made her mark in the late 30s and early 40s, and whom Billie Holiday once cited as her biggest influence. Featuring a stellar band of NOLA musicians including New Orleans A-listers David Torkanowsky on piano (Neville Brothers, Irma Thomas, Solomon Burke), Roland Guerin on bass (Allen Toussaint, Steve Earle, Chris Thomas King), and Herlin Riley on drums (Dr. John, Wynton Marsalis, Cassandra Wilson), among others, DON’T YOU FEEL MY LEG brings Muldaur full circle from the 1973 album sessions that spawned Muldaur’s million-selling hit, “Midnight At The Oasis,” and which also featured a sassy take of Barker’s “Don’t You Feel My Leg,” a cult favorite that remains Muldaur’s most requested song to this day at her performances.

“Because of my friendship with Blue Lu and Danny, and my longtime association with that song, I was invited to New Orleans in 2016 to put on a concert paying tribute to Blue Lu in New Orleans. I started doing some in-depth research of all their past recordings, and to my surprise and delight I discovered that they had written and recorded dozens of songs equally naughty, bawdy, witty, and clever as ‘Don’t You Feel My Leg’. Besides the wonderfully funny, suggestive lyrics, I was really struck and quite charmed by Blue Lu’s delivery of these tunes… droll, sly, full of sass and attitude, yet understated…a bit girlish and coy. Her cool nonchalance and crisp ladylike diction in contrast to the naughty, risqué lyrics made them smolder with innuendo all the more. These were songs by hipsters, for hipsters,” says Muldaur.

Muldaur adds, “as we sit here in 2018, you might well ask why a vintage gal like me feels it is important to present these vintage tunes at this point in time. Well for one thing, in an era when so many aspects of sexuality are dealt with and discussed with such deadly seriousness, I find the lighthearted playful expressions of sexuality in these songs a pleasant and welcome respite from the fraught discourse prevailing today…and for another…these are all basically hip, fun happy songs, and I think we could all use a big dose of HAPPY right about now.”

DON’T YOU FEEL MY LEG: THE NAUGHTY BAWDY BLUES OF BLUE LU BARKER is due out September 28th.   Muldaur will tour in conjunction with the release.

CLICK HERE TO WATCH THE 9-MINUTE MINI-DOC
ON THE MAKING OF THE ALBUM

Tracklisting:

1. GEORGIA GRIND 4.52 / 2. LEAVE MY MAN ALONE 3.43 / 3. LOAN ME YOUR HUSBAND 4.12
4. SCAT SKUNK 3.49 / 5. NOW YOU’RE DOWN IN THE ALLEY 3.39
6. HERE’S A LITTLE GIRL FROM JACKSONVILLE 4.24 / 7. NIX ON THOSE LUSH HEADS 3.42
8. BOW LEGGED DADDY 2.55 / 9. TROMBONE MAN BLUES 3.28 / 10. A LITTLE BIRD TOLD ME 2.20
11. HANDY ANDY 4.27 / 12. DON’T YOU FEEL MY LEG 3.59

US Tour Dates at Press Time:

09.28.2018 The Temporary, Basalt, CO
09.30.2018 Daniels Hall, Denver, CO
10.05.2018 Tybee Post Theater, Tybee Island, GA
10.06.2018 Red Light Cafe, Atlanta, GA
10.07.2018 Ambrose West, Asheville, NC
10.10.2018 Blue Note Grill, Durham, NC
10.11.2018 Historic Jessups Church, Sparks, MD
10.12.2018 Courthouse Center for the Arts, West Kingston, RI
10.13.2018 Firehouse Center for the Arts, Newburyport, MA
10.14.2018 Colony, Woodstock, NY
10.16.2018 City Winery, Washington, DC
10.20.2018 Freshwater Art Gallery, Boyne City, MI
10.21.20118 Tip Top Deluxe Bar & Grill, Grand Rapids, MI
10.24.2018 Jazz Kitchen, Indianapolis, IN

10.27.2018 Shank Hall, Milwaukee, WI
10.28.2018 Big River Theater, Alma, WI
10.30.2018 View Carre, St. Paul, MN
11.14.2018 Tales from the Tavern, Santa Ynez, CA
11.15.2018 Grand Annex, San Pedro, CA
02.02.2019 Sun City Shadow Hills, Indio, CA
15.02.2019 George Nakano Theatre, Torrence, CA
16.02.2019 George Nakano Theatre, Torrence, CA

###

For Further Information contact:

UK & EIRE: 

Iain Murray, Press Officer, Proper Music Distribution Ltd
Email: 
iain.murray@propermusicgroup.com
Tel: 0208 970 7378

OUTSIDE THE UK & EIRE:

Lisa Best, The Last Music Company, Ltd.
Email: 
lisa@lastmusic.co.uk
Tel: +1 8504491833

Artist websitehttp://www.mariamuldaur.com

Label websitehttp://www.lastmusic.co.uk

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

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269 State Route 94 South

WarwickNy 10990

Add us to your address book

 

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September 23, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

For Your Consideration:
Carlos Franzetti and Allison Brewster Franzetti
« Buenos Aires Noir »Nominee for Best Classical Album
Latin Grammy Awards
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Buenos Aires Noir, Nominee for Best Classical Album, Latin Grammy Awards
Carlos Franzetti and Allison Brewster Franzetti
Released by Amapola Records

Available on Spotify, ITunes, Amazon.com
Based on Dante’s Inferno, this tells the story of the poet Dante in the slums of Buenos Aires, searching for his love, Beatriz.

Link to music:  https://buenosairesnoircarlosfranzetti.hearnow.com/
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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September 21, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Latin Grammys 2018
Nomination for
Pedro Giraudo
VIGOR TANGUERO
Best Tango Album 
 Mejor Álbum de TangoMelhor Álbum de Tango
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Pedro Giraudo
Vigor Tanguero
(ZOHO ZM201803)
Street Date: April 6, 2018
Pedro Giraudo-bass, Nick Danielson-violin,
Rodolfo Zanetti-bandoneón, Emilio Teubal-piano

Vigor Tanguero is the first tango CD for bassist, bandleader, and composer Pedro Giraudo. After releasing five remarkable albums performed by various formats of jazz ensembles, his gaze was captured by the glint of tango. Perhaps it was only matter of time, as Giraudo hails from the birthplace of tango, Argentina, and so this album is a homecoming of sorts. A man revisiting the music of his country and culture, contributing not something homespun but tantalizing and suggestive.“I enjoyed every second of the process,” said Giraudo, who seems capable of scaling any musical summit. He wrote these pieces for the brilliant quartet of Nick Danielson (violin), Rodolfo Zanetti (bandoneón), Emilio Teubal (piano), and himself (bass). And by so doing, he realized that his works were in fact rooted in the best of the tango tradition. Each selection can be categorized and described according to one of three tango rhythms: milongas, valses, and tangos.

Of course, there are some exceptions, but throughout you’ll hear Giraudo tinkering and experimenting with the fundamental tango rhythmic cells – pushing, pulling, even suspending the syncopated feel as he engineers a new aesthetic or archetype for this music that he loves. “I tried to express many emotions on this album: happiness, joy, passion, sadness, intimacy, vulnerability, and playfulness,” he says. No matter what this album makes you feel, it will be borne out of authenticity, as Giraudo’s genuine spirit shines through each note, beat, and breath.

The first piece Vorágine means “Whirlwind” in English, but it’s not an exact translation, as Giraudo has struggled to find a word that conveys the chaos and confusion that afflict those living in New York. “This is my anthem for the city,” he says. He constructed the piece with a straightforward ABA form, with an almost identical introduction and coda. The first section is through composed with an unstable eight-note scale that late French composer Olivier Messiaen (1908 – 1992) employed with aplomb. The subsequent section is right out of the Astor Piazzolla (1922- 1992) playbook, with obvious tonal and timbral references to the late tango grandmaster.

Entre Bambalinas translates to “Between Scenes” and is a reference to those fabric dividers on stages. The term is used colloquially to describe what happens backstage or behind closed doors. The bass elegantly presents the prelude and epilogue. Between these parts is the main ABA section that invokes a waltz meter: at times the twelve eighth notes which are placed in two measures, grouped in the unusual manner of 3-2-3-2-2. In this piece, we hear Giraudo demonstrating his prodigious compositional talent, moving the beats across the mountains of his mind.

Giraudo wrote Con Un Nudo En La Garganta or “With a knot in the throat” in 2004 for his jazz orchestra and it eventually became the middle movement of his epic and noteworthy “Desconsuelo Suite” which can be heard in its large ensemble version on his other 2018 ZOHO CD release with the WDR Big Band, “An Argentinian in New York” (ZM 201804). This piece is total tango and channels the best elements of the tradition. Hearing how brilliantly his large band performed the piece, he wanted to arrange it for his tango quartet. And you can hear for yourself – it’s an intoxicating melody with beautifully sparse and stirring chordal accompaniment.

Chicharrita or “Cicada” is an homage to Osvaldo Pugliese (1905-1995) who was a towering leader and figure in tango’s enigmatic history. As a composer, bandleader, and pianist, Pugliese had a unique style characterized by lush landscapes of sound. Yet he had a high-pitched voice which earned him the affectionate nickname of “Chicharrita.” This piece was commissioned in 2015 by Giraudo’s friend and trumpetist Hiro Noguchi, and this is ultimately Giraudo’s take on the traditional milonga that pays respect to Pugliese. It begins with a rubato introduction, which gives way to a descending and chromatic line that lingers in your hearts and stirs your soul. The comparison to the fully orchestrated version of Giraudo’s composition is again fascinating, it can also be heard on his WDR Big Band collaboration “An Argentinian in New York” mentioned above.

A Octavio Brunetti (Dedicated to Octavio Brunetti) (1975 – 2014) is a song of friendship. Both Brunetti and Giraudo were beer enthusiasts, and during one of their many tours of Japan, they came up with a ditty with the Japanese lyrics “Biru No-mou-ze,” which means “let’s have a beer!” They would play or whistle the motive (A-A-D-F#-F#) after a long day of rehearsals, as siren calls that it was time to enjoy a drink. When Giraudo embarked upon writing a piece for his dear friend Brunetti, he remembered the motive, and constructed a full tango (with the traditional ABABA form) borne of levity but bedazzled with bleaker harmonies.
Desavenencias or “Rifts” is Giraudo’s first foray into writing traditional tango waltz, as he invokes a classical minuet and trio with proficiency and skillfulness. Also commissioned by Hiro Noguchi, Giraudo adapted the piece for his tango quartet.

La Rabiosa or “The rageful woman” is just that – a piece Giraudo wrote to describe an angry lady. It’s based on a rhythm from the countryside known as the chacarera that has a particular musical and dance structure. The atonality and jarring lines convey anxiety, frenzy, and even rage, showing that music can be vehicle of every expression. Giraudo originally wrote this composition for his big band, as the 3rd movement of the Angela Suite, and it is featured on his 2015 ZOHO CD release “Cuentos” (ZM 201503).

The last three selections are meditations on extreme feelings, from total awareness, to letting go of all fears and desires. Lapidario or “Merciless” is a term that Argentinians use to describe a comment that cuts, hurts, and is harsh. Giraudo juxtaposes two themes, one which is forceful, built upon certain triads, whereas the other is more melancholy and thematic in nature. Taken together, these themes represent two sides of an argument, or rather, the syncopation at the heart of the tango.

Desapego or “Detachment” is a non-obvious penultimate piece. You almost expect a tango album to end with adventure and escapade, yet Giraudo renders his selection with a vals that draws upon folkloric influences and casts a broad emotional range, only to end with a feeling of non-closure. You are left wanting, but that’s the point, to detach from the desire of resolution, and to realize that life is an ellipsis…and we can’t always fill in the blanks.

The album ends with A Campo Abierto or “In the open field,” a searing and emotive composition that also incorporates folkloric traditions. Giraudo employs the rhythm of vidala or vidalita which treats space and silence as a central element. It’s a poignant ending to a very personal album, one on which we hear what happens when a tango master looks into the mirror and gives every bit of himself.

–Kabir Sehgal
Multi-Grammy & Latin Grammy Award Winner
New York Times bestselling author

Artist Website:http://www.pedrogiraudo.com/web/jazz/

Label Website:http://www.zohomusic.com/cds_detail.php?cds_id=186

ZOHO ® is distributed by  
Music Video Distributors
203 Windsor Road Pottstown, PA 19464
www.mvdentertainment.com

ZOHO Media contact:
Jim Eigo Jazz Promo Services T: 845-986-1677
E-Mail:jim@jazzpromoservices.com

Pedro Giraudo On ZOHO
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677 / F: 845-986-1699
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

 

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September 21, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

« An Evening with Gary Lucas: From Beefheart to Buckley and Beyond » at The Cutting Room NYC Thurs. Sept. 27th

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On Thurs. Sept. 27th, guitar virtuoso, Grammy-nominated songwriter and composer GARY LUCAS brings his multimedia one-man show

“AN EVENING WITH GARY LUCAS: FROM BEEFHEART TO BUCKLEY AND BEYOND”   into The Cutting Room NYC at 9:30pm.  The Cutting Room is located at 44 East 32nd St.

For tickets and more info:  https://bit.ly/2OxjBFg

This retrospective evening spans Gary Lucas’ nearly 40 years in the music business, and is filled with stories, rare performance clips, and music.

The show focuses on Gary’s time collaborating with visionary genius Captain Beefheart (Don Van Vliet) and rock icon Jeff Buckley—
and includes selections from Lucas’ 30-plus album catalog, including Chinese pop, film soundtracks, country blues, jazz and classical solo arrangements, and original songs and instrumentals.

For nearly 40 years, Gary Lucas has blazed his own trail in music with appearances in over 40 countries including China, India, Japan, Australia, Cuba,  Russia, Israel, Morocco, Serbia, South Korea, Brazil, Colombia, Canada, and across the EU.

He has played and collaborated with such diverse artists as Leonard Bernstein, Lou Reed, Nick Cave, Joan Osborne, John Cale, Amanda Palmer, Chris Cornell, Nona Hendryx, Bryan Ferry, John Zorn, Kate and Anna McGarrigle, Roswell Rudd, Peter Hammill, Najma Akhtar, Los Van Van, Emir Kusturica, Haydee Milanes and many others.
Gary recently brought his one-man show to 12 cities in the UK including London, Liverpool, Glasgow, and Newcastle, and received excellent reviews:
http://garylucas.com/www/fbbb/fbbb.shtml

His guests for this special NYC evening include vocalist and erhu virtuoso Feifei Yang and saxophonist Jason Candler performing  “Grace” co-written with Jeff Buckley in Mandarin:

https://vimeo.com/258619596

plus singer/songwriter Jann Klose, Joziah Longo from the Slambovian Circus of Dreams, and classical soprano Lila Palmer.

New interview with Gary Lucas in TOTAL GUITAR :

https://bit.ly/2POGG7h

www.garylucas.com

Jazz Promo Services via mail99.atl161.mcsv.net 

22:01 (Il y a 2 minutes)

À moi

 

 

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September 20, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Pascal Bokar Afro Blue Grazz Band
Looking for Festival Dates, Concerts,
Lectures and Special Events
Pascal Bokar Afro Blue Grazz Band Promotional Video
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This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

 

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Sponsored Message
Jazz Congress

1st Round of Speakers and Panels Announced

George Wein | Toshiko Akiyoshi | Sherrie Maricle | Wynton Marsalis | Christian McBride | Maria Schneider

Additional Speakers from: Capacity Interactive | Clive Davis School of Recorded Music at NYU | DL Media | Duke Presents | Jazz at Lincoln Center | Jazz Night in America | JazzWeek | Monterey Jazz Festival | Newport Jazz Festival | Northwest Arkansas Jazz Society | OKeh/Sony Music | NPR | Tri-C Jazz Fest Cleveland | WBGO

Panel topics to include:

  • Institutions in Transition: Newport Jazz Festival
  • Strategic Partnership in Practice: Jazz Night in America
  • Jazz, Swing, Race, and Culture
  • Jazz Between the Coasts
  • Women Big Band Leaders Roundtable: Presented by The National Endowment for the Arts
  • Jazz in Troubled Times
  • What’s that Sound? An Audio Recording Masterclass
  • Making Engaging Videos
  • Your Five Digital Priorities: A Marketing Masterclass
  • Jazz Education Online
  • Jazz Industry 101

Visit JazzCongress.org for more details.

Early Bird Rate extended through September 20th!

Don’t miss your chance to secure a discounted registration.


We are also pleased to announce the formation of an Advisory Board which serves to give input and guidance to the Jazz Congress programming team.

Jazz Congress Advisory Board:
Gene Dobbs Bradford, Jazz St. Louis
Terri Lyne Carrington, musician, educator, and 2018 Lundvall Award Winner
Tim Jackson, Monterey Jazz Festival
Karen Kennedy, 24 Seven Artist Development
Don Lucoff, DL Media
Katie Simon, Jazz Night in America/WBGO
Denny Stilwell, Mack Avenue Records
Rodney Whitaker, musician & educator

Co-presented by JazzTimes and Jazz at Lincoln Center, Jazz Congress is the gathering for the jazz community and industry.


The Details

The second annual Jazz Congress will take place on January 7 & 8, 2019 at Frederick P. Rose Hall, home of Jazz at Lincoln Center, located at Broadway at 60th Street, New York, New York. Want to let others know you’re coming? RSVP to our Facebook event and like our Facebook page to stay up-to-date as we announce special guests and panels!

Registration Rates and Dates:

Early Bird Registration :
August 1 – September 20, 2018
$125 (Two Day Pass)

Priority Registration:
September 21 – October 31, 2018
Two Day Pass: $175
Single Day Pass: $125

Regular Registration:
November 1 – December 31, 2018
Two Day Pass: $200
Single Day Pass: $150

Week-of Registration:
January 1 – 8, 2019Two Day Pass: $250
Single Day Pass: $200

Student Tickets:

Students receive a 50% discount on registration. Email us with a copy of your valid student ID and provide your expected graduation date to receive access to this discount.

Partner Discounts:

A full list of partners is available on our website. Partners offer their constituents a 15% off discount code.

Hotel Info:

Discount rates available at Hudson Hotel
Special accommodation rates for 2019 Jazz Congress attendees, starting at $100, are available at the Hudson Hotel New York, located a two-minute walk from the conference venue, at 358 W. 58th Street, between 8th and 9th Avenues. The special rates are applicable for January 3 –  10, 2019 and must be booked by December 15, 2018.

Reservations can be made by calling (702) 577-2830 or toll-free (800) 606-6090. Attendees should request Hudson Hotel New York reservations for the group name “Jazz Congress.” The group code is JA0319. Click here to make a reservation online.

About Jazz Congress:

Jazz Congress brings together members of the global jazz community to network, as well as grow the audience for the music. The annual gathering also seeks to nurture businesses and organizations that promote, produce, present, market, and support jazz.

The inaugural Jazz Congress, co-produced by Jazz at Lincoln Center and JazzTimes, was held in 2018 and drew more than 800 attendees from around the world. More than 150 performers, panelists, and speakers participated in performances, workshops, and 30 panel discussions on topics including Jazz and Race, Gender and Jazz, Learning from Large Jazz Organizations, Why Performance Matters: Stagecraft Masterclass, Jazz in Film and TV Soundtracks, and more. The 2018 keynote address was delivered by NBA All-Star Kareem Abdul-Jabbar, and The Bruce Lundvall Award was presented to Terri Lyne Carrington.

Jazz Congress is sponsored by Adam R. Rose.


Jazz Congress

Jazz at Lincoln Center
10 Columbus Circle
New York, NY 10023

Customer Service:
Mon-Fri: 11am–5pm
Phone: 212-258-9877

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September 20, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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PierFest: Eclectic Music Series to heat things up in Jersey City

Friday nights: September 21 through October 12, 6:00 – 9:00 p.m.
at J. Owen Grundy Pier, Jersey City

Kick off your fall weekends on the Jersey City waterfront with some fiery Latin music! Riverview Jazz and Exchange Place Alliance have partnered to bring this exciting free series to the J. Owen Grundy Pier at Exchange Place. The four-part Friday evening series will feature world-class music, food trucks, and cold beer provided by Lutze Biergarten. Each PierFest event begins at 6pm and will present two bands.

“PierFest is an opportunity to feature some really incredible music that will get people up and dancing,” says Riverview Jazz Executive Director Bryan Beninghove. “We have an unparalleled skyline view, great partners, and an eclectic mix of legendary bands and fantastic local artists. It’s family friendly and I really can’t think of a better way to spend your Friday night.”

PierFest begins Friday September 21 with the legendary Tito Puente sideman John “Dandy” Rodriguez’s Dream Team and the dynamic flautist Andrea Brachfeld/Bill O’Connell Latin Jazz Project. September 28 hosts Grammy-nominee Doug Beavers Art of the Arrangement and Cuban drumming titan Enildo Rasua “The Third Hand”. In a special Jersey City Artist Studio Tour edition, October 5 will feature Cuban vocalist Chino Pons and Jersey City native Alex Tea with his Brazilian and reggae-inspired band. The final concert October 12 stars two Brooklyn-based horn heavy ensembles, Balkan brass band Slavic Soul Party and the African-influenced Molly Tigre.  (For list, see below).

Admission is free and the events are rain or shine. In case of rain, the event will take place at the Harborside Atrium (210 Hudson St.) courtesy of Mack-Cali. Public transportation is available via the PATH, Hudson-Bergen Light Rail, NY Waterway ferries, and NJ Transit bus. For more information go to www.RiverviewJazz.Org and www.ExchangePlaceAlliance.com.

PierFest is sponsored by Exchange Place Alliance, a not-for-profit Special Improvement District. PierFest is also made possible in part by Mayor Steven M. Fulop, the Jersey City Municipal Council, and the Office of Cultural Affairs. RiverviewJazz.Org is a 501(c)(3) not-for-profit organization.

September 21:

  • John “Dandy” Rodriguez Dream Team 7:30 p.m.

  • Andrea Brachfeld/Bill O’Connell Latin Jazz Project 6 p.m.

September 28:

  • Doug Beavers Art of the Arrangement 7:30 p.m.

  • Enildo Rasua “The Third Hand” 6 p.m.

October 5:

  • Chino Pons 7:30 p.m.

  • Alex Tea  6 p.m.

October 12:

  • Slavic Soul Party 7:30 p.m.

  • Molly Tigre 6 p.m.

Contact:

Bryan Beninghove

Executive Director, Riverview Jazz

(201) 920-7209

riverviewjazz.org@gmail.com

Photos available upon request

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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September 18, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

FOR YOUR CONSIDERATION

BEST ALTERNATIVE MUSIC ALBUM
Vinyl Hampdin RED
BEST ROCK PERFORMANCE
Vinyl Hampdin « Pay For It »
Music by Steve Wiest
Lyrics by Steve Wiest and Lisa Dodd
SONG OF THE YEAR
Vinyl Hampdin « Billions »
Music by Steve Wiest
Lyrics by Steve Wiest and Lisa Dodd
BEST IMPROVISED JAZZ SOLO
Ray Herrmann, « Pay For It »
Vinyl Hampdin RED
BEST ARRANGEMENT WITH VOCALS
Vinyl Hampdin « Use Me »
Composed by Bill Withers
Arranged by Steve Wiest
BEST ENGINEERED ALBUM (NON-CLASSICAL)
Vinyl Hampdin RED
Phil Bulla, Engineer (recording, mixing, mastering)

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Rocked Out Seriously Funky Jaw Dropping Ear Candy! is the subtitle/explanation tothe name of the spectacular group Vinyl Hampdinwhose debut album Red(Armored Records) provides undeniable testimony to every word of that heavily promising description. Founded by the remarkable trombonist/composer-arranger Steve Wiest, the band is a powerhouse of highly acclaimed award-winning musicians whose wide range of credentials covers a full swath from Maynard Ferguson and Carmen McRae to DJ Logic and the current aggregation of the legendary super-group Chicago.

That last credit is quite appropriate as Steve’s concept behind this group is “What would Chicago, Blood Sweat &Tears and Tower of Power sound like if they started out today?” This remarkable recording provides an excellent answer, especially if you roll the lean and mean funkiness of Fred Wesley’s and Maceo Parker’s JBs into the mix. Steve also applies the unfailing Charles Mingus recipe of… if you want a band that sounds big; bring in musicians with big sounds. And every member of Vinyl Hampdin– from horns to rhythm to the explosive vocal dynamo Lisa Dodd – owns a very big voice, making this 4-horn, 4-rhythm ensemble thunder like a big band.

Joining Steve and Lisa in the group are Art Bouton on baritone sax and flute; Ray Herrmann on tenor sax and flute; trumpeter Frank David Greene; guitarist Ryan Davidson; Eric Gunnison on keyboards; and Gerald Stockton and Stockton Helbing on bass and drums respectively.  The musicianship is virtuosic, with Lisa’s sensational vocals as the nucleus – and always fully in place as part of the ensemble sound. Both the horn tandem and rhythm section play with a synergy of purpose that locks them together not only as individual components of the music, but also in symbiotic fashion to create a unified sound that can deliver the bounty with seismic intensity or subtle gentility, even with just a quarter-rest for the transition. The solos – exceptional, but short and no-nonsense – abstain from virtuosity for its own sake, but are there as part of the overall context to enhance the unified sound.

The outstanding repertoire of 11 songs – all flawlessly arranged by Steve – is comprised of six covers and five Wiest originals (two with lyrics by Dodd). The covers remain faithful enough to the source material of these highly popular songs, but the stunningly original arrangements certainly qualify them as re-imaginations. One possible exception to this is the opening track’s adherence to Stevie Wonder’s brilliant horn and synthesizer lines on Superstition,as even a writer as enormously talented as Wiest knows there’s no purpose in messing with perfection. But his superb arrangement using the baritone sax as the main engine of the horns, along with infectious syncopation, exciting call-and-response and Gunnison’s terrific piano solo make it totally fresh.

Bookending this as the closing track is a more liberal interpretation, with rolling horns providing extra jetpower for the rhythm section-driven exploration of Bill Withers’ classic Use Me; filled with sparkling syncopation, tantalizing suspensions, a rip-roaring wah-wah guitar solo and a smoking Afro-Cuban flavored climax. Back into the big-sound root source is Rare Earth’s I Just Want to Celebrate, with its multi-layered horns, vibrant vocal and Steve delivering a pair of energetically hollerin’ trombone solos.

Transforming the source material into larger sound is at the core of the remaining three covers. Bonnie Raitt’s The Road’s My Middle Nameretains its country blues roots with Lisa’s blues-drenched, soulful vocal but with punchy horns replacing the harmonica obbligato of the original and a delightful two-step danced by vocal and guitar. The Statler Brothers’ Flowers on the Wall, with dueling and suspended horn lines and a starkly syncopated rhythm section with a growling bottom pushing the vocal produce a palpable sense of the ominous throughout. Linda and Paul McCartney’s captivating Wings ballad My Lovereceives a straightforward, lovely take with the rich horn arrangement providing a lustrous canvas for Lisa’s winsome vocal.

Wiest’s five originals are all perfectly complementary to the hit tunes contained on this delightful album, with Lisa offering the compelling lyrics for two of them. Pay for Itfollows its N’Orleans funeral march-like opening with an unfettered kick-ass soul-fest. Deliciously suspended horns with wailing trombone and trumpet usher in a gutty Herrmann tenor solo and riveting call-and-response between horns and vocal, spiraling into a closing tornado. Billionswith powerful, sobering lyrics is a dramatic, narrative-driven piece with staccato horns that swells to a vivid climax, downshifts into a slow boil of horns and syncopated rhythm, then soars to a second staggering climax – truly a song for our challenging times.

Steve also wrote the intriguing lyrics for the remaining three songs, which further demonstrate Wiest’s impressive range as a composer. Gottaluvitis a hard-rocking kicker built on the sound of the title, stoked by Afro-beat style, chicken-scratch guitar. With horn/voice unison chant on the title refrain, it also features a round-robin of blazing horn solos. On Diamonds,richly lustrous horns drape, cushion and prod Lisa’s passionate vocal, setting the scene for sprawling guitar interwoven with swirling horns and closing on a group vocal chant. Essentially a four-movement suite, One Song’s opening fanfare morphs into a gentle vamp that evokes the intro to Stairway to Heaven and flows into an anthem-ish ballad buoyed by sumptuous horns and dramatic drums. Then a sinuous build to a crescendo with wailing guitar, ultimately closing out amid densely textured horns.

Blending its heavy focus upon hard-blowing, high-gear, take-no-prisoners explosiveness with subtle and entrancing imagination, Vinyl Hampdin’s Redis a marvelous debut and a portent of great things to come.

For more information, visit  https://www.vinylhampdin.com/

For Promo Service Digital Download or Hard Copy
Contact
Jim Eigo
Jazz Promo Services
E Mail: jim@jazzpromoservices.com
www.jazzpromoservices.com
« Specializing in Media Campaigns for the music community, artists, labels, venues and events.”
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

 

 

World Class Pros Endorse

YOU’RE IN THE BAND

Cynthia Sayer’s Jazz Play-Along Program

For All Jazz Instruments
Student, Hobbyist & Professional Players
Jam With Top Pros In The Genre
BOOK includes MUSIC + INSTRUCTION
  • Tunes popularly played in traditional jazz/hot jazz bands
  • Choice of 2 CDs or Downloads
  • Each tune in 2 speeds: « Gig Tempo » & « Practice Tempo »
  • Playing tips & traditions you should know
  • Lingo & Definitions
  • Lead sheets with lyrics in concert key, Bb, Eb, and bass clef
  • Chord Charts
  • Tune Layouts
  • Also available – downloads only:
    All YITB Tracks Minus Trumpet & All YITB Tracks Minus Banjo ($9.99 per set)
PLAY-ALONG TUNES
1.  Avalon
2.  Blues My Naughty Sweetie Gives To Me
3.  China Boy
4.  Darktown Strutter’s Ball
5.  Down By The Riverside
6.  Just  A Closer Walk With Thee
7.  My Gal Sal
8.  Some Of These Days
9.  Take Me Out To The Ball Game
10. The World Is Waiting For The Sunrise
11. Way Down Yonder In New Orleans
12. When The Saints Go Marching In
13. Whispering
MUSICIANS
Cynthia Sayer – banjo, arrangements
Bria Skonberg – trumpet
Mike Weatherly – string bass
Kevin Dorn – drums
ENDORSEMENTS« A wonderful and helpful work that will instruct young players who are learning about playing traditional jazz.  Also a great refresher for musicians already established and playing this style of music. »
–VINCE GIORDANO
Grammy-winner, Bandleader, Multi-instrumentalist
Vince Giordano and The Nighthawks« You’re IN The Band offers the opportunity to develop, hone and master one’s skills for playing jazz by using the best teaching techniques known to date, actually playing IN the band.  I highly recommend this method. »
–WYCLIFFE GORDON
Multi-Award-Winning Trombonist« This is the only program I’ve seen that really delivers.  It offers many great ways for players to truly grow their skills, and also enjoy the fun process of learning to swing in a band!  Get it now — you’ll thank me later! »
–MATT GLASER
Artistic Director, American Roots Music Program
Berklee College Of Music« This is the perfect way to get into playing jazz in a group.  For players wanting the basics, it’s absolutely accurate and gives you an idea of what’s to come and what’s required to be a part of a group.  For advanced players, it offers jamming with established pros, an ideal way to practice and learn.  This is for all instrumentalists who want to be a part of our music, from traditional on up. » 
–DICK HYMAN
Pianist, Composer, Arranger
NEA Jazz Master« You’re IN The Band is the next best thing to actual on-the-job training.  It’s an extremely practical and efficient way to learn how to play in a traditional jazz context. » 
–KEN PEPLOWSKI
Jazz Clarinetist & Saxophonist

REVIEWS

« This is the absolute next best thing to stalking world-class jazz musicians and pestering them until they allow you to sit in. »
–THE SYNCOPATED TIMES

« A hell of a lot of fun … The play-along section is Habanera Hot … Very well worth the nominal investment. »
–ALL ABOUT JAZZ

« The perfect vehicle for any aspiring traditional jazz musician … An absolute bargain. » 
–JUST JAZZ MAGAZINE (England)

« I applaud the care with which you crafted everything! I love the simplicity of the lead sheets, leaving room for more advanced players to expand the harmonic options, and the accompaniment tracks are exactly what they should be. What a wonderful piece of work, and I would recommend it to anyone who wants to work on trad jazz, soloing, accompanying, or playing in the ensemble. Bravo!! »
–BILL DENDLE
Director, Sacramento Traditional Jazz Camp

« You’re IN The Band really delivers the goods in every way »
–ALL FRETS MAGAZINE

TESTIMONIALS

« Brava, bravissimo!  YITB is far and away the best play-along system I’ve encountered, and I love everything about it:  the concept, the tunes, the arrangements, the musicians, the commentary and tips, and the stunning Deco design. »
–Doug C., Maryland

« My new best friend arrived by postage this week! The book and CD’s so meticulously and magnificently produced by you is a gold medal winner!  I’m thrilled to be jamming with the best in the solace of my own living room.  Life doesn’t get better than this … guaranteed fun!!! »
–Ginger C., Connecticut

« I wanted you to know how pleased I am with it.  You obviously put a lot of thought into it and I am finding it not only very useful and instructive, but a whole mess of fun.  My band couldn’t believe you even thought of including charts in Bb and Eb. »
–Don W., Alabama

« I really liked the variety of songs and the ability to play solo with them.  I had never played with a banjo before. »
–Joseph C., 13 years old, Chatsworth, CA

« The book is brilliant.  Far and away the best of anything else I’ve seen along these lines…. Thank You.  I especially like all the information in the first 30 or so pages and then sprinkled throughout the tunes. »
–R.L., Vermont

« I am really enjoying YITB.  I am learning new tunes to go along with my other lessons.  I like the modern twist.  This program is fun and different from other choices out there. »
–Sabrina R., 16 years old, Los Angeles, CA

« Wow, what a job you’ve done on the play-along.  Applause is not adequate.  You deserve a standing ovation. »
–Sheila W., Illinois

« YITB, even though it’s recorded tracks and not live jams, is REAL performance ear training, along with a huge amount of stuff they truly did not teach us in music school. Now you know why I’m so excited about it. Thank you! »
–David L., New York, NY

« I really love the information in the beginning of the book, and as a moderately inexperienced player, it was nice to be able to hear and see the music.  The idea is great, and it helps me keep time, practice soloing, and strum consistently. »
–Lucy M., 17 years old, Sacramento, CA

« I believe there are certain things about playing live music that you can only learn by actually playing with other musicians who know their stuff.  That’s why I decided to create « You’re IN The Band, » and include popular hot jazz repertoire tunes you should know as well as musical and practical tips that you’ll surely use whenever you play with others.  Whether you are still learning your instrument or have been playing professionally for years, this play-along offers the fun and challenge of playing with a real hot jazz band anytime and wherever you like. »
–Cynthia Sayer
ABOUT CYNTHIA SAYER
Praised for her « drive and virtuosity » by The New York Times, Cynthia Sayer is a multi-award winning instrumentalist, vocalist, & bandleader.  She rose to prominence as a founding member of Woody Allen’s New Orleans Jazz Band, all the while exploring her wider musical interests and playing with other legendary jazz, popular and roots music artists.  Cynthia appears regularly in concert and at festivals internationally with her bands and as a guest artist.  Along with her own albums, she can be heard on banjo, vocals, piano, tenor guitar, ukulele, and percussion on various recordings, soundtracks, and commercials.  Cynthia is also an avid educator who gives workshops, master classes, school and university programs, and teaches privately.  She lives in New York City.For more info, visitwww.cynthiasayer.com.
CLICK HERE for Cynthia Sayer recordings! 
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September 7, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

« AN EVENING WITH GARY LUCAS: FROM BEEFHEART TO BUCKLEY AND BEYOND » @ THE CUTTING ROOM NYC
THURS. SEPT. 27th 9:30PMGary Lucas live in London                         photo by Michael Alkk
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On Thurs. Sept. 27th, guitar virtuoso, Grammy-nominated songwriter and composer GARY LUCAS brings his multimedia one-man show

“AN EVENING WITH GARY LUCAS: FROM BEEFHEART TO BUCKLEY AND BEYOND”

into The Cutting Room NYC at 9:30pm.

The Cutting Room is located at 44 East 32nd St.

For tickets and more info:  https://bit.ly/2OxjBFg

This special retrospective evening spans Gary Lucas’ nearly 40 years in the music business, and is filled with stories, rare performance clips, and lots of music,
focusing on his time collaborating with visionary maverick genius Captain Beefheart (Don Van Vliet), and 90’s rock icon Jeff Buckley—
plus selections from Gary’s 30-plus album catalog, including 30’s Chinese pop, film soundtracks, country blues, classical arrangements, and original songs and instrumentals.

For nearly 40 years, Gary Lucas has blazed his own trail in music with appearances in over 40 countries including China, India, Japan, Australia, Cuba, Russia, Israel,  Morocco, South Korea, Brazil, and Colombia,  and high profile collaborations with Leonard Bernstein, Lou Reed, Nick Cave, Joan Osborne, John Cale, Amanda Palmer,  Chris Cornell, Nona Hendryx,
and many other artists.

Gary recently brought his one-man show to 12 cities in the UK including London, Liverpool, Glasgow, and Newcastle and received spectacular reviews:
http://garylucas.com/www/fbbb/fbbb.shtml

His special guests for this special NYC evening will be vocalist Feifei Yang and saxophonist Jason Candler, performing his well-known song “Grace”, co-written with Jeff Buckley, in Mandarin:

https://vimeo.com/258619596

www.garylucas.com

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

 

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September 5, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Dave Sewelson:
Music for a Free World – New Recording
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Dave Sewelson – baritone and sopranino saxophone
Steve Swell – trombone
William Parker – bass
Marvin Bugalu Smith – drums

The Record is out on FMR Records

Available on:

https://sewelson.bandcamp.com/releases
 You can get Music for a Free World like digitally or physically at bandcamp or stream it on your favorite stream  or get a physical like a CD at www.sewelsonics.com or the Free Smooth Jazz store or truck on down to the Downtown Music Gallery and tell Bruce that Sewelson sent you

 

The opening song is the title track has a strong, spirited, almost prayer-light theme that rings true for the troubling times that surround us. Many of us can relate to the sentiment of the title, “Music for a Free World”, since we do long to be free of the fascism that is rising around the planet. Mr. Sewelson and Mr. Swell sound like righteous sparring partners, combining forces, blending their solemn, slow burning voices…The quartet together make a strong impression, a solid force, they capture some age old vibes, united in the right ways. A toast to these fabulous veterans! Bruce Lee Gallanter, Downtown Music Gallery

Photo Credit John Rogers
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

August 22, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Exciting New Live Album Release CD
From Award-Winning Jazz Vocalist
LYNETTE WASHINGTON“LIVE! AT NEWROC SUMMER SOUNDS”
Featuring Dennis Bell Jazz NY
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“LIVE! At NewRoc Summer Sounds”kicks off with the American songbook classic Summertime(from Porgy and Bess) moving seamlessly into a series of musical gems including Stolen MomentsHow Deep Is the OceanOn the OceanCristo Redentor(with lyrics by Lynette’s son Skye Washington), Nature Boy, Lynette’s signature interpretation of Nina Simone’s Images/4 Womensegueing into Thelonious Monk’s classic Straight No Chaser. The album closes with Dennis Bell’s Billboard charted hit Sidra’s Dream, a bonus instrumental originally recorded by Dave Valentin (R.I.P.) for GRP Records

Lynette is joined by Dennis Bell Jazz NY with stellar performances from Gerry Malkin (Tenor Saxophone), Dennis Bell (Piano), Paul Beaudry(Bass), and Lucianna Padmore (Drums). “LIVE! At NewRoc Summer Sounds” was produced & arranged by Dennis Bell for City Slicker Productions, engineered by Daniel Calzado for CSP Sound Solutions with assistant engineer/producer Mike Roche 0for CSP Sound Solutions and mastered by Sam Stauff for Port City Recording. The album was recorded live as part of the annual New Rochelle Council on the Arts’ Emil Paolucci Summer Sounds Concert Series in Hudson Park, New Rochelle, NY. Developed and produced by Melissa Panszi-Riebe, & Billie Tucker. Additional support was provided by Theresa Kump Leghorn, President of the New Rochelle Council on the Arts and Janet Langsam, CEO, ArtsWestchester

“LIVE! At NewRoc Summer Sounds” is available from iTunes and Apple Music.

For your organization to be serviced with full digital album or CD, email:
dennis@guavajamm.net with contact and mailing information.
Ⓟ 2018 GuavaJamm Entertainment, Inc.
www.guavajamm.net
914.397.1820

REVIEWS:
In my opinion the woman’s voice has always been the center piece of good jazz. There are not enough great jazz singers in the early 21st century and if one wants to know how it’s done they need to rush out (with all good jazz lovers) and get the great new album from Lynette Washington that floats across the air waves under the name  » Live! At NewRoc Summer Sounds. » (GuavaJamm Entertainment, Inc.).
Jim Compton-Schmidt 
America’s World Music
Jazz on KFCF 88.1 FM
Fresno, CA

For a while now, one of the best singers on today’s Jazz Scene, Lynette Washington has been a regular on the playlist here at Pure Jazz Radio. We’re happy to add cuts from the new album « Live, at New Roc Summer Sounds ». Up to now, I’ve only heard studio recordings from Lynette.  Nice to hear that her vocal chops translate well to a live audience, thanks greatly to the able backing of Dennis Bell Jazz NY. Congratulation on the new album!
Rich Keith
G. M. of Pure Jazz Radio
New York
www.purejazzradio.com

Lynette Washington’s vocal interpretation and strength captured my attention, several years ago, as I was searching for something great to fit into my Jazz Vocal section of my radio show on Denver’s Jazz 89 KUVO. I contacted the record label and received her album « Live at the X » (Celebrating the Music of Miles Davis, Carmen McRae, Sarah Vaughan & Shirley Horn), again becoming captivated by the arrangements and interpretations of beloved Jazz standards. This new release “LIVE! At New Roc Summer Sounds »carries her even further forward in live performance enjoyment. I hope the listener enjoys this recording as much as I do.
Janine Santana
KUVO Denver on air host
Owner Santana Media Networks, LLC
PD My VS Radio Online

Lynette Washington’s latest release “Live @ NewRoc Summer Sounds”(GuavaJamm Entertainment, Inc.) comes to us at the right time, as summer arrives and live jazz starts to kick off in all our local venues. This new album is a wonderful journey into live jazz vocals with very strong quartet backing from Dennis Bell-Piano, Gerry Malkin-Tenor Sax, Paul Beaudry-Bass and Lucianna Padmore on Drums. Lynette’s vocals bring rich, soulful jazz and funk to classic tunes likeSummertimeStolen Moments, the Irving Berlin classic “How Deep Is the Ocean”leading into a great samba beat for the R&B tune “On the Ocean”. So, if you love live music and want to take a trip in your mind, close your eyes and enjoy this fantastic new release from Lynette Washington.
Howard Chino Ng
Host Producer
The Great American Song Book
Los Angeles, CA
www.eastlarevue.com

A consummate singer in every sense of the word, Ms. Washington is also highly regarded by musicians as a “singer’s singer.” « Lynette is one of the most unique and original singers that I’ve worked with and I’ve worked with many. She has an amazing voice and sounds like no one else. She is among the greats. »
Alex Blake, World Renowned Bassist 

« I’ve made music with some of the world’s greatest singers, from Phillis Hyman to Chaka Kahn, even Anita O Day. I would put Lynette Washington in that category of world’s greatest. »
 Victor Jones, Grammy Award winning, World Renowned Drummer, Bandleader

« Lynette has an undeniable gift. Her voice reaches the depths of your soul. »
 Casey Benjamin-Multi Grammy Award-winning Saxophonist (Robert Glasper Experiment)

« Lynette is, absolutely, one of my favorite vocalists! She’s so gifted she can make something out of nothing!
I once asked her to sing a song I wrote in a recording studio. The song had no words and no lead melody. Lynette completed the song, making it sound like SHE wrote it! »
Tommy Campbell, World Renowned Drummer (Dizzy Gillespie, Sonny Rollins etc.)

# # # #

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

 

 

jazzLogo.jpg
August 24, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

GARY LUCAS

NEWS AND UPCOMING SHOWS

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Gary Lucas, Feifei Yang and Jason Candler rocked The Loft at City Winery with their new  show “The Edge of Heaven Live: From Shanghai to New York” 7/25/18 photo by Jesse Winter

On Wed. July 25th GARY LUCAS  packed City Winery NYC’s The Loft with his new  Chinese pop project “The Edge of Heaven Live: From Shanghai to New York”, featuring award-winning vocalist and erhu virtuoso Feifei Yang with multi-instrumentalist Jason Candler.

An evening of melodic 30’s Chinese pop classics spiced with images of Old Shanghai courtesy lighting designer Kristopher Anton, the trio also performed Mandarin versions of songs by Bob Dylan, Jeff Buckley, and Jefferson Airplane to a delighted crowd which included many Chinese fans.

Check out “Grace” in Mandarin:

https://vimeo.com/258619596

and  “All Along the Watchtower”:

https://bit.ly/2qaaLnd

Review of « The Edge of Heaven Live” by cultural critic Geoffrey O’Brien:

http://garylucas.com/www/edgelive/obrien.html

and author Gary Lippmann:

http://garylucas.com/www/edgelive/lippman.html

More info:

https://bit.ly/2Aljarz

Lucas recently returned from performing at famed film director Emir Kusturica’s Bolshoi Classical Music Festival, held every summer on a mountain in Drvengrad Serbia, where on July 15th he premiered his new live score for Pudovkin’s 1925 Russian silent comedy “Chess Fever”,

https://vimeo.com/283516501

Gary also jammed after midnight on the MainStage with Macedonian guitar legend Vlatko Stefanovski to close the festival:

https://vimeo.com/281143452

This was Gary’s second appearance in Serbia this year by invitation of Emir Kusturica,  who also leads renowned Balkan gypsy-punk ensemble The No Smoking Orchestra.

Interview with Gary Lucas in Serbian national newspaper Blic:

https://bit.ly/2vGxMB0

Interview with Sputnik News Serbia conducted by Masa Radovic:

https://bit.ly/2Lu6hER

English translation:

https://bit.ly/2P6qYoj

Interview with Radio Kultura by Ksenia Lamshina:

https://bit.ly/2mjKRLt

Next up, on Thursday Sept. 27th, Gary Lucas brings his one-man multimedia show   “An Evening with Gary Lucas: From Beefheart to Buckley and Beyond”  into The Cutting Room NYC at 9:30pm, 44 East 32nd St. with special guest vocalist Feifei Yang and multi-instrumentalist Jason Candler.

https://bit.ly/2F2WvTt

Tickets:  https://bit.ly/2OxjBFg

Gary recently returned from  a 12-city UK tour of this show including London, Liverpool, Newcastle, and Glasgow  and received standing ovations and excellent reviews:

Review from Newcastle: https://bit.ly/2JAjd7b

Review from Liverpool: https://bit.ly/2IfMFyp

Review from Ramsgate: https://bit.ly/2NVIlHg

This followed 6 successful solo dates in Italy in Roma, Firenze, Milano, Calabria, Perugia, Tolentino and Bologna.

Interview in La Repubblica:

https://bit.ly/2FBcNSo

Just confirmed:

On Fri. Oct 19th, Gary Lucas performs his live solo score accompanying the legendary Spanish-language “Dracula”  (1931, d. George Melford) at NYC’s premier art house cinema The Metrograph at 77 Ludlow Street.  Lucas debuted his live score at the Havana Film Festival in 2009, and since then has performed it all over the world,  including the Jerusalem Film Festival, Cineteca Nacional in Mexico City, Queen Elizabeth Hall in London,  the Transylvania International Film Festival,  the Sevilla Film Festival, the Lodz Cinergia Festival in Poland, AFI Silver in Silver Spring, the Silent Movie Theatre in Hollywood,  and the 2010 NY Film Festival in Lincoln Center.

http://garylucas.com/www/dracula/

https://vimeo.com/12292756

Gary Lucas is a longtime pioneer of live film-scoring, going back to 1989 and “The Golem”, his collaboration with keyboardist Walter Horn which premiered at the Museum of the Moving Image in Astoria:

https://bit.ly/2m6XEQT

Since then Lucas has composed more than a dozen live film scores for a variety of films including horror, fantasy, surrealist, melodramas, and comedies. His upcoming performance with Spanish “Dracula » is the first in an ongoing retrospective series of Lucas’ live film scores at The Metrograph, curated by Jacob Perlin and Robert Melvin Rubin.

New updated Gary Lucas Live Music and Film Page:

http://www.garylucas.com/film.shtml

On Fri. Jan. 27th 2019  Gary Lucas performs the European premiere of his live solo score accompanying Luis Bunuel’s 1962 surrealist classic “El Angel Exterminador” at Sala BBK in Bilbao Spain—the first of two nights performing with the film in the famous teatro.

https://bit.ly/1ph99F3

MORE DATES TBA

New interview with Gary Lucas for “Jeff Buckley—Latinoamérica” Facebook Group conducted by Sol Valdez:

https://bit.ly/2P5C2C5

English translation:

https://bit.ly/2KOUxYj

New review of Gary Lucas’s book “Touched By Grace: My Time with Jeff Buckley” (Jawbone Press) by author and critic Gary Lippman:

The late great Southern novelist Harry Crews often touted the virtue of « getting naked » in the art one makes—and « naked » is exactly what the musical wunderkind Gary Lucas gets in Touched By Grace, his memoir about his friendship and artistic partnership with the late great singer-songwriter Jeff Buckley. Talk about wearing one’s proverbial heart on one’s sleeve! Lucas is so vulnerable in his book—painfully, beautifully vulnerable—that he surpasses nearly every other first-person music testimony on the market. What’s more, Touched By Grace serves as a detailed primer on how to decide on, commit to, remain committed to, and work your proverbial ass off in a lifetime career as a working artist. In prose as well as music, Lucas goes for broke—and wins. Big.

More reviews here:

https://bit.ly/1PlHNUM

www.garylucas.com

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

 

jazzLogo.jpg

 

 

jazzLogo.jpg
August 22, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Exciting New Live Album Release CD
From Award-Winning Jazz Vocalist
LYNETTE WASHINGTON“LIVE! AT NEWROC SUMMER SOUNDS”
Featuring Dennis Bell Jazz NY
shem.gif

“LIVE! At NewRoc Summer Sounds”kicks off with the American songbook classic Summertime(from Porgy and Bess) moving seamlessly into a series of musical gems including Stolen MomentsHow Deep Is the OceanOn the OceanCristo Redentor(with lyrics by Lynette’s son Skye Washington), Nature Boy, Lynette’s signature interpretation of Nina Simone’s Images/4 Womensegueing into Thelonious Monk’s classic Straight No Chaser. The album closes with Dennis Bell’s Billboard charted hit Sidra’s Dream, a bonus instrumental originally recorded by Dave Valentin (R.I.P.) for GRP Records

Lynette is joined by Dennis Bell Jazz NY with stellar performances from Gerry Malkin (Tenor Saxophone), Dennis Bell (Piano), Paul Beaudry(Bass), and Lucianna Padmore (Drums). “LIVE! At NewRoc Summer Sounds” was produced & arranged by Dennis Bell for City Slicker Productions, engineered by Daniel Calzado for CSP Sound Solutions with assistant engineer/producer Mike Roche 0for CSP Sound Solutions and mastered by Sam Stauff for Port City Recording. The album was recorded live as part of the annual New Rochelle Council on the Arts’ Emil Paolucci Summer Sounds Concert Series in Hudson Park, New Rochelle, NY. Developed and produced by Melissa Panszi-Riebe, & Billie Tucker. Additional support was provided by Theresa Kump Leghorn, President of the New Rochelle Council on the Arts and Janet Langsam, CEO, ArtsWestchester

“LIVE! At NewRoc Summer Sounds” is available from iTunes and Apple Music.

For your organization to be serviced with full digital album or CD, email:
dennis@guavajamm.net with contact and mailing information.
Ⓟ 2018 GuavaJamm Entertainment, Inc.
www.guavajamm.net
914.397.1820

REVIEWS:
In my opinion the woman’s voice has always been the center piece of good jazz. There are not enough great jazz singers in the early 21st century and if one wants to know how it’s done they need to rush out (with all good jazz lovers) and get the great new album from Lynette Washington that floats across the air waves under the name  » Live! At NewRoc Summer Sounds. » (GuavaJamm Entertainment, Inc.).
Jim Compton-Schmidt 
America’s World Music
Jazz on KFCF 88.1 FM
Fresno, CA

For a while now, one of the best singers on today’s Jazz Scene, Lynette Washington has been a regular on the playlist here at Pure Jazz Radio. We’re happy to add cuts from the new album « Live, at New Roc Summer Sounds ». Up to now, I’ve only heard studio recordings from Lynette.  Nice to hear that her vocal chops translate well to a live audience, thanks greatly to the able backing of Dennis Bell Jazz NY. Congratulation on the new album!
Rich Keith
G. M. of Pure Jazz Radio
New York
www.purejazzradio.com

Lynette Washington’s vocal interpretation and strength captured my attention, several years ago, as I was searching for something great to fit into my Jazz Vocal section of my radio show on Denver’s Jazz 89 KUVO. I contacted the record label and received her album « Live at the X » (Celebrating the Music of Miles Davis, Carmen McRae, Sarah Vaughan & Shirley Horn), again becoming captivated by the arrangements and interpretations of beloved Jazz standards. This new release “LIVE! At New Roc Summer Sounds »carries her even further forward in live performance enjoyment. I hope the listener enjoys this recording as much as I do.
Janine Santana
KUVO Denver on air host
Owner Santana Media Networks, LLC
PD My VS Radio Online

Lynette Washington’s latest release “Live @ NewRoc Summer Sounds”(GuavaJamm Entertainment, Inc.) comes to us at the right time, as summer arrives and live jazz starts to kick off in all our local venues. This new album is a wonderful journey into live jazz vocals with very strong quartet backing from Dennis Bell-Piano, Gerry Malkin-Tenor Sax, Paul Beaudry-Bass and Lucianna Padmore on Drums. Lynette’s vocals bring rich, soulful jazz and funk to classic tunes likeSummertimeStolen Moments, the Irving Berlin classic “How Deep Is the Ocean”leading into a great samba beat for the R&B tune “On the Ocean”. So, if you love live music and want to take a trip in your mind, close your eyes and enjoy this fantastic new release from Lynette Washington.
Howard Chino Ng
Host Producer
The Great American Song Book
Los Angeles, CA
www.eastlarevue.com

A consummate singer in every sense of the word, Ms. Washington is also highly regarded by musicians as a “singer’s singer.” « Lynette is one of the most unique and original singers that I’ve worked with and I’ve worked with many. She has an amazing voice and sounds like no one else. She is among the greats. »
Alex Blake, World Renowned Bassist 

« I’ve made music with some of the world’s greatest singers, from Phillis Hyman to Chaka Kahn, even Anita O Day. I would put Lynette Washington in that category of world’s greatest. »
 Victor Jones, Grammy Award winning, World Renowned Drummer, Bandleader

« Lynette has an undeniable gift. Her voice reaches the depths of your soul. »
 Casey Benjamin-Multi Grammy Award-winning Saxophonist (Robert Glasper Experiment)

« Lynette is, absolutely, one of my favorite vocalists! She’s so gifted she can make something out of nothing!
I once asked her to sing a song I wrote in a recording studio. The song had no words and no lead melody. Lynette completed the song, making it sound like SHE wrote it! »
Tommy Campbell, World Renowned Drummer (Dizzy Gillespie, Sonny Rollins etc.)

# # # #

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

 

 

 

jazzLogo.jpg
August 9, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

FRANK CUNIMONDOALBUM,

“EPILOGUE,”

DUE FROM MCG JAZZ AUGUST 24

 

WELL KNOWN SONGS ARRANGED TO ILLUSTRATE CUNIMONDO’S UNIQUE SENSE OF HARMONIZATION

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Pittsburgh Jazz Legend, pianist, Frank Cunimondo continues to create new landscapes with his trio performing fresh versions of familiar standards. Frank’s career spans playing Jazz in Pittsburgh from the early age of 13 in 1947 to playing in Canada at age 17, Atlantic City at 18 and touring with the Billy May Orchestra at 19. He performed on the East Coast of Florida from Jacksonville to Miami for many years and played in clubs in New York City during the 1960s.  One of those New York club gigs led to a performance on The Tonight Show with Johnny Carsonin 1963. In addition to his seminal jazz piano method book he continues performing and teaching both privately and at the University of Pittsburgh.

Epilogue, as this album is aptly titled, states just how much more Cunimondo has to offer.  A recording of 12 well known standards all arranged by Cunimondo to express his particular brand of harmonization.  The closing track, “Epilogue,” is a brief original composition that tells the story and future of Frank Cunimondo.

PLAYLIST

  1. STROLLIN’ (Horace Silver)
  2. BODY AND SOUL (Edward Heyman, Robert Sour, Frank Eyton, John Green)
  3. SONG FOR MY FATHER (Horace Silver)
  4. ON GREEN DOLPHON STREET (Ned Washington, Bronislaw Kaper)
  5. CON ALMA (Dizzy Gillespie)
  6. LUSH LIFE (Billy Strayhorn)
  7. BLUES MARCH (Benny Golson)
  8. GIANT STEPS (John Coltrane)
  9. TENDERLY (Walter Gross, Jack Lawrence)
  10. POINCIANA (Nat Simon, Buddy Bernier)
  11. STELLA BY STARLIGHT (Victor Young, Ned Washington)
  12. YOUNG AND FOOLISH (Albert Hague, Arnold Horwitt)
  13. EPILOGUE (Frank Cunimondo)

ARTISTS
Touted by music critics and musicians alike as one of the most important drummers in jazz history, Roger Humphries has provided the rhythmic support for such greats as Ray Charles, Horace Silver, Richard « Groove » Holmes, Stanley Turrentine, James Moody, and countless others.  Yet perhaps his greatest accomplishment is the hundreds of young jazz musicians he has mentored in Pittsburgh over the past 50 years. Many of them playing all over the world today.

Dwayne Dolphin is a master player of acoustic, electric and piccolo basses. He shares a Tonight Show with Johnny Carsoncommonality with Cunimondo as Dolphin played on the show with Wynton Marsalis while a

member of his working band. He also has performed and toured with dozens of jazz legends ranging from Geri Allen to Fred Wesley.

Pat Crossley has been Frank Cunimondo’ s bassist for 18 years and has played extensively throughout the United States and Europewith artists such as Herb Ellis, Sam Dochery, Bill Hollis and performed on Good Morning America.

In addition to freelancing and serving an adjunct Instrumental Music teacher at his alma mater, Pittsburgh CAPA 6-12 Performing Arts School in Pittsburgh, bassist Paul Thompson has toured the world with trumpeter Maynard Ferguson as well as having played in saxophonist Stanley Turrentine’s last touring group.  Paul has performed recently with Michael Feinstein, Hubert Laws and Bob James.

Mentored by Roger Humphries, drummer Thomas Wendt maintains a busy freelancing schedule with Pittsburgh’s top jazz artists and has played with many visiting international artists like David « Fathead » Newman, Donald Byrd, Jimmy Heath, Clark Terry, Benny Golson and Freddy Cole.

Epilogue by Frank Cunimondo
Available on August 24, 2018.
Pre-Order your copy now from:

Available From

iTunes
Amazon
Google Play

http://mcgjazz.org

PRESS INQUIRES: 
For CDs, interviews and photos contact:
MARTY ASHBY / 412-322-0820 /  mashby@manchesterbidwell.org

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

 

 

 

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August 8, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

First Annual Jazz Industry Day Conference
Scheduled For September 13 In Philadelphia
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The timing is right to formally bring together the leaders, innovators and stakeholders in jazz with the goal of developing infrastructure and improving the jazz economy. —Michael Ricci, All About Jazz

A coalition of Philadelphia jazz organizations including representatives from WRTI 90.1 FM, Temple Performing Arts Center, Philadelphia Jazz Project, Jazz Lives Philadelphia, SOUTH Jazz Kitchen and All About Jazz & Jazz Near You are hosting the first annual Jazz Industry Day at Temple Performing Arts Center on Thursday, September 13th from 11:00am to 6:30pm with an after party scheduled at SOUTH Jazz Kitchen following the conference.

The one-day conference will represent a gathering place for musicians, industry professionals, and educators to learn, network, exchange ideas, and celebrate two living legends of Philadelphia Jazz: saxophonists Bootsie Barnes and Larry McKenna.

The day’s events will include a meet the experts / round-table session, a networking event as well as a performance & awards ceremony.

This first event of its kind in Philadelphia, our hope is to bring the entire jazz community together in one place to help expand professional networks, learn from experts & develop professional skill sets, foster business collaborations, all with the continued goal of building a more cohesive jazz community that’s beneficial to all.

Who Should Attend

Musicians, students, concert & festival presenters, journalists & media, radio programmers, record label reps, publicists, managers, and agents. Essentially, anyone with a professional connection to jazz.

Please join us for this one day event by RSVPing here.

RSVP NOW

Date/Time

Conference & Performance
Thursday, September 13, 2018
11:00am to 6:30pm

The free performance will be held at the Jazz Café from 4:30-6:30pm and is open to the public.

After Party
7:00pm to 9:00pm

Conference Location

Temple Performing Arts Center
1837 N Broad St
Philadelphia, PA 19122
Map

After Party Location

SOUTH Jazz Kitchen
600 N Broad St
Philadelphia, PA 19130
Map

About Jazz Industry Day

Jazz Industry Day is a one day forum for presenters, artists, educators, media, and organizations. Our goal is to create a more connected and thriving jazz community through an annual event held in Philadelphia.This story appears courtesy of All About Jazz Publicity.
Copyright © 2018. All rights reserved.

Visit Website |  Purchase Tickets

For interview requests or more information contact All About Jazz Publicity.

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Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

 

Jazz Promo Services via gmail.mcsv.net 

mer. 1 août 20:00 (Il y a 19 heures)

À moi

 

 

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August 1, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com



Tickets & Info
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Please join us for a Rare Evening with Texas Singer-Songwriter VINCE BELL. He will be reading from his original show, One Man’s Music, and performing songs from his recent, critically-acclaimed album, Ojo (Produced by Bob Neuwirth, Dave Soldier, Patrick Derivaz). Accompanying Vince Bell are beloved New York bassist RATZO B. HARRIS, who plays on Ojo, and VINNY GOLIA – an award-winning composer, bandleader and celebrated multi-woodwind performer.

Singer-Songwriter MASON SUMMIT, already with 4 records released by age 21, opens the evening. Also featuring a reading by Playwright/Poet/Essayist LEON MARTELL, widely produced + most recently, the author of the hit play ICE, a commission by LA’s 24th Street Theatre. $10 Admission includes dessert. Free Parking. Tickets available NOW @ www.ruskingrouptheatre.com.

Library Girl is now in its 9th Year. Created, Produced + Curated by Susan Hayden. Managing Director: Mike Myers. Production Support: William T Ensley, Nicole Millar + Paul Denk. All proceeds will be donated to Ruskin Group Theatre.

About Vince Bell’s album, T Bone Burnett writes: « Ojo is shamanism. » Bell’s songs have been performed and recorded by such diverse talents as Little Feat, Lyle Lovett and Nanci Griffith, and both a ballet and musical have been set to his work. Along with five critically acclaimed CDs and a live performance DVD, he is the author of an autobiography, One Man’s Music: The Life and Times of Texas Songwriter Vince Bell and one-man performance piece, One Man’s Music: A Monologue with Song. « Vince is a poet, » said the well-loved late Townes Van Zandt. Vince Bell has been a stalwart of the Texas singer-songwriter scene since he emerged in Houston in the early 1970s. A rising star, until a devastating car accident in 1982 which resulted in a serious brain injury and a 10 year-recovery. “His determined rehabilitation and subsequent comeback is a personal journey that ends triumphant in the here and now, » from Joe Nick Patoski, author of Willie Nelson: An Epic Life.

L to R – Steven Soles, T Bone Burnett, Dave Mansfield, Tony Gilkyson, Bob Neuwirth, Bob Thiele, Jr. at McCabes
July 15, 2018

In 1975 and 1976, T Bone Burnett toured with Bob Dylan’s Rolling Thunder Revue; when the Revue ended, Burnett and two other members of Dylan’s band, David Mansfield and Steven Soles, formed The Alpha Band, which released three albums: The Alpha Band (1976), Spark in the Dark (1977), and The Statue Makers of Hollywood(1978).

Media Contacts
Sharyl Holtzman
C  773.398.9009 Skype girlrockltd
www.girlrockltd.com 
Facebook/GirlRockLtd  Twitter & Instagram girlrockltd
sharyl@girlrockltd.com
Jim Eigo
Jazz Promo Services
 jim@jazzpromoservices.com
www.jazzpromoservices.com/
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Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
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Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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mer. 1 août 18:30 (Il y a 21 heures)

À moi

 

 

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August 1, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Frank Russell
Live Interview

WGNTV
Wednesday, August 1 at 11:30 AM
https://wgntv.com/on-air/live-streaming/

New Release
From Chicago Bassist Extraordinaire
Frank Russell-Influences


Listen Online

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A tribute to the legendary bass guitarists in jazz. Influences features Frank Russell’s contemporary jazz interpretation of compositions written by or associated with bass guitar heroes of Frank’s including; Stanley Clarke, Jaco Pastorius, Marcus Miller, Darryl Jones,  Stanley Banks and Paul Jackson.
Chicago native Frank Russell has been playing bass since age 14.   As a recording and touring bassist Frank has worked with such diverse artists as; Freddie Hubbard, Ramsey Lewis, Ladysmith Black Mambazo, Wallace Roney, Darryl Jones, Alphonse Mouzon, Henry Johnson, Robert Irving III, Willie Pickens, Ken Chaney and many others.
As a leader, Frank recently completed his third recording project – Influences.  The album features some of the most iconic recordings by Frank’s bass heros, re-arranged and revitalized with a fresh new sonic treatment including; Stanley Clarke’s Quiet Afternoon, Herbie Hancock‘s Actual Proof and Pat Metheny’s Bright Size Life. Closing the recording is the title track, written and narrated by Frank Russell taking on the styles of these bassist. The recording features some world renowned musicians including; Wallace Roney – trumpet, Henry Johnson – guitar, vocalist – Dee Alexander and Miles Davis’ keyboardist and musical director – Robert Irving III. »I can’t imagine a more suitable artist for a project like this — not only because Frank is such an astute chronicler of the bass guitar’s evolution in jazz, but also because he can illustrate every stylistic development along the way. Bonus points for the fact that he himself has a distinct sound of his own, allowing him to write his own name into the instrument’s history. »
Neil Tesser – Grammy Award Winning Author and Jazz Critic
I have had the good fortune to work with some of the world’s greatest jazz bassists and Influences, Influences, firmly places Frank Russell on this very short and prestigious list.  This recording, both artistically and sonically is on the level of any major label release.  Frank has assembled the finest musicians in Chicago and all of them turn in inspiring, highly motivated performances.  As a bassist, Frank displays his virtuosic skills on lead, fretless and 5 string electric bass.   The diverse track listing includes arrangements of well-known compositions from other renown bassists all of which are re-worked and re-imagined.   The original material showcases Frank’s composition ability, in particular, Rosalind’s Dream (a tribute to his wife) is a work of art.  This man has chops – and is adept at all styles of music with huge grooves and soaring solos. Of particular interest is Frank’s talent and ability to comp behind melodies and solos.  Influences is one of the best recordings to emanate out of Chicago in recent years, and proves Frank Russell is indeed one of the greatest bassists not only in the city of Chicago, but in the world!Kent Anderson – Record Executive / Producer / BassistAdditional, participants on the recording project include Frank’s band with Tim McNamara (saxophone and flute), Charles Heath (drums), Vijay Tellis-Nayak (keys) and Marco Villarreal (guitar) also, Chicago’s own renown musicians; Khari Parker and Makaya McCraven (drums) and Greg Spero (keys).
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

 

Jazz Promo Services via mail214.suw16.rsgsv.net 

mer. 1 août 18:01 (Il y a 21 heures)

À moi

 

 

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August 1, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Nighttown 50

great dining | great music

12387 Cedar Road (top of Cedar Hill)
Cleveland Heights, OH
  216-795-0550 

www.nighttowncleveland.com


Tickets & Info

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Solo Show and Brand New Instruction Book Signing from North Coast Jazz Musician and Author Extraordinaire! 
Cliff Habian began piano lessons at the age of nine and was composing music just a few years later with both classical and jazz music being strong influences, he decided early on to integrate the two genres into his own unique style.
A multifarious pianist, Cliff can play in virtually any style and performs comfortably in groups settings as well as solo performances. Eventually, Cliff would become s disciple of the « Third Stream » style.
After attending the Cleveland Institute of Music, as a composition major under the late Donald Erb,  he accepted a position as Director of American Music and Department Head of Keyboard studies at the Cleveland Music School Settlement, where he taught for 13 years.
He has worked with such greats as Joe Lovano, Freddie Cole, Frank Morgan, Jane Ira Bloom and many others in addition to appearing on “Good Morning America”.
Cliff was recently honored to play for the great concert pianist Lang Lang receiving wonderful kudos from the international superstar.
His international reputation began with a recording debut for Milestone/Fantasy Records.
Locally, Cliff regularly has or is performing at Nighttown, Johnny’s on Fulton, Johnny’s Downtown, Club Isabella, Blu Jazz and Taza.Visit Website
Watch Video
“This is the jazz piano book many of us wish we had at the start of our pedagogy!”

NEW! 186 spiral-bound pages and online audio. by Cliff Habian. Jazz Piano Essentials includes a collection of riffs, patterns, and exercises as well as explanations of stylistic piano idioms such as stride, walking bass, rootless voicings, rhythm changes, blues, swing, bebop and others supported with transcriptions, arrangements, and solos based on standards. It also contains many intros and endings along with standard runs and fills. A unique compendium full of personal tips and secrets of jazz piano collected over a lifetime of study and performance. Classical musicians starting to investigate jazz or intermediate to advanced players wanting to enhance their skill set will find this book to be full of promise and absolutely “essential.”

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

 

Jazz Promo Services via mail219.atl21.rsgsv.net 

18:18 (Il y a 3 heures)

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July 27, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

GARY LUCAS

NEWS AND UPCOMING SHOWS

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Gary Lucas premiere his new live solo score accompanying Pudovkin’s 1925 comedy “Chess Fever” at Emir Kusturica’s Bolshoi Classical Music Festival in Drvengrad Serbia 7/15/18

GARY LUCAS recently returned from playing famed director Emir Kusturica’s Bolshoi Classical Music Festival, held every summer on a mountain in Drvengrad Serbia, where he premiered his new live score for Pudovkin’s 1925 Russian silent comedy “Chess Fever”, which utilized in part Gary’s solo arrangements of Russian classical music by Tchaikovsky and others. The Bolshoi Classical Music Festival centers around a competition of the cream of young classical music virtuosos from Serbia and Russia:

https://bit.ly/2L4T8xj

While there Gary also jammed after midnight on the MainStage with Macedonian guitar legend Vlatko Stefanovski to close the festival:

https://vimeo.com/281143452

This was Gary’s second appearance in Drvengrad this year by invitation of Emir Kusturica, who also leads the Balkan Gypsy punk No Smoking Orchestra.

Updated Gary Lucas Live Music and Film Page:

https://bit.ly/2ayknkK

On Wed. July 25th Gary Lucas packed City Winery NYC’s new intimate room The Loft with his ongoing 30’s Chinese pop project “The Edge of Heaven Live: From Shanghai to New York”.

https://bit.ly/2Aljarz

An evening of exotic 30’s Chinese pop featuring vocalist and erhu virtuoso Feifei Yang with multi-instrumentalist Jason Candler, the trio also performed new Mandarin versions of songs by Bob Dylan, Jeff Buckley, and Jefferson Airplane to a delighted crowd which included many Chinese fans, flanked by gorgeous projections of Old Shanghai courtesy lighting designer Kristopher Anton.

Check out their new version of “Grace” in Mandarin:

https://vimeo.com/258619596

And Bob Dylan’s “All Along the Watchtower”:

https://bit.ly/2qaaLnd

Next up, Gary Lucas performs on Fri. July 27th at the Lincoln Center Out of Doors Festival as part of producer Hal Willner’s Tribute to the Music of Nino Rota,  “Amarcord Nino Rota”, which boasts an amazing panoply of talented musicians including Steve Bernstein, Lenny Pickett, Kate St. John, Michael Gibbs, Teddy Thompson,  David Weisberg, Marty Ehrlich, Art Baron, Jennifer Charles and many others.

For more information:

https://bit.ly/2lt47Gc

Gary Lucas Plays Nino Rota’s Music from Fellini’s “La Dolce Vita” solo acoustic:

https://bit.ly/2KCPu0Y

On Thursday Sept. 27th, Gary Lucas brings his one-man multimedia show  “An Evening with Gary Lucas: From Beefheart to Buckley and Beyond”  into The Cutting Room NYC at 9:30pm, 44 East 32nd St. in Manhattan, with special guest vocalist tba.

https://bit.ly/2F2WvTt

Just confirmed:

On Fri. Oct 19th, Gary Lucas brings his celebrated live solo score accompanying the legendary Spanish-language “Dracula”  (1931, d. George Melford with Lupita Tovar and Carlos Villarias) ) to NYC’s premier art house cinema The Metrograph at 7 Ludlow Street.

Lucas premiered his live score at the Havana Film Festival in 2009, and since then has performed it all over the world,  including Cineteca Nacional in Mexico City, at the Transylvania Film Festival, the Sevilla Film Festival, the Lodz Cinergia Festival in Poland,  and at the 2010 NY Film Festival at the Walter Reade Theatre in Lincoln Center.

http://garylucas.com/www/dracula/

https://vimeo.com/12292756

On Fri. Jan. 27th 2019 in Bilbao Spain, Gary Lucas performs the European premiere of his live solo score accompanying Luis Bunuel’s 1962 surrealist classic “El Angel Exterminador” at Sala BBK.  This performance is the first of two Gary Lucas nights performing with the film in the famous teatro.

https://bit.ly/1ph99F3

MORE DATES TBA

www.garylucas.com

 

Jazz Promo Services via mail96.atl11.rsgsv.net 

jeu. 26 juil. 21:30 (Il y a 1 jour)

À moi

 

 

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July 26, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

New Digital Single from Susie Blue and the Lonesome Fellas “The House of Blue Lights”  featuring Chicago pianist Willie Pickens

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Western Swing band Susie Blue and the Lonesome Fellas releases a new single this summer – “The House of Blue Lights”–  featuring Chicago pianist Willie Pickens.

The digital-only single is a bluesy  arrangement of the classic Freddie Slack tune and features Chicago saxophonist  Jim Gailloreto.

Preston Frazier of  Something Else Reviews writes –  “’The House of Blue Lights’ kicks up  tempo and intensity.  The song  jumps out of the speakers with  blues-infused honky tonk piano by Willie Pickens which frames Solitaire Mile’s straight forward and powerful delivery,  and  Pickens’ solo more than matches the intensity and enthusiasm of the band. This will make you want to get up and shake a little.”

You can find the single on itunes, Amazon, Spotify and also
at Bandcamp HERE

Susie Blue and the Lonesome Fellas  go into the recording studio this summer to record their long-awaited 2nd full length Western Swing release with new band members including  Grammy winning Harmonica Maestro Howard Levy, Accordionist  Frank Caruso, Texas Swing Vocalist Keith Weber,  Melodica player aka Jazz Writer Scott Yanow, and Bass Trumpeter Jack Gallagher.  The band will be led by Musical Director and Guitarist Neal Alger.  The selections will feature traditional Western Swing tunes by Cindy Walker, Spade Cooley and Pee Wee King,  as well as 1950’s Retro Country songs by Carl Perkins, Willie Nelson, Patsy Cline,  Ernest Tubb and  Tennessee Ernie Ford .   The new collection will have the late 1940’s Western Swing flavor of the last album, but also adding some  1950’s Retro Country  vibes  as well. It will be released in Spring  2019 on Seraphic Records.

You can find Susie Blue and the Lonesome Fellas on the web here http://www.susiebluelonesomefellas.com/

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
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Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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Jazz Promo Services via mail149.atl171.mcdlv.net 

00:00 (Il y a 14 heures)

À moi

 

 

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July 19, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

 

Jazz Promo Services via mail139.sea81.mcsv.net 

mer. 11 juil. 21:50 (Il y a 5 heures)

À moi

 

 

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July 11, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

GARY LUCAS

NEWS AND UPCOMING SHOWS

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photo: Gary Lucas at the Jecheon International Music and Film Festival in South Korea.

GARY LUCAS is busy finishing up several new albums in NYC, and recording new tracks for Italian vocalist Simone Moncada, US singer/songwriter Rich Krueger, and Mexican alternative band Rojo Marfil. His recent successful overseas solo tour covered 18 solo shows in the UK and Italy, including sold-out shows in Cumbria England and Le Marche Italy.In the UK, Lucas’ one-man multimedia show “An Evening with Gary Lucas: From Beefheart to Buckley and Beyond” received standing ovations  and took him to London, Liverpool, Newcastle, Glasgow, Bristol and other cities.

The 90-minute show features music and stories from his collaborations with Don Van Vliet (Captain Beefheart) and Jeff Buckley,  rare video clips, and songs and instrumentals ranging over Gary’s 30-plus solo albums:

https://bit.ly/2F2WvTt

Review of Newcastle show: https://bit.ly/2JAjd7b

Review of Liverpool show: https://bit.ly/2IfMFyp

On the UK tour, Gary’s vocal collaborators included Pierre Roxon, Nathalie McCool, Yass Body, Emma Buckley, Luke De Scisio, and Addie Brik.

In Italy, Lucas performed with vocalist Alessio Franchini in Firenze and Bologna, and with singer Marco Caporicci in Roma.

He also performed with singer Emilio Sorridente and his band in Calabria at the historic Museo Del Rock Catanzaro, which boasts one of the most comprehensive exhibitions of rock memorabilia in the world.  This was Lucas’ first time performing in Calabria.

Next up July 14-18th Lucas performs at the Bolshoi Classical Music Festival, held annually on a mountain in Kustendorf Serbia, by invitation of famed film director Emir Kusturica–twice winner of the Palme d’ Or at Cannes, and leader of the No Smoking Orchestra. The Bolshoi Classical Music Festival centers around a competition among the cream of young classical music virtuosos from Serbia and Russia,

https://bit.ly/2L4T8xj

On Sun. July 15th at the Bolshoi Festival Lucas will premiere his original live solo soundtrack based on Russian classical music  accompanying the 1925 silent Soviet comedy “Chess Fever” directed by Vsevolod Pudovkin and Nikolai Shpikovsky. This is Lucas’ second time performing in Kustendorf this year, after playing the Kustendorf Film and Music Festival last January with his live solo film score accompanying Rene Clair’s 1924 surrealist classic “Entr’acte”,  and Vladimir Mayakovsky and Lilya Brik’s 1918 lost Futurist short “Bound By Film”:

https://vimeo.com/254324707

Updated Gary Lucas Live Music and Film Page:

https://bit.ly/2ayknkK

On Wed. July 25th Gary Lucas presents “The Edge of Heaven Live: From Shanghai to New York”  at The Loft at City Winery, 155 Varick St. at 7:30pm. An evening of melodic 30’s Chinese pop featuring vocalist and erhu virtuoso Feifei Yang with multi-instrumentalist Jason Candler,  the trio will also perform new Mandarin versions of songs by Bob Dylan, Jeff Buckley, Jefferson Airplane and others,  with gorgeous projections of Old Shanghai courtesy lighting designer Kristopher Anton.

Check out their new version of “Grace” in Mandarin:

https://vimeo.com/258619596

Tickets:

https://bit.ly/2IXj5m1

The Edge of Heaven Live page:

https://bit.ly/2Aljarz

On Fri. July 27th, Lucas performs at Lincoln Center as part of his friend and collaborator Hal Willner’s Tribute to the Music of Nino Rota,  “Amarcord Nino Rota”, in a program devoted to the iconic Italian composer of choice for Federico Fellini. The concert is part of the free Lincoln Center Out of Doors Festival in Damrosch Park Manhattan.

For more information:

https://bit.ly/2lt47Gc

Gary Lucas Plays Nino Rota’s Theme from Fellini’s “La Strada” solo acoustic:

https://bit.ly/2KIGhko

Thursday Sept. 27th, Gary Lucas brings his one-man multimedia show  “An Evening with Gary Lucas: From Beefheart to Buckley and Beyond”
into The Cutting Room NYC at 9:30pm, 44 East 32nd St. in Manhattan, with special guest vocalist tba.

https://bit.ly/2F2WvTt

And on Fri. Jan. 27th 2019 in Bilbao Spain, Gary Lucas performs the European premiere of his live solo score accompanying Luis Bunuel’s 1962 surrealist classic “El Angel Exterminador” at Sala BBK.  This performance is the first of two Lucas shows accompanying the film in the famous teatro.

https://bit.ly/1ph99F3

MORE DATES TBA

www.garylucas.com

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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mer. 11 juil. 22:00 (Il y a 4 heures)

À moi

 

 

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July 11, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Jazz In Europe Launches Print Magazine

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In an increasingly digital-first world, European jazz platform Jazz In Europe have announced they are making their print début with the brand new Jazz In Europe print magazine.

The first edition (Summer 2018) features articles and interviews with some of the jazz worlds hottest artists including amongst others pianist Christian Sands, Grammy® winning drummer Terri Lyne Carrington, The Zurich Jazz Orchestra, Reggie Washington, Ola Onabulé and an extensive feature on London’s premier jazz photographer, Carl Hyde.

Jazz In Europe was founded in 2013 by American ex-pat Johan van Deeg. Johan believed that there was a need for a jazz platform that focused on the entire European jazz scene in the English language. After his passing in 2016 the platform was continued by Nigel J. Farmer who is currently the Chief Editor. Over the last few years the platform has experienced substantial growth and currently seen as one of the leading jazz portals in Europe achieving over 205k page views each month.

« With our website currently experiencing substantial growth we believe that the addition of a print magazine is the logical next step in expanding our reach and will be a tangible addition to what we provide on the website. »stated Farmer in a recent article.

He went on to say « It’s an interesting time to launch a new print magazine. Many industry pundits are saying print is dead. However, in our opinion this statement requires some qualification. There’s no doubt that in some markets, traditional print via the news stand and subscription is struggling, on the other hand many niche publishers are doing very well. »

« In the magazine you’ll notice that we’ve approached the material from a slightly different angle. Magazines are a great way to go deeper on certain stories and trends. They’re also a wonderful tangible expression of a brand, presenting what the platform values in a thoughtful way. While we do publish in-depth content on the website, it’s nature is more “of the moment”. The magazine will provide content that we believe does not have an expiry date and this sets us apart from otherpublications. In the Jazz In Europe magazine you won’t find tour announcements, CD reviews or gig features, this content we believe fits better on the website. Our idea was to produce a “Coffee Table” publication that you can keep coming back to. »

« The magazine is focused on the artists that create the music we love and allows us to go deeper than we can on the website. The visual aspect is also important; we believe that presenting high quality images with clean design and in high quality print will be something our readers will enjoy. In affect, we see print as another opportunity to reach our audience with a product they’ll find valuable. »

In producing the magazine Jazz In Europe have chosen for a 21st century publishing solution “Print On Demand”. This publishing method has many advantages over the traditional print model and provides benefits not only for the publisher but also for the reader. Print on Demand allows the customer to order online and have the magazine produced on demand at a printer local to the customers shipping address, thereby avoiding excessive shipping costs. Our Print on Demand partner has a hand-picked global network of quality printers that best ensures your order is of the highest quality print and the lowest shipping and handling costs.

Jazz in Europe is a European focused platform with a global readership, in fact close to 40% of their readership lives outside of the European continent. « With the Print On Demand model, our magazine is available to all our readers at a fair price no matter your location. A further benefit is environmental, Print on Demand means NO wastage and with the magazine being printed close to the customer reduces our delivery footprint. » Says Farmer.

Jazz In Europe’s publisher, Andrew Read said “When we looked at the magazine we decided to take the lead from the music industry. The music industry has already dealt with many of the issues that the publishing industry is now dealing with. We recognise that our readers wish to consume content in different ways, just like the music business, you have those that wish to stream it, some prefer digital downloads while others want to have a physical copy. We’ve applied the same approach for our magazine. »

For those that want to read it online you can read the full magazine free on issuu.com. If you want to have a physical printed copy you can order online and it will be delivered to your door and for those looking for a download in the near future we will also be introducing an app based version for iOS and Android with full interactivity including streaming audio and video in the coming months. Our digital magazine will be available in the Apple App Store and on Google Play.”

Jazz In Europe is not content with sitting still. In September Jazz In Europe will launch a new internet Jazz Radio platform under the name Jazz Republic Radio and are currently working on up-grades to the website to leverage video and provide users with a greater experience.

–———- ENDS –———

Further Information:

Contact: info@jazzineurope.com

To Order The Magazine Online: http://bit.ly/2sVU1BA

To view the magazine on issuu.comhttp://bit.ly/2tbY5ho

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677 / F: 845-986-1699
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

 

Jazz Promo Services via mail207.atl171.mcdlv.net 

mar. 10 juil. 18:30 (Il y a 2 jours)

À moi

 

 

jazzLogo.jpg
July 10, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Happy Summer Tour!
“My Heart Belongs To Satchmo”
ROBERTA DONNAY
& the Prohibition Mob Band
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featured in July Downbeat Magazine 2018 ~ 
7/13- Armando’s, Martinez, CA
7/19- Live Radio Interview “Jazz Now”, WOWD 94.3fm Takoma Park, MD7/23- 7 Mile House, Brisbane, CA7/25- Angelica’s, Redwood City, CA8/11- Harmonia Marin, Sausalito, CA
8/18- 27th Annual Tomato Festival, Fairfield, CA
8/25- Workshop (Branding,Marketing,Booking), Los Angeles, CA8/29- Vibrato’s, Los Angeles CA
For tix and Info: www.robertadonnay.comVENUE & TICKET LINKS: — Armando’s: http://www.armandosmartinez.com/
​Angelica’s: http://angelicaswm.tunestub.com/event.cfm?cart&id=283698Radio Interview « Jazz Now » WOWD 94.3fm:
https://takomaradio.org/on-the-radio/
Harmonia Marin: http://www.harmoniamarin.com/
Tomato Festival: http://www.fairfieldmainstreet.com/
Vibrato’s Jazz Grill: http://www.vibratogrilljazz.com/
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

 

Jazz Promo Services via mail101.sea91.rsgsv.net 

19:14 (Il y a 2 heures)

À moi

 

 

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June 29, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

GARY LUCAS

NEWS AND UPCOMING SHOWS

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photo of Gary Lucas by Michael Alkk

GARY LUCAS is busy finishing up several new albums in NYC and is still buzzing from his recent successful European solo tour,  which covered 18 solo shows in the UK and Italy, including sold-out shows in Cumbria England

and Le Marche Italy.

In the UK, Lucas’ one-man multimedia show “An Evening with Gary Lucas: From Beefheart to Buckley and Beyond” received standing ovations throughout and took him to London, Liverpool, Newcastle, Glasgow, Bristol and other cities.

The 90 minute show features music and stories from his collaborations with Don Van Vliet (Captain Beefheart) and Jeff Buckley,  rare video clips, and music from Gary’s 30-plus solo albums:

https://bit.ly/2F2WvTt

Rave Review of Newcastle show: https://bit.ly/2JAjd7b

Rave Review of Liverpool show: https://bit.ly/2IfMFyp

In Italy, Lucas performed with vocalist Alessio Franchini in Firenze and Bologna,
and with singer Emilio Sorridente in Calabria at the historic Museo Del Rock Catanzaro, which boasts one of the most comprehensive exhibitions of rock memorabilia in the world. This was Lucas’ first time performing in Calabria.

In the UK, Gary’s vocal collaborators included Pierre Roxon, Yass Body, Emma Buckley, Luke De Scisio, and Addie Brik.

Next up on July 14th, Lucas opens the Bolshoi Classical Music Festival on a mountain in Kustendorf Serbia by invitation of famed film director Emir Kusturica (twice winner of the Palme d’ Or at Cannes):

https://bit.ly/2L4T8xj

At the festival, which centers around a competition among the cream of young classical music virtuosos from Serbia and Russia, Gary will premiere his original live solo soundtrack based on Russian classical themes accompanying the 1925 silent Soviet comedy “Chess Fever”, directed by Vsevolod Pudovkin and Nikolai Shpikovsky.

This is Lucas’ second time performing in Kustendorf this year, after playing at the opening of the Kustendorf Film and Music Festival last January with his live solo film score accompanying Rene Clair’s 1924 surrealist classic “Entr’acte”,  and Vladimir Mayakovsky and Lilya Brik’s 1918 lost Futurist short “Bound By Film”:

https://vimeo.com/254324707

Gary Lucas Live Music and Film Page:

https://bit.ly/2ayknkK

On Wed. July 25th Gary Lucas presents “The Edge of Heaven Live: From Shanghai to New York”  at The Loft at City Winery, 155 Varick St. at 7:30pm.

An evening of melodic 30’s Chinese pop featuring vocalist and erhu virtuoso Feifei Yang with multi-instrumentalist Jason Candler,  the trio will also perform new Mandarin versions of songs by Bob Dylan, Jeff Buckley, and others,  in tandem wth projections of Old Shanghai by lighting designer Kris Anton.

Check out their new version of “Grace” in Mandarin:

https://vimeo.com/258619596

Tickets:

https://bit.ly/2IXj5m1

The Edge of Heaven Live page:

https://bit.ly/2Aljarz

On Fri. July 27th, Lucas performs at his longtime friend and collaborator Hal Willner’s Tribute to the Music of Nino Rota,   “Amarcord Nino Rota”, in a program devoted to the film music of the iconic Italian composer of choice for Federico Fellini.

The concert is part of the free Lincoln Center Out of Doors Festival in Damrosch Park Manhattan.

For more information:

https://bit.ly/2lt47Gc

Just confirmed:

Thursday Sept. 27th, Gary Lucas brings his one-man multimedia show “An Evening with Gary Lucas: From Beefheart to Buckley and Beyond”  into The Cutting Room NYC at 9:30pm,  44 East 32nd St. in Manhattan, with special guest vocalist tba.​

MORE DATES TBA

www.garylucas.com

 

Jazz Promo Services via mail52.wdc01.mcdlv.net 

19:01 (Il y a 2 heures)

À moi

 

 

jazzLogo.jpg
June 29, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Bassist Oytun Ersan

and his band of jazz fusion all-stars
shine on his dynamic new release, 
Fusiolicious
Funk and progressive jazz
fuse in a brilliant second album from

Turkish Cypriot bassist Oytun Ersan

“Tighter than a shoal of fish fighting squid ink in a sea of plastic. Fusiolicious: intensely fused.”
–All About Jazz
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On his brand-new sophomore release, Fusiolicious, Turkish Cypriot bassist Oytun Ersan has an all-star band on hand to present seven cooking original tunes. The music is expertly executed on an intriguing blend of electric and acoustic instruments, featuring giants of jazz fusion, including drummer Dave Weckl, saxophonist Eric Marienthal, and keyboardists Gerry Etkins and Gary Husband.

“Versatile” doesn’t begin to describe the prodigiously talented bassist, composer and educator Oytun Ersan. Since his mid-teens he has been a valued member of the International Nicosia Municipality Orchestra, the largest band in his home town in Northern Cyprus. The ensemble performs a varied repertoire including classical, regional and seasonal works composed by the masters of the genres. But when left to his own devices, Oytun Ersan is a master composer in his own right, as evidenced by the top-flight funk and progressive jazz presented on his aptly named second album, Fusiolicious.

Besides conducting workshops and appearing at festivals around the globe, Oytun has performed and recorded with a range of acclaimed artists including trombonist Wycliffe Gordon, trumpeter Rex Richardson, Nigerian singer/songwriter Ola Onabule, and many others.

Joining bassist Oytun Ersan on Fusioliciousare drummer Dave Weckl (Modern Drummer Hall of Fame; Mike Stern, Jeff Lorber, Chick Corea), saxophonist Eric Marienthal (Dave Grusin, George Duke, Yellowjackets), keyboardists Gary Husband (Allan Holdsworth, John McLaughlin, Billy Cobham) and Gerry Etkins (Billy Cobham, Kevin Eubanks, Dean Brown), guitarists Dean Brown (Marcus Miller, Brecker Brothers, Dave Sanborn), Mike Miller (Chick Corea, Quincy Jones, Yellowjackets), Brett Garsed (John Farnham, Nelson), and Okan Ersan (Al di Meola, Chick Corea, Robben Ford);trombonist Gökay Gökşen, trumpeter Utku Akyol, violinist Karen Briggs (David Grusin, Chaka Khan, Yanni), and vocalists Simge Akdoğu andAytunç Akdoğu.
Highlights from Fusioliciousinclude:

“Oh, That Butterfly,” floats like the winged beauty it’s named for, but also stings like a bee, with a contagious energy that defies the listener to sit still. Inspired by the butterfly logo on his Fodera guitar,  Oytun dedicates the tune to the maker of his beloved instrument.

“Rise Up” is a shape-shifter of a song. It’s tender violin opening has a folkloric delicacy, but soon the entire band joins in with an anthemic intensity.

The soloists shine on “Rooms,” in particular the brilliant sax soaring over an ominously funky bass line. Heartfelt vocals and a spare solo piano are spotlighted in the soulful “Sacred Solace,” a compelling standout in its simplicity and beauty.

With his exciting new release, Oytun Ersan once again proves himself a jazz fusion force to be reckoned with. Any fans of progressive jazz, fusion and funk who aren’t familiar with this bassist and composer owe it to themselves to give Fusioliciousa listen.

Oytun Ersan Fusiolicious (Self-produced ) Street Date: June 1, 2018

Oytun Ersan (Bass), Dave Weckl (Drums), Eric Marienthal (Saxophone), Gary Husband (Keys) ,Gerry Etkins (Keys), Dean Brown (Guitar), Mike Miller (Guitar), Brett Garsed (Guitar), Okan Ersan (Guitar), Gökay Gökşen (Trombone), Utku Akyol (Trumpet), Karen Briggs (Violin), Simge Akdoğu (Vocals), Aytunç Akdoğu (Vocals)

Website: www.oytunersan.com
Instagram: www.instagram.com/oytunersan
Facebook: www.facebook.com/OytunErsanOfficial

NATIONAL PRESS CAMPAIGN: 
JIM EIGO, JAZZ PROMO SERVICES

272 State Route 94 South #1, Warwick, NY 10990-3363

Ph: 845-986-1677 jim@jazzpromoservices.com • www.jazzpromoservices.com
“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

 

RADIO PROMOTER CONTACT
JOSHUA M. ELLMAN Groov Marketing & Consulting (Southwest)

1813 N. Ave 46
Los Angeles, CA 90041

1-877-GROOV-32

www.groovmarketing.com

 

Available From:
CDBaby, iTunes, Apple Music, Amazon, Tidal,

Google Music Store and major streaming sites such as Spotify.

 

Jazz Promo Services via mail114.suw111.mcdlv.net 

18:02 (Il y a 3 heures)

À moi

 

 

jazzLogo.jpg
June 29, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


Bobby Sanabria’s New CD

« West Side Story Reimagined »
Aids Puerto Rican Relief Effort
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 Bobby Sanabria Multiverse Big Band
“West Side Story Reimagined”
(Jazzheads JH1231)
Street Date: 07/20/2018
www.jazzheads.com

MUSICIANS:
Multiverse Big Band TRUMPETS Kevin Bryan – lead Shareef Clayton Max Darché Andrew Neesley SAXOPHONES David Dejesus- lead alto, soprano, flute Andrew Gould – alto, flute Peter Brainin- tenor, flute Yaacov Mayman – tenor, flute, clarinet Danny Rivera – baritone TROMBONES David Miller – lead Tim Sessions Armando Vergara Chris Washburne- bass FLUTE, PICCOLO Gabrielle Garo ELECTRIC VIOLIN Ben Sutin RHYTHM Bobby Sanabria – musical director, drums, whistle, lead vocals, coro Darwin Noguera – piano Leo Taversa – electric bass Oreste Abrantes – congas, itotele batá drum, coro Matthew Gonzalez – bongo/cencerro, primo bomba drum, Iyá bata, requinto pandereta, ganza, coro Takao Heisho – Cuban guiro macho, Dominican guira, Puerto Rican guicharro clave, okonkolo batá drum, maracas (Cuban and Venezuelan),
shekere, tambourine, cuica, pandeiro, triangle, gong

 
 
Recorded live at Dizzy’s Club Coca-Cola in NYC, this exciting new reimagining is West Side Story like you’ve never heard it before as performed by the amazing multi-Grammy nominated 21 piece Bobby Sanabria Multiverse Big Band. This set includes an accompanying 16 page booklet containing rare photographs of Maestro Leonard Bernstein, along with the timeless music of West Side Story featuring the rhythms of various Latin American countries with exciting breaking-down-the-wall instrumental big band arrangements all done through the lens of the Latin jazz continuum.

 

It’s the most ambitious reimagining of the music I have ever heard!”
– Jamie Bernstein

 

Partial proceeds from this special commemorative set will be donated to the Jazz Foundation of America’s Puerto Rico Relief Fund. The island has been completely devastated by hurricanes Irma and Maria and the government’s response has been less than adequate. What better way to help my ancestral homeland Puerto Rico and its people, than through the music of West Side Story Reimagined. – Bobby Sanabria
Upcoming Live Appearances

July 26, 2018
Bobby Sanabria & Ascensión
Newark Museum, Newark, NJ
FREE!!!
July 31, 2018
Bobby Sanabria Multiverse Big Band
Co-op City
Bronx, NY
7pm, FREE!!!
August 10, 2018
West Side Story Reimagined, Bernstein at 100
Bobby Sanabria Multiverse Big Band
Lincoln Center Out of Doors
New York, NY
7pm

 

www.jazzheads.com | Contact: jazzheads@jazzheads.com
Jazzheads | PO Box 0523 | Planetarium Station | New York, NY10024
Media Contact

Jim Eigo
Jazz Promo Services
272 State Route 94 South #1
Warwick, NY 10990-3363
Ph: 845-986-1677 
Cell / text: 917-755-8960
Skype: jazzpromo
E Mail: jim@jazzpromoservices.com
www.jazzpromoservices.com
« Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

​​

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

 

Jazz Promo Services via mail18.sea31.mcsv.net 

jeu. 28 juin 20:00 (Il y a 1 jour)

À moi

 

 

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June 28, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

​Tickets & Info
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Solo Show and Brand New Instruction Book Signing from North Coast Jazz Musician and Author Extraordinaire! 
Cliff Habian began piano lessons at the age of nine and was composing music just a few years later with both classical and jazz music being strong influences, he decided early on to integrate the two genres into his own unique style.
A multifarious pianist, Cliff can play in virtually any style and performs comfortably in groups settings as well as solo performances. Eventually, Cliff would become s disciple of the « Third Stream » style.
After attending the Cleveland Institute of Music, as a composition major under the late Donald Erb,  he accepted a position as Director of American Music and Department Head of Keyboard studies at the Cleveland Music School Settlement, where he taught for 13 years.
He has worked with such greats as Joe Lovano, Freddie Cole, Frank Morgan, Jane Ira Bloom and many others in addition to appearing on “Good Morning America”.
Cliff was recently honored to play for the great concert pianist Lang Lang receiving wonderful kudos from the international superstar.
His international reputation began with a recording debut for Milestone/Fantasy Records.
Locally, Cliff regularly has or is performing at Nighttown, Johnny’s on Fulton, Johnny’s Downtown, Club Isabella, Blu Jazz and Taza.Visit Website
Watch Video
“This is the jazz piano book many of us wish we had at the start of our pedagogy!”

NEW! 186 spiral-bound pages and online audio. by Cliff Habian. Jazz Piano Essentials includes a collection of riffs, patterns, and exercises as well as explanations of stylistic piano idioms such as stride, walking bass, rootless voicings, rhythm changes, blues, swing, bebop and others supported with transcriptions, arrangements, and solos based on standards. It also contains many intros and endings along with standard runs and fills. A unique compendium full of personal tips and secrets of jazz piano collected over a lifetime of study and performance. Classical musicians starting to investigate jazz or intermediate to advanced players wanting to enhance their skill set will find this book to be full of promise and absolutely “essential.”

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

 

Jazz Promo Services via mail54.suw91.mcdlv.net 

17:01 (Il y a 4 heures)

À moi

 

 

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June 22, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Jack Kleinsinger’s Highlights In Jazz
New York’s Longest Running Jazz Concert SeriesRussell Malone

Receives Highlights In Jazz Annual Award
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Jack Kleinsinger’s Highlights In Jazz concluded its 46th season last night with a tribute to  jazz guitarist Russell Malone and presented him with their Annual Award.

Every year since 1974 Highlights In Jazz has honored a living jazz musician for their ‘matchless musical achievements’.

Previous honorees have included Lionel Hampton, Roy Eldridge, Frank Wess, Roy Haynes, Maxine Sullivan, Hank Jones, Dr. Billy Taylor, Sonny Fortune and David Amram to name a few.

 
Highlights In Jazz will return again next year for their 47th season at their long-time location BMCC TRIBECA Performing Arts Center  Borough of Manhattan Community College in New York City.Jack Kleinsinger, a former assistant attorney general for the State of New York, has been presenting jazz concerts continuously since 1973, making Highlights In Jazz New York’s Longest Running Jazz Concert Series in New York City.In 2016 he received an honorary Doctorate of Letters degree from the University of North Florida.Visit the Highlights In Jazz archive at the University of North Florida.Photo Credit: George WirtHighlights in Jazz Media Contact
Jim Eigo
Jazz Promo Services
272 State Route 94 South #1
Warwick, NY 10990-3363
Ph: 845-986-1677
Cell / text: 917-755-8960
Skype: jazzpromo
jim@jazzpromoservices.com
www.jazzpromoservices.com
This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

 

Jazz Promo Services via mail202.sea71.mcsv.net 

jeu. 21 juin 16:01 (Il y a 1 jour)

À moi

 

 

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June 21, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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This E Mail is being sent by:

Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.

CHECK OUT OUR NEW YOUTUBE VIDEO HERE

Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2018 All rights reserved.

Jazz Promo Services

269 State Route 94 South

WarwickNy 10990

Add us to your address book

 

Jazz Promo Services via gmail.mcsv.net 

lun. 18 juin 16:15 (Il y a 4 jours)

À moi

 

 

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June 18, 2018

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


New EP

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Summertime written by George Gershwin (04:29);

Poor Butterfly written by Raymond Hubbell (02:50);

Amazing Grace written by John Newton (03:39)

Alex Maydew (piano), Mao Yamada (bass) &

Rob Hervais-Adelman (percussion)

Summertime includes the jazz standard written by George Gershwin (from Porgy and Bess), Poor Butterfly written by Raymond Hubbell and Allen’s own take on the classic hymn, Amazing Grace.  Allen is joined by Alex Maydew (piano), Mao Yamada (bass) and Rob Hervais-Adelman (percussionist).

Allen Austin-Bishop was born in Newark, New Jersey (USA) but is currently based in London.  Allen is a crossover jazz singer, who’s smooth, mellow and emotionally charged voice allows his singing to connect with a captive audience and create an emotional bond with listeners.

Available July 2nd Amazon • iTunes • Spotify

This E Mail is being sent by:

Jim Eigo Jazz Promo Services
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July 31, 2014To: Listings/Critics/Features
From: Jazz Promo Services
Press Contact: Jim Eigo, jim@jazzpromoservices.com
www.jazzpromoservices.com

MORRISTOWN
JAZZ AND BLUES FESTIVAL

SATURDAY, AUGUST 16th
Free Concert
Celebrates New Jersey’s 350th Anniversary

MORRISTOWN, NJ – The 4th Annual Morristown Jazz & Blues Festival returns to the Green on Saturday, August 16, from noon to 10:00 PM. The free concert will celebrate the 350thanniversary of the founding of New Jersey with a roster that features artists with Jersey ties handing off the stage to one of Britain’s top blues guitarists. The festival begins at noon with Trio Da Paz, considered by critics to be one of the top Brazilian jazz groups in the world. Montclair bassist Nilson Matta, guitarist Romero Lubambo and percussionist Duduka da Fonseca not only delight audiences with their performances of well-known Brazilian hits, they explore new musical territory with dazzling improvisation.

At two, legendary guitarist Bucky Pizzarelli headlines Guitar Summit with his pals Frank Vignola, Vinny Raniolo and Ed Laub. The quartet was a huge hit at last year’s Festival and returns to bring new life to popular jazz standards.

Following Guitar Summit, the extraordinary drummer Winard Harper takes the stage with Jeli Posse. The group’s first CD hit number one on the jazz charts when it was released and they are riding a wave of international popularity. Their infectious rhythms underpinning the melodic improvisations of top young players captivates audiences around the world.

At six o’clock, the music turns to the blues with South Jersey harmonica player Mikey Junior and his band. Mikey Junior is building a reputation for continuing the great blues legacy of Sonny Boy Williamson, Big Walter Horton and Paul Butterfield. His exciting band provides the perfect transition from an afternoon of great jazz to an evening of cooking blues.

The full day of music concludes with the sensational British blues guitarist Matt Schofield, picked by Guitar and Blues Magazine as one of the “top 10 British Blues Guitarists of All Time.”  An electrifying performer, Schofield is one of the biggest blues guitarists in Europe and is now building his reputation in the United States.

“The Festival celebrates New Jersey’s 350th birthday with this popular free event that has become a mid-August tradition for us,” said Mayor Dougherty who initiated the festival in 2011. “With great jazz in the afternoon and hot blues in the evening, there is something for everyone’s tastes and it’s a day to look forward to. We are so grateful to our generous sponsors for making this incredible festival possible. ”

Major sponsors for this summer’s Morristown Jazz & Blues Festival include JCP&L, The Metropolitan at 40 Park, PSE&G, Riker Danzig and Roseland.
Additional sponsors include Alaimo, Atlantic Health, ConnectOne Bank, Delaware-Raritan Engineering, Fairview Insurance, Genova Burns Giantomasi Webster, Greenbaum Rowe, Hyatt Morristown, Inglesino Pearlman, Investors Bank, Lindabury McCormick, Morristown Municipal Airport, Morristown Parking Authority, O’Donnell McCord PC, Porzio Bromberg & Newman, McEnerey Brady & Company, Jeff Rawding AIA, David Brady Esq., Villa Enterprises, Trustees of the Morristown Green, Hot House Jazz, New Jersey 350 and the New Jersey Jazz Society.

Additional sponsors include Alaimo, Atlantic Health, Delaware-Raritan Engineering, Fairview Insurance, Genova Burns Giantomasi Webster, Greenbaum Rowe, Hyatt Morristown, Inglesino Pearlman, Investors Bank, Lindabury McCormick, Morristown Municipal Airport, Morristown Parking Authority, O’Donnell McCord PC, McEnerey Brady & Company, Jeff Rawding AIA, Union Center National Bank, David Brady Esq., Villa Enterprises, Trustees of the Morristown Green, Star-Ledger, Hot House Jazz, New Jersey 350 and the New Jersey Jazz Society.

The Morristown Jazz & Blues Festival will take place on the Green in Morristown rain or shine from noon until 10:00 p.m. Admission is free and many local restaurants will be offering specials for festival attendees. Bring your lawn chairs and blankets. For more information, visit www.MorristownJazzandBlues.org.

# # # # #

Editor’s Note: Additional photos and interviews may be arranged by contacting Don Jay Smith of LKS Associates at 908-832-1020 or by email at don@lksassociates.com.

Contact:          Don Jay Smith                                                
                        908-832-1020
don@lksassociates.com
This E Mail Is Being Sent by:
Jim Eigo Jazz Promo Services T: 845-986-1677 E-Mail: jim@jazzpromoservices.com
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July 31, 2014To: Listings/Critics/Features
From: Jazz Promo Services
Press Contact: Jim Eigo, jim@jazzpromoservices.com
www.jazzpromoservices.com
Dave Stryker
“Eight Track » CD Release Show
Wed., Aug. 6th
at the Jazz StandardDave Stryker QuartetDave Stryker –guitar
Jared Gold – organ
McClenty Hunter – drums
Special Guest Vibraphonist Warren WolfThe Jazz Standard
116 E 27th St.
between Park and Lexington
NYC 10016(212) 576-2232

Dave Stryker’s new CD « 8 Track »

A celebration of classic pop tunes from the  70’s reimagined by his working trio and very special guest Stefon Harris.

DownBeat Feature Story June 2014
New CD « Eight Track »
20 Weeks on the Jazz Week Radio Charts

New Video added Pusherman/Superfly:
http://youtu.be/pXu6kNHBr_0

(Strikezone Records 8809) Street Date: March 4, 2014

featuring
Dave Stryker –guitar
Stefon Harris – vibraphone
Jared Gold – organ
McClenty Hunter – drums

Watch Dave Stryker: Making of new CD « 8 Track »  On YouTube
I’ll Be Around 

Track Listing:1. I’ll Be Around (Bell/Hurtt) 4:55

2. Pusherman / Superfly (Mayfield) 7:16

3. Wichita Lineman (Webb) (6:04

4. Aquarius (Rado/Ragni/MacDermott) 7:18

5. Never My Love (Addrisi/Addrisi) 6:10

6. Superwoman (Wonder) 6:06

7. Never Can Say Goodbye (Davis) 5:50

8. Make It With You (Gates) 5:06

9. Money (Waters) 6:50

10. That’s The Way Of The World (White, Stepney, White) 4:52

Media Contact
Jim Eigo Jazz Promo Services
Ph: 845-986-1677 / 
jim@jazzpromoservices.com
« Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

National Radio Campaign
KATE SMITH PROMOTIONS of CHICAGO      

Cell 814.482.0010

Whether you’ve heard guitarist Dave Stryker leading his own group (with 25 CD’s as a leader to date), co-leading The Stryker/Slagle Band, Blue To The Bone or as a featured sideman with Stanley Turrentine, Jack McDuff, and many others, you know why the Village Voice calls him “one of the most distinctive guitarists to come along in recent years.”
Dave Stryker was voted once again into the 2013 Downbeat Critics and Readers Polls. Besides his own 25 recordings Stryker has appeared as a sideman or producer on over 100 others. As a composer he has recorded and published over 130 original compositions. He is involved in passing it on, and was recently hired as the new Jazz Guitar instructor at Indiana University Jacobs School of Music.
. … One of the most joyous feels around. -Pat Metheny
This E Mail Is Being Sent for Dave Stryker by:
Jim Eigo Jazz Promo Services T: 845-986-1677 E-Mail: jim@jazzpromoservices.com
http://www.jazzpromoservices.com/HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.CHECK OUT OUR NEW YOUTUBE VIDEO HERE
July 31, 2014To: Listings/Critics/Features
From: Jazz Promo Services
Press Contact: Jim Eigo, jim@jazzpromoservices.com
www.jazzpromoservices.com
Gary Lucas’ « Fleischerei »: Music from Max Fleischer Cartoons feat. Sarah Stiles & Joe Fiedler @ The Bridge in Bridgehampton LI Aug. 17th/
Upcoming GL Appearances

  « Fleischerei » r to l:  Gary Lucas, Sarah Stiles and Joe Fiedler at Yellow Sound Lab NYC 5/15/14
GARY LUCAS will debut his new « Fleischerei » project–music from Max Fleischer’s delightfully surrealistic 1930’s Betty Boop and Popeye cartoons– 
at a private party at The Bridge in Bridgehampton Long Island on Sunday Aug. 17th.
His new 6-piece « Fleischerei » group– featuring Gary on acoustic guitar, music theater star Sarah Stiles (« Into the Woods ») on vocals, and Joe Fiedler (Fast ‘N’ Bulbous) on trombone–
will make their first public performance on Fri. Nov. 15th at BAM.
Listen to « The Music Goes Round and Round »:
Gary Lucas recently performed his triumphant 25th Anniversary Show with his longtime band GODS AND MONSTERS at Le Poisson Rouge in NYC Fri. June 27th.
Review from Guitar Blog:
Gary Lucas celebrated Independence Day sitting in with Mongolian/Buryat world music star NAMGAR on Fri. July 4th
at 8pm at Barbes, Brooklyn.
WILD RUMPUS (Colleen ‘Cosmo’ Murphy and Gary Lucas’ psychedelic dance project) just sold out their debut double vinyl disc « Musical Blaze-Up » on Bitches Brew.
Review from A Closer Listen:
Review from I House U:
Review from A Little Bit of Sol:
Interview with Colleen Murphy from Colorising:
Download the album here:
Vinyl available here:
Wild Rumpus « Rock the Joint » clip
206,000 hits and counting

http://bit.ly/TX2ZuR

Feature and interview from DJ Magazine:
Feature and interview from A Little Bit of Sol:

GARY LUCAS is back in NYC now after headlining the Gouveia Art-Rock Festival in Portugal  with legendary Peter Hammill (Van Der Graaf Generator) on Sunday April 27th.

Their « OTHER WORLD » album (Esoteric/Cherry Red) continues to receive stellar reviews:
Feature in Guitar Player Magazine:
Cover of Guitar Player:
http:// bit.ly/1pqPBg5 
Cover of Classic Rock Society (UK):  
New review of the duo’s debut live in London from PROG Magazine:
http:// bit.ly/1srLFcW 
New review from All About Jazz:
New UNCUT review–7 out of 10:
http:// bit.ly/1nt8kDv 
New review from Classic Rock Radio:
« The Delicious Dark World of Peter Hammill and Gary Lucas »
Progressive Rock Central:
L3 Magazine:
4 Stars in Record Collector (UK):
Feature Article in Prog Magazine (UK):
Click on page and scroll down
Review from Some Came Running
http://Review from Some Came Running:
Review from You Are a Ghost (Spain):

Gary Lucas’ recent solo album « CINEFANTASTIQUE » (Northern Spy) continues to receive excellent reviews.

« A great album »
  –Geoffrey O’Brien, NY Review of Books critic and author of  « Stolen Glimpses, Captive Shadows: Writing on Film » 
New review from Urban Graffiti:
Review from Burning Ambulance:
Review from The Big Takeover:
Best Guitar Album of 2013–Gapplegate Guitar and Bass Blog
One of the Top 10 Roots Albums of 2013–Philadelphia Citypaper
Cinefantastique web page:
New Gary Lucas station ID for Stress FM–Mihaly Vig’s music from Bela Tarr’s « Satantango »
This fall marks the 20th Anniversary of the release of JEFF BUCKLEY’s celebrated « GRACE » album–
the first two songs on the album « Grace » and « Mojo Pin » co-written and performed by Gary Lucas.
MOJO readers recently voted Jeff Buckley One of the Top 20 Most Important Music Artists of the Last 20 Years:
Lucas’ recent book « Touched By Grace–My Time with Jeff Buckley » (Jawbone Press), an in-depth look at their collaboration, continues to receive excellent reviews:
New clip about « Touched By Grace » from French filmmaker/actress Lena Friedrich:
New interview with Gary Lucas from Prepared Guitar.com:
http:// bit.ly/1kSZScR 
Letter from Prof. Chris Opperman about Gary’s recent masterclass at Rutgers University School of Music:
UPCOMING APPEARANCES
Sun. August 17th
7pm
The Bridge, Bridgehampton LI
Gary Lucas previews his new « Fleischerei » project:
Music from Max Fleischer’s Betty Boop and Popeye cartoons,
featuring Sarah Stiles vocals and Joe Fiedler trombone
at a private party at The Bridge Golf Course
Mon. Aug. 18th
9pm
Knitting Factory, Brooklyn NY
Gary Lucas sits in with Hungarian experimental avant-jazz group DeBORT,
featuring saxophonist/leader Toni Deszo, Oscar Hannson, Andras Salyik, and Janos Bujdozo
Sun Sept. 14th
2pm
Baby’s Alright, Willamsburg NY
Gary Lucas takes part in a high-end listening session devoted to Jeff Buckley’s
« Grace » album as part of Colleen Murphy’s « Classic Album Sundays »
with Gary’s special guest vocalist Caroline Cotto
Sun. Sept. 21st
8pm
Kulturhuset, Oslo Norway
Gary Lucas speaks and performs at Classic Album Sunday’s tribute to Jeff Buckley’s « Grace » album
Thurs. Oct. 9th
8pm
Symphony Space Thalia Theater, NYC
Gary performs the NYC premiere of his live score accompanying Chinese silent classic « The Goddess »
(1934, d. Wu Yonggang, with Ruan Lingyu)

http://bit.ly/1e4VepJ« Gary Lucas has created a marvelous score for the great Chinese silent classic The Goddess that not only creates the perfect period ambience for the film but even more crucially adds a rich emotional texture to this tragic tale of a woman’s struggle for justice. »–Richard Peña, Director Emeritus, New York Film Festival & Professor of Film Studies, Columbia University

Sat. Oct. 11th
8pm
North Adams, Massachusetts

Gary Lucas performs his new solo guitar score accompanying Chinese silent film classic « The Goddess » at Mass MOCA

Thurs. Oct. 16th
noon
Musik Conservatorium, Amsterdam Holland
Gary Lucas gives a Masterclass 
Sat. Oct. 18th
7pm
Paradiso, Amsterdam
Gary Lucas performs a solo acoustic concert
Wed. Oct. 29th
8pm
Paradox, Tilburg Holland
Gary Lucas performs a solo acoustic concert
Fri. Oct. 31st Halloween
9pm
United Palace Theatre, Harlem NY
World premiere of Gary Lucas’ new live solo guitar score accompanying

James Whale’s 1931 « Frankenstein »

Sat. Nov. 1st
AFI Silver Theater, Silver Spring Maryland
Special Day of the Dead show
5pm
Gary Lucas performs the world premiere of his new live score
accompanying Carl Theodore Dreyer’s 1932 horror classic « Vampyr »
followed by « Gary Lucas Cinefantastique », solo versions of
music from the films of Fellini, Tarr, Herzog, Tati,  and others
10pm
Gary Lucas performs his live solo score accompanying the legendary
1931 Spanish « Dracula » (d. George Melford, starring Lupita Tovar)

http://garylucas.com/www/dracula

Nov. 9th 8pm
Teatro de a Ciudad Esperanza Iris, Mexico City Mexico
Peter Hammill and Gary Lucas present their « OTHERWORLD » duo project live
in Mexico City
Sat. Nov. 15th
9pm
BAM Cafe, NYC
Gary Lucas debuts his new « Fleischerei » project:
Music from Max Fleischer’s Betty Boop and Popeye cartoons,
 featuring Sarah Stiles vocals, arranged by Joe Fiedler
w/ Ron Jost, Jeff Lederer, and Michael Sarin

MORE DATES TBA

Gary Lucas highly recommends « Finding Fela », the new documentary about African musical icon Fela Anikulapo Kuti,
opening Aug. 1st at IFC Center NYC and 25 cities across the US
directed by Academy Award winner Alex Gibney, produced by Ruth and Stephen Hendel
A Summer Treat: 
Listen to Wild Rumpus’  « Tikkety Boo » 
New YouTube clip:  Gary Lucas Plays « Satantango » 
New OTHERWORLD page:
Celebrate Gary’s music with cotton t-shirts from Clothing Scott:
From the latest issue of Guitar Player Magazine re Jeff Buckley’s « Grace » album:
New interview with Gary Lucas from Hit Channel (Greece):
New feature on Gary Lucas’ work from BLURT magazine:
In Loving Memory of Jeff Buckley 
November 17, 1966 – May 29, 1997
Letter to Gary from Skopje Macedonia-based musician Adi Imeri:
Listen to « Jedwabne »
RIP H.R. GIGER 2/5/40–5/12/14
Gary performed « The Golem » in Giger’s honor at the 2005 Giger Retrospective,
National Technical Museum of Prague
photo of GL at the Giger Museum in Gruyeres by Gerald Zbinden:
New interview with Gary Lucas from Guitar Blog.com:
Prof. Chris Opperman re Gary Lucas’ recent Masterclass at
Rutgers University School of Music:
Roy Trakin on « Touched By Grace »  in HITS Magazine, scroll down to #4:
New interview with Gary Lucas and Peter Hammill from The Progressive Aspect:
New web page for Gary Lucas’ live score for « The Goddess »:
Tim Buckley collaborator Lee Underwood on « Touched By Grace »:

New updated bio:

New interviews with Gary Lucas-
Figure 8 Magazine (UK)
http://www.garylucas.com
This E Mail is being sent for Gary Lucas by:
Jim Eigo Jazz Promo Services T: 845-986-1677 E-Mail:http://jim@jazzpromoservices.com
http://www.jazzpromoservices.com/HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.CHECK OUT OUR NEW YOUTUBE VIDEO
July 31, 2014To: Listings/Critics/Features
From: Jazz Promo Services
Press Contact: Jim Eigo, jim@jazzpromoservices.com
www.jazzpromoservices.com
Perry Beekman Bar Next Door 8/4
& Maverick Concerts Woodstock NY 8/9

New CD

« Bewitched: Perry Beekman Sings and Plays Rodgers and Hart »

Featuring
Perry Beekman – Vocals & Guitar
Peter Tomlinson – Piano

Lou Pappas – Bass

« As a vocalist, Perry Beekman can hold his own with any of his contemporaries. As a guitarist, Perry adds a bit of the New York panache that elevates these classics to a new rarefied level of excellence… Perry Beekman raises his game and with that moves to the very top of the pack in the traditional jazz setting. Bewitched is about as close to perfect as you can find. » -Brent Black Critical Jazz
« Bewitched » is the follow up to Perry’s 2013 debut release « So in Love: Perry Beekman  Sings And Plays Cole Porter. » Here’s what Perry has to say about his new project:

The collaboration of Richard Rodgers and Lorenz Hart was an unlikely one. Rodgers was organized and businesslike, while Hart was a notoriously unreliable alcoholic. Yet in spite of their divergent personalities, their collaboration produced some of the most beloved entries in the Great American Songbook. I leave it to their contemporaries to elaborate further:

Tuneful and tasty, schmaltzy and smart.
Music by Rodgers, lyrics by Hart.”
– Irving Berlin

It’s smooth! It’s smart! It’s Rodgers! It’s Hart!” – Cole Porter

The meticulously crafted music of Rodgers combined with Hart’s dazzling lyrics to produce over five hundred songs, populating twenty-eight theatrical productions and nine movies. This recording contains fifteen of my favorites, and I hope some of yours too.

The music on this CD is a combination of carefully planned, well-rehearsed arrangements, along with some good old fashioned “blowing.” (As we jazz folk like to call improvisation.) My goal has been to create a setting for each tune that helps express its essential nature. Here are some examples of what I mean:

– The enormously clever lyrical phrases of “I Wish I Were in Love Again” come one after another at an alarming rate. They have a percussive quality that led me to the vamp style introduction and accompaniment of the arrangement. In the instrumental break, I tried to mimic the phrasing musically with the guitar and piano.

– I find the melody of “Wait Till You See Her” to be extremely powerful in its simple beauty. So, for the instrumental section, I decided to showcase the melody with Lou’s artful bowing over a re-harmonized background provided by Peter and myself.

– I selected the bare bones guitar/voice treatment of “It Never Entered My Mind” to enhance the quality of the song’s deeply personal reckoning of love gone wrong.

– My semi-classical, instrumental treatment of “Blue Room” was inspired by the carefully measured intervallic steps of its melody. I envisioned the arrangement as collaboration between Richard Rodgers and J.S. Bach!

As I continue to explore the guitar, piano, bass trio format, new possibilities manifest themselves. I’ve come to think of my trio as a little big band, and have been trying to expand the palette of musical textures and colors available to explore the great beauty of the timeless classics that we play. (Including, but not limited to using my guitar as a bongo drum!)

Still, let there be no mistake; our goals here are to share the bountiful riches of the extraordinary Rodgers and Hart, swing hard, and to get you tapping your feet and smiling.

Once again, I have the privilege of recording with my working trio, featuring Peter Tomlinson on piano and Lou Pappas on bass. As always, I am greatly indebted to them for their inestimable contributions and commitment.

I am “Bewitched” with this music. I hope that you will be too.

The Selections:

1     I Wish I were in Love Again (2:51)

2     Mountain Greenery (3:33)

3     Wait Till You See Her (2:42)

4     Have you Met Miss Jones (3:39) Instr.

5     Bewitched (5:08)

6     Thou Swell (3:30)

7     It Never Entered My Mind (4:35) Instr./Vocal

8     My Heart Stood Still (3:41)

9     There’s a Small Hotel (3:20)

10    Spring is Here (2:58)

11    This Can’t be Love (4:21)

12    Blue Room (3:13) Instr.

13    This Funny World (2:51)

14    Falling in Love with Love (3:33)

15    The Lady is a Tramp (5:00)

Artist Website: www.perrybeekman.com

National Publicity Campaign
Jim Eigo Jazz Promo Services
Ph: 845-986-1677 / jim@jazzpromoservices.com
« Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

National Radio Campaign
KATE SMITH PROMOTIONS of CHICAGO  814.482.0010 / katesmithpromotions.kate@gmail.com

For Interviews and Promos Contact:
Jim Eigo
Jazz Promo Services
T: 845-986-1677
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July 31, 2014To: Listings/Critics/Features
From: Jazz Promo Services
Press Contact: Jim Eigo, jim@jazzpromoservices.com
www.jazzpromoservices.com
Legendary Jazz Drummer, Frankie Dunlop, Passes Away at 85

World-renowned jazz drummer and percussionist Frankie Dunlop has passed away at the age of 85.  Having battled a prolonged illness for the past several decades, Dunlop leaves behind a legacy of musical greatness that has garnered the esteem of fellow musicians and jazz fans alike.After turning professional at the ripe young age of 16, Dunlop’s career spanned close to half a century working with jazz giants including Duke Ellington, Thelonious Monk, Sonny Rollins, Charles Mingus and Lionel Hampton, just to name a few. Dunlop most often subsisted in the role of sideman, but departs us with an indelible mark on jazz history.

Predeceased by his sister Helen, and brother & jazz pianist Boyd Lee Dunlop, Frankie Dunlop is survived by a host of family, friends and fans.

A memorial-celebration of Frankie Dunlop’s life is being held on Wednesday, August 27, 2014 at 7pm, Saint Peter’s Church, 619 Lexington Avenue, New York, New York.

This E Mail Is Being Sent by:
Jim Eigo Jazz Promo Services T: 845-986-1677 E-Mail: jim@jazzpromoservices.com
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August 1, 2014To: Listings/Critics/Features
From: Jazz Promo Services
Press Contact: Jim Eigo, jim@jazzpromoservices.com
www.jazzpromoservices.com
The Return Of The City Boys AllstarsSaturday, September 27th
11:30PM  90 Min setAtThe Cutting Room

44 East 32nd Street
NY NY 10010
212 691-1900
Featuring
Guitars: Mike Merola
Bass: Al MacDowell
Keys: Rob Clores
Drums: Nick Saya
Percussion: Daniel Sadownick
Vocals: Bil Kurz, Angel Rissoff, Horace Scott
Trumpets: Tony Kadleck & Lew Soloff
Sax’s: Blue Lou Marini & Andy Snitzer
Trombone: Tom Bones Malone
Music Charges And Miniums
$20.00 in advance
$25.00 at the door
2 drink minNew CD
“BLINDED BY THE NIGHT”

(City Boys Mike Productions LLC CBOYS03-2)
Street Date: September 2, 2014Listen Here

Tracks:

 

  1. Testimony 5:31 Robbie Jaime Robertson (WB Music Corp. OBO Medicine Hat Music ASCAP)
  2. Funky Peaches 4:50 David Bennett Cohen, (Rich Hen Music, BMI)
  3. Where Have You Been? 6:44 Angel Rissoff & Richard Borken, (Rissoff Music, BMI)
  4. God Bless the Child 6:29 Billie Holiday & Arthur Herzog Jr., (Edward B. Marks Music Company, BMI)
  5. Strung Out 4:41 Frankie Paris & Harry Holt, (Nana Pudding Publishing, ASCAP)
  6. The Vow 5:24 Horace Scott & Bennett Paster, (Derayco Music, Wurliboy Music, Cityboysmike Music ASCAP/SEASAC)
  7. More Where That Came From 5:41 Angel Rissoff, (Rissoff Music, BMI)
  8. When You Needed Me 5:49 Horace Scott/Connie Alexander/Antonio Jacobs, (Derayco Music, Blacklieder Music, Cityboysmike Music ASCAP)
  9. City Boy Blues 3:38 David Bennet Cohen, (Rich Hen Music,BMI)

Musicians: Mike Merola, guitar; Al MacDowell, bass; Rob Clores, keyboards; Nick Saya, drums; Daniel Sadownick, percussion; Bil Kurz, Angel Rissoff, and Horace Scott II, vocals; Tony Kadleck and Lew Soloff, trumpets; Andy Snitzer, Lou Marini, and Tom Malone, saxophones; Tom Malone, trombone. Horn arrangements by Tony Kadleck, Tom Malone, Lou Marini, Jim Pugh, Fred Lipsius, and Pete Levin.

“Speak the truth!” That was one of the heartfelt rallying cries shouted by members of The City Boys Allstars at their gig at The Cutting Room in home base New York City on the evening of August 28, 2013. As the band’s first performance in 17 years, it was a very special night, and the new album Blinded By the Night captures all the excitement generated by these ten musicians and three singers, who are among the most honest and skilled performers in the country. No band anywhere sounds like the fun-but-serious City Boys Allstars, whose alluring combination of jazz, R&B, blues, soul, and rock elements seems at once classic and fresh. There are tight horn bands but these gentlemen are more than that. “What really strikes me is [how] playing together comes extremely easy,” affirms bandleader Mike Merola, whose sure-fingered guitar playing acknowledges Joe Pass (jazz) and B. B. King (blues) as influences. “There was always chemistry here that everybody seems to dig. Nobody could say this was a put-together band because these guys have been into it since the day they met me and I came up with the concept in 1988.” In preparation for the Cutting Room concert, the horn and rhythm sections only needed a couple rehearsals to get the communicative chemistry just right. After one full-band workout, they were more than ready for the Manhattan club date.

Mike Merola’s band brings resonant authority to all nine songs on Blinded By the Night.. The horns crackle with ebullience, and the rhythm section shows its sturdiness and dependability. Each of the three vocalists–Bil Kurz, Angel Rissoff, and Horace Scott II– sparkles in his own way, alert to the expressive properties of the words and to the arc of melodies belonging to strong material from within the band (Angel Rissoff, Horace Scott II) or from outside sources (Robbie Robertson, ex-Country Joe & the Fish member David Bennet Cohen, late great NYC blues singer Frankie Paris, and the Billie Holiday songbook).

Solos, placed thoughtfully in the crisp, intelligent arrangements, are uniformly excellent, as one might expect from world-class jazzmen like trumpeters Lew Soloff (“God Bless the Child,” “Funky Peaches,” “Where Have You Been?”), Tony Kadleck (“The Vow”), Andy Snitzer (“When You Needed Me”), jazz &  blues saxophonist Lou Marini (“Testimony,” “More Where That Came From”), and guitarist Mike Merola (“God Bless the Child,” “Funky Peaches,” “City Boy Blues,” “Strung Out”), and, not least, keyboardist Rob Clores (“Where Have You Been?”). Without question, bassist Al MacDowell, drummer Nick Saya, and percussionist Daniel Sadownick are as important to the success of City Boys Allstars music as the others, evidencing their considerable skills while radiating pure energy at all times. One of many highlights: MacDowell and Sadownick conjure deep NYC/New Orleans magic when putting a charge into “City Boy Blues.” Each and every band member is deeply devoted to making the best music possible, and they do just that.

It’s certainly worth noting the high quality of the album’s sound reproduction. Kudos go to mastering wizard Greg Calbi–his credits are innumerable, including the latest batch of Beatles reissues–and to expert mixer Joseph Borges, from Broccoli Rabe Entertainment Complex, the acclaimed sound recording studio industry firm in New Jersey.

All’s going very well for Mike Merola and the City Boys Allstars. In addition to the release of the concert album, there’s a stirring new studio album ready to go. Longtime and new fans of the band will be happy to know these ace singers and musicians, despite being in demand for other projects, are committed to finding the time for more gigs, both stateside and overseas. “This thing could really explode,” the bandleader says with characteristic honesty. “I don’t think there’s anything like us out there, quite frankly.”

www.thecityboysallstars.com
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